tag:blogger.com,1999:blog-40215611976072121762023-12-24T02:41:03.463-08:00SALORan SENI - An Arts JournalSALORan SENI is dedicated to writings by Dr.Zulkifli bin Mohamad(Zubin Mohamad) and also others. Also serves as notice board for arts events. He has contributed to many journals including Kakiseni.com, NST, Malay Mail, Jakarta Post, Djakarta, E-ASEAN News, Jakarta-Java Kini and KOSMO. Zubin Mohamad is now writing for www.themalaysianinsider.com in Bahasa Malaysia and English.zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.comBlogger113125tag:blogger.com,1999:blog-4021561197607212176.post-54746597507709073762012-05-18T00:56:00.002-07:002012-05-18T00:56:26.826-07:00Pop Islam<div dir="ltr" style="text-align: left;" trbidi="on">
Sebenarnya Pop Islam bukanlah sesuatu yang baru dalam sejarah seni, seni Islam dan sejarah Islam. Saya sendiri pernah menulis tentang ini di dalam suratkhabar KOMSO pada tahun 2006. Mungkin kita perlu melihat kembali pengaruh Revolusi Islam di Iran pada akhir 1970an, pengaruh yang juga telah menggegarkan dunia Melayu di Malaysia, Singapura, Filipina, Brunei, Thailand dan Malaysia. Sekitar tahun-tahun tersebut kita juga telah melihat satu semangat kebangkitan Islam melalui muzik yang dipanggil Nasyid, malah ada kumpulan-kumpulan nasyid yang lahir di Malaysia dan Singapura seperti Al-Jawahir dan sebagainya. Malah kumpulan tersebut terdiri daripada penyanyi2 wanita. Jika kita merujuk kepada suara dan aurat mengikut para alim ulama dan Islam ortodoks, mereka akan mengatakan ianya haram. Seni Islam Pop bukan hanya merujuk kepada seni halus atau seni visual tetapi juga lahir dalam seni muzik popular, seni filem yang semamngnya bersifat seni popular. Bila melihat Seni Islam Pop kita tidak dapat memisahkannya dengan Budaya Pop, kerana kehidupan kita di abad ke 21 tidak dapat tidak begitu terpengaruh dengan media dan globalisasi. Di dalam budaya pop, media, budaya konsumer dan fesyen begitu mempengaruhi Seni Pop, termasuk Pop Islam.<br />
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Kebangkitan semangat Pop Islam kembali menyemarak semula selepas peristiwa pengeboman Twin Towers di New York dan Pentagon di Washington DC pada 11 September 2001. Islam menjadi musuh dunia dalam sekelip mata, bersama-sama Osama Ben Ladin dan kumpulan2 pengeboman berani mati dan pengikut fahaman ortotoks Islam yang melihat Jihad dari pandangan yang salah. Pop Islam sebenarnya adalah suatu bentuk baru yang ingin merubah imej Islam sebagai sebuah agama perdamaian, dan bukan agama yang inginkan peperangan dan berlandaskan kekejaman. Percikan-percikan seni Islam pop ini berada di mana-mana, dari Iran, Mesir, Morocco, Tunisia, Turki dan malah negara-negara di Asia Tenggara sendiri telah mengamalkan polisi mengambil jalan tengah, moderation. Polisi inilah juga yang ingin disampaikan oleh Perdana Menteri Malaysia yang kelima, Abdullah Badawi melalui Islam Hadarinya. Sebenarnya konsep ini pun bukanlah sesuatu yang baru, tetapi diperbaharui semula. Abdullah dilihat sebagai seorang pemimpin yang boleh menjadi pendamai antara dunia Barat dan Islam.<br />
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Konsep Pop Islam ini terus berkembang dengan aliran muzik di dunia Islam. Nama2 seperti Raihan, Rabanni di Malaysia dan beberapa nama besar di dunia seperti Mahir Zain, Sami Yusof, Amir Diab, Rachid Taha menjadi memangkin kepada muzik Pop Islam. Di Malaysia sendiri, timbul pula nama2 baru seperti Yuna dan Najwa Latif yang bertudung tetapi mendendangkan lagu2 pop untuk peminat2 Islamnya yang terdiri daripada remaja belasan than serta remaja duapuluhan, menjadi peminat besar mereka. Yuna malah mengorak langkah ke luar dunia Melayu dengan menyanyikan lagu-lagu Inggeris dan merakamkan lagu-lagu ciptaannya di Amerika Syarikat.<br />
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Novel Islami Indonesia yang ditulis oleh Habiburahman, Ayat-ayat Cinta, menjadi sangat popular di Indonesia dan Malaysia, malah novel tersebut dijadikan filem yang kemudiannya diikuti dengan novel-novel lain serta filem-filem lain yang bercorak Islami. Malah ada yang menyatakan yang filem box office Malaysia, Ombak Rindu, cuba untuk mengaut keuntungan daripada peminat-peminat dunia pop islam. Mungkin ada banyak lagi karya-karya yang bersifat sedemikian rupa. Tapi rupa yang bagaimana? Apakah ianya berbeza sifatnya dengan seni Islam yang selama ini dianuti oleh para Orientalis melalui dunia "Hikayat Seribu Satu Malam" atau seni visualnya yang bersifat arabesque yang hanya merujuk kepada seni bina, keramik, hamparan, seni ukir, kaligrafi dan pakaian berjubah serta burqa. Apakah kaum orintalis ini yang ditentang oleh pelopor Pasca-Kolonialisma Edward Said sewaktu merujuk kepada teorinya di dalam Orientalism.<br />
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Sedutan temubual dengan Sami Yusof: http://www.youtube.com/watch?v=Dws-be02S94<br />
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<br /></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-48259745728330793092012-03-20T16:02:00.002-07:002012-03-21T03:59:38.248-07:00Reading "Anu Dalam Botol" Review<div dir="ltr" style="text-align: left;" trbidi="on">I thought this is interesting review. Oh why I am doing it now? It is just an exercise with my graduate students, talking about sensitive issues, title-ing?, censorship, believablity, human rights and Islam.<br />
Review dipetik dari blog www.moviewritings.blogspot.com.<br />
<div class="post hentry" style="margin-bottom: 1.5em; margin-left: 0px; margin-right: 0px; margin-top: 0.5em; padding-bottom: 1.5em;"><div class="post-header-line-1"></div><div class="post-body entry-content" style="font-size: 14px; line-height: 1.6em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigm-IgHz05lRMClp_ucqiMS3RYayIABMZIUJ14qmjgd4tgYfyHMj6vby2QNwsLYM5lMzCWkIIzhWiglzFJx03GVmL_hEcb5t-BKurfYql0xj1uj5LMcqG9WvCyZKW-2atT389ldrlj63RO/s1600/poster-dalam-botol.jpg" style="color: #e81094; text-decoration: none;"><img alt="" border="0" id="BLOGGER_PHOTO_ID_5584199269705158290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigm-IgHz05lRMClp_ucqiMS3RYayIABMZIUJ14qmjgd4tgYfyHMj6vby2QNwsLYM5lMzCWkIIzhWiglzFJx03GVmL_hEcb5t-BKurfYql0xj1uj5LMcqG9WvCyZKW-2atT389ldrlj63RO/s320/poster-dalam-botol.jpg" style="border-bottom-color: rgb(204, 204, 204); border-bottom-style: solid; border-bottom-width: 1px; border-left-color: rgb(204, 204, 204); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(204, 204, 204); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(204, 204, 204); border-top-style: solid; border-top-width: 1px; display: block; height: 320px; margin-bottom: 10px; margin-left: auto; margin-right: auto; margin-top: 0px; padding-bottom: 1px; padding-left: 1px; padding-right: 1px; padding-top: 1px; text-align: center; width: 211px;" /></a><br />
<div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiujn7qsZWULULBH9ChIX-jUVo502gcK03NPcABpAfShUbPS1_folUlxikdmWu_sQosltHfCY4XJJrwim35um0d6v1ReP_-PU7Q3ku8enKO5MF-KCRKNASTLD1s5t3auN4HUsI-5jmIgxpD/s1600/dalambotol.jpg" style="color: #e81094; text-decoration: none;"></a>...Dalam Botol... or as it was originally titled Anu Dalam Botol... so I guess if the original title offends people, then all we gotta do is just put dots in place of the offending word ala 'Perempuan, Isteri dan ...' back in the day... although there was a movie called Jalang right? Last year? Also a movie called Bohsia... no negative connotation there?</div><div></div><div>But I digress...</div><div></div><div>Dalam Botol tells the story of Rubidin (Arja Lee), who had a sex change operation because of his lover (Wan Raja), but was later spurned by the same lover. Then, because of a family incident/emergency, he returned to his hometown and experienced a moment of normalcy when he hangs out with a girl (Diana Danielle).</div><div></div><div>That's the gist of the movie...</div><div></div><div>I thought the storylines were okay. There was substance to it. In fact, with the layering of the subplots, it was quite interesting to watch. Unfortunately, some storylines were too neatly resolved, although I know this was based on true events, but it doesn't seem realistic.</div><div></div><div>For example, the money part. Rubidin owed money to some ahlong I think and he was at his wit's end already but then he inherited a whole lot of money and all his troubles went away. Too neatly resolved there for my liking. If that really happened, then Rubidin's a lucky girl in life, although not so much with his love life.</div><div></div><div>And then some issues along the way... such as the money from the ahlong... I assumed he took the money for the operation... but then, he said he owed the guy 40K... yet he has 20K in the bank account... and the lover has squandered 20K... so how much was the operation?</div><div></div><div>And why did someone go off for a sex change operation and did not bother to get boobs? He forgot? Or he just wanted the vagina? That seemed a bit odd to me... and he was still wearing a wig... so why bother going through with cutting it off if you're basically no different from a drag queen?</div><div></div><div>Also, how come these people keep on repeating the same thing over and over again? Like when Ghaus and Ruby were talk-arguing... he kept asking Ruby where she went for a couple of months and kept talking about the surprise and what the surprise was... it's like he did not know she went and got herself a vagina or something... sigh...</div><div><br />
Acting-wise, the cast was not too bad... the supporting characters ie the ladies are by far the better actors here... Fauziah Ahmad Daud, Normah Damanhuri and Diana Danielle. A movie about gay men and they are all upstaged by the girls? Kinda ironic... oh before I forget, one comment on Arja Lee... he doesn't seem like he can't act but there are times when it just was not right... maybe it's because he is not that pretty when he is a girl... or maybe the fact that he was pouting and did this high pitched voice when he was Ruby... I dunno... but there was something off about his performance, like he did not connect or something... and good God, his character's drag version was sooo annoying, not because she was needy but her voice was getting on my nerves and the crying without the tears thing? Come on!... I do have to point out that he was quite okay in his scenes as Din though...</div><div></div><div>Then there was my problem with the setting up of the shots... and no, I ain't talking about the metaphors that they put on throughout the movie... yes, Rubidin got his thang cut off... no need to put a severed tree trunk in the scene right? We got it already. Remember when he opened the fridge after coming back... you can see two eggs... yes, his two eggs were also chopped off... sigh... but no, I was not talking about that...</div><div></div><div>I am talking about the shots of two people talking but you don't see them talking, you see the scene partner... it worked well when Ruby was facing the mother about his financials... coz it was a delight watching the mother's reactions... now that was a necessary scene for that kind of shot... but why must a lot of other scenes shot that way as well... Dina talking to Ruby about her problems... and Din's face remained stoic... if he identified with his problem and gave facial expressions then okay lar... but nothing... should've focused on Dina and have her emote... why would you show the back of someone's head? Is it because they cannot act? Or did not really carry the scene well?</div><div></div><div>A colleague of mine said that it was done to be artistic... but I say artistic should not compromise a scene and its contents... Diana Danielle, who I think is a capable actress, especially in this movie, should've been given the chance to face the camera and emote, which would be so much better than seeing the back of her head emote...</div><div></div><div>Anyway, given the fact that we only have one other gay-themed (yes, gay-themed and not gay movie... I don't believe this would fall under the latter category), Dalam Botol, when compared to the horrors that was 2 Alam, can be considered one of the 10 Best Picture nominees come Oscar time.</div><div></div><div>But, if you watch it on its own merit and as a regular movie, I believe it's not a bad movie, but not particularly good either, but a good step for Malaysia's cinema to stop being ruled by the censorship board. And yes, I enjoyed watching the movie. :)</div><div></div><div></div><div style="clear: both;"></div></div><div class="post-footer" style="border-top-color: rgb(204, 204, 204); border-top-style: dotted; border-top-width: 1px; color: #666666; font-family: arial; font-size: 12px; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: 0px; line-height: 1.4em; margin-bottom: 0.75em; margin-left: 0px; margin-right: 0px; margin-top: 0.75em; padding-bottom: 5px; padding-left: 10px; padding-right: 10px; padding-top: 5px; text-transform: none;"><div class="post-footer-line post-footer-line-1"><span class="post-author vcard">Posted by <span class="fn">The Wan And Only</span> </span><span class="post-timestamp">at <a class="timestamp-link" href="http://moviewritings.blogspot.com/2011/03/review-dalam-botol.html" rel="bookmark" style="color: #e81094; text-decoration: none;" title="permanent link"><abbr class="published" style="border-bottom-style: none; border-color: initial; border-left-style: none; border-right-style: none; border-top-style: none; border-width: initial;" title="2011-03-15T15:01:00+08:00">3/15/2011 03:01:00 PM</abbr></a></span><span class="post-comment-link"></span><span class="post-icons"></span></div><div class="post-footer-line post-footer-line-2"><span class="post-labels">Labels: <a href="http://moviewritings.blogspot.com/search/label/Anu%20Dalam%20Botol" rel="tag" style="color: #e81094; text-decoration: none;">Anu Dalam Botol</a>, <a href="http://moviewritings.blogspot.com/search/label/Arja%20Lee" rel="tag" style="color: #e81094; text-decoration: none;">Arja Lee</a>, <a href="http://moviewritings.blogspot.com/search/label/Dalam%20Botol" rel="tag" style="color: #e81094; text-decoration: none;">Dalam Botol</a>, <a href="http://moviewritings.blogspot.com/search/label/Diana%20Danielle" rel="tag" style="color: #e81094; text-decoration: none;">Diana Danielle</a>, <a href="http://moviewritings.blogspot.com/search/label/Fauziah%20Ahmad%20Daud" rel="tag" style="color: #e81094; text-decoration: none;">Fauziah Ahmad Daud</a>, <a href="http://moviewritings.blogspot.com/search/label/Normah%20Damanhuri" rel="tag" style="color: #e81094; text-decoration: none;">Normah Damanhuri</a>,<a href="http://moviewritings.blogspot.com/search/label/Raja%20Azmi" rel="tag" style="color: #e81094; text-decoration: none;">Raja Azmi</a>, <a href="http://moviewritings.blogspot.com/search/label/Wan%20Raja" rel="tag" style="color: #e81094; text-decoration: none;">Wan Raja</a></span></div></div></div></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-49237562326466551292012-03-08T04:49:00.002-08:002012-03-08T04:49:30.494-08:00Selipar Jepun, Kasut Tumit Tinggi<div dir="ltr" style="text-align: left;" trbidi="on"><br />
<div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="font-size: 18pt;">Svarnabhumi Studio + MAP Publika present<o:p></o:p></span></div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span class="Apple-style-span" style="background-color: red; font-size: x-large;"><span lang="EN-US" style="font-family: 'Rockwell Extra Bold';">SELIPAR</span><span lang="EN-US" style="font-family: 'Rockwell Extra Bold';"><o:p></o:p></span></span></div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">JEPUN,<o:p></o:p></span></div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">KAS</span><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">UT</span></div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">TUM</span></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">IT<o:p></o:p></span></div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">TIN</span></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">GG</span></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">I<o:p></o:p></span></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="background-color: red; font-family: 'Rockwell Extra Bold'; font-size: x-large;">.</span></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span class="Apple-style-span" style="font-family: 'Rockwell Extra Bold'; font-size: x-large;"><br />
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</div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="font-size: 28pt;">Japanese Slippers + High-Heels<o:p></o:p></span></div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div align="center" class="MsoNormal" style="text-align: center;"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US" style="font-size: 28pt;">A Contemporary Theatre Inspired by Mak Yong World Heritage</span></div></div><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
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</div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">“SELIPAR JEPUN, KASUT TUMIT TINGGI”</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">(Japanese Slippers + High-Heels)</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">A Contemporary Theatre Inspired by Mak Yong World Heritage</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">“Perjalanan Mencari Kebenaran, Kebebasan dan Kebahagiaan”</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">(Journey Looking For Truth, Freedom & Happiness)</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Date: 6-8th April 2012</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Venue: Black Box, MAP Publika, Dutamas, Jalan Duta, KL</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Time: 8.30 -10.30 PM</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Director: Dr.Zulkifli bin Mohamad</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Actors: Zamzuriah Zahari & Rosman Ishak</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Dancers: Ahmad Firdaus Che Yahya & Foo Chi Wei</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Ticket: RM45 Adult, RM 25 Student</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Contact: +60192459282</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US"><a href="http://www.svarnabhumi.blogspot.com/">www.svarnabhumi.blogspot.com</a></span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">zubin_mohamad@yahoo.com</span></div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><br />
</div></div><div class="MsoNormal"><div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;"><span lang="EN-US">Subtitles Available</span></div></div></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-21635908933470045462012-02-19T17:09:00.000-08:002012-02-19T17:09:05.310-08:00Kura-kura Binatang Pupus? Cintailah Binatang Makhluk Tuhan<div dir="ltr" style="text-align: left;" trbidi="on">Selamat Hari Cinta atau dalam Bahasa Inggerisnya, Happy Valentine's Day. Rasanya tak payahlah nak ceritakan asal usul Hari Valentine itu, walaupun ada kawan-kawan yang menghantar nota-nota tentang itu. Awal pagi lagi sudah ada mesej di telefon mobil saya "pastinya anda masih teringat di zaman remaja, gila-gila menyambut Hari Valentine, di zaman jahiliah!". Ada pula mesej dari kawan bukan Melayu mengatakan "I am sorry you can't celebrate Valentine's Day". Aku pun tak pasti dari mana fatwa dan arahan itu timbul, Jabatan Agama Islam di Jabatan Perdana Menteri, Mufti Negeri atau Pertubuhan Pemuda PAS(Parti Islam Se Malaysia). Tapi semuanya seperti mencari publisiti murahan, sekaligus memancing undi Melayu dan Islam, atau menolak undi Melayu liberal? Bagi aku, ini hanyalah pesta muda mudi, bukan perayaan ugama. Kenapa tidak mengharamkan acara krismas dan tahun baru untuk orang Melayu dan Islam. Lagipun Valentine's Day itukan hari menyambut rasa cinta, cinta pada kekasih, isteri, rakan-rakan, ibubapa, adik beradik, rakan sepejabat dan binatang, samada binatang peliharaan atau binatang liar!<br />
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Tapi binatang liar tak boleh dipelihara di rumah, nanti ditangkap Jabatan Mergastua! Melainkan anda sebuah Zoo. Sebenarnya ahli alam sekitar juga mengutuk penubuhan Zoo, sesuatu yang sudah ketinggalan zaman, lagi-lagi Zoo di negara ketiga yang sedih, letih dan jijik keadaannya.<br />
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Bercerita pasal cinta pada binatang, tiba-tiba pulak ada sebuah filem baru yang namanya "Cinta Kura-kura" tulisan dan arahan Nizam Zakara, seorang pengarah filem muda, katanya pernah mengarah drama-drama televisyen, tapi saya sendiri tak pernah menontonnya. Jadi tak tahulah rupa dan gayanya. Aku tahu dia pernah menulis cerita pendek dan novel, termasuk "Susuk" dan beberapa lagi. Rasanya bagus juga ada filem Melayu yang berbeza, sebab dah banyak sangat filem hantu, gangster dan rempit. Dah banyak sangat kebencian dalam masyarakat Melayu. Tiba masanya mencari cinta, yelah kalau tak dapat mencintai manusia biasa, cintailah binatang.<br />
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Pernah aku terbaca status di facebook "Make Love Not War". Aku plak nak tambah "Promote Love Not Hate, Make Peace Not War". Amacama boleh tak?. Mungkin inilah mesej yang harus disampaikan pada warga Malaysia dan Melayu. Bak kata sorang kawan ni, Melayu di Malaysia dah pecah 1,000 bukan pecah 4 lagi macam bunga kiambang. Eh, apa hubungannya dengan cinta, binatang dan Melayu. Alah, inikan cerita Melayu, filem Melayu, Melayu plak sukakan binatang untuk dipelihara, ikanlah, ayamlah, burunglah. Cuma yang ini pelik sikit, pelihara kura-kura. Setahu aku adalah orang pelihara kura-kura, tapi saiznya kecil dua tiga inci besarnya. Yang ini kura-kura ajaib, saiznya agak besar, mungkin antara 8-12 inci. Yang lebih ajaib kura-kura ini boleh bercakap. Tapi kalau nak diikutkan burung tiong pun boleh bercakap, dulu bapak aku pun pernah mengasah lidah burung tu sampai boleh bercakap, tapi kena mengajarlah apa yang nak dicakapkan. Alah, Nabi Khaidir dan Nabi Sulaiman pun ada diriwayatkan bercakap dengan binatang, jadi orang Melayu dan Islam dah biasalah, tak ada hal!.<br />
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Aku ni bukannya seorang pengkritik filem, cuma tulis-tulis saja, sambil membebel, tapi bolehlah cakap antara yang aku suka dan tak suka. Memanglah aku bukan seorang pencinta filem komedi, terutamanya komedi Melayu. Kalau komedi P.Ramlee tu adalah, tapi tak pasti itu Komedi Malaysia atau Komedi Singapura, sebabnya filem-filem komedi P.Ramlee selepas dia pindah ke Malaysia dah agak kureng gitew! Kalau sekarang ni pulak filem-filem komedi Malaysia banyak yang slapstik atau orang kata lawak bodoh, dan lawak yang suka menjatuhkan orang lain. Filem yang satu ni plak mungkin boleh dipanggil komedi romantik. Kalau di Hollywood banyak filem-filem macam ni, mungkin di Hong Kong juga. Kalau di Bollywood unsur komedi tu dah dimasukkan ke dalam hampir setiap filemnya, macam Bangsawan. Dulunya watak2 macam ni dipanggil "court jester" atau peran, terutamanya dalam Wayang Kulit dan Mak Yong. Yelah kan aku ni bukannya sekolah filem, jadi tak reti nak komen filem lebih-lebih, cuma dari rasa, hubungannya dengan masyarakat dan ceritanya, yang best atau tak best. Kalau dari segi persembahan pulak aku rasa aku masih boleh menulis atau berkomentar tentang lakonan, pakaian, make-up, lampu, "artistic direction", serta perjalanan cerita.<br />
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Aku mulai menonton teater di KL ni sejak tahun 1985, selepas baru graduate dari ITM. Kalau Wayang Kulit, Mak Yong dan Dikir Barat tu sejak kecil lagi dah menonton. Kalau filem Melayu, kira dah lamalah menonton, dari tv ke panggung.<br />
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Aku tahu dah banyak filem macam ni kat Hollywood, macam-macam, tiap-tiap tahun ada, dari anjing, tikus, gajah, babi dan bermacam-macam binatang rekaan yang pelik-pelik. Pendekata ikut selera binatang apa kita nak tengok dari kreativiti masing-masing.<br />
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Bak kata orang2 filem, filem itu mengikut selera penonton, ada macam-macam genre, tema dan cerita. Aku plak bukannya suka sangat filem komedi, terutamanya komedi Malaysia. Mungkin kerana dah banyak kali tertipu dengan lawak-lawak bodoh yang slapstik atau yang menjatuhkan orang. Jadi menonton prebiu filem ini adalah sesuatu yang menarik, tidak membosankan. Tiba-tiba je teringin, lagipun hari tu Hari Cinta Sedunia. Maklumlah dah tua ni taklah giler sangat nak menyambutnya, so why not. Mari kita menyahut seruan cintailah binatang.<br />
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Sebenarnya di Malaysia pun kita dah lama ada persatuan cintai binatang, cuma mungkin lebih kepada hidupan liar, seperti yang dipromosikan oleh Malaysian Nature Society (http://www.mns.my) dan World Wildlife Fund Malaysia (http://www.wwf.org.my). Macama-macam kegiatan ada di sana. Projek selamatkan Tapir, Harimau, Badak Sumbu yang kian pupus dan berbagai lagi. Kalau nak bermesra dengan binatang jinak, pergilah ke kedai binatang peliharaan. Dalam filem Cinta Kura-kura ni pun ada cerita tentang kedai binatang peliharaan, cuma kedai ni ada udang di sebalik mee, dia juga melakukan kerja-kerja perniagaan binatang pupus dengan restoran Cina yang menghidangkan makanan eksotik.<br />
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Tak rasis dan klise ke bila kita kata restoren Cina saja yang menjalankan aktiviti sebegini? Yalah nanti dituduh berbagai plakkan. yelah mana orang Melayu makan makan pelik-pelik, otak monyet ke? otak anjing ke? Yang saya dengar banyak restoren sedemikian di Hong Kong. Saya juga tak pasti kenapa restoren cina tu nakkan kura-kura belaan orang, apakah khasiat dan keistimewaannya. Ye, tahu, kura-kura ada simbol panjang umur. Dikatakan China's Last Emperor's mother loved turtle sup. Mungkin kerana itulah agaknya!<br />
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</div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com2tag:blogger.com,1999:blog-4021561197607212176.post-81964123398277928722012-02-19T01:51:00.000-08:002012-02-19T04:31:46.953-08:00Jujur Aku DayusSebenarnya dah lama Aku tidak menonton drama tv, tetapi kerana inginkan bunyi ramai orang supaya tidak kesunyian aku memasang tv dan kerana tv Aku yg Sudah usang dan tak berantena ini yg menghasilkan bunyi dan rupa yang elok melalui saloran tv3, bukan tak Ada tv1, yelah Cuba bayangkan, rancangan apa yg menarik di tv1. Akhirnya Aku menonton Jujur Aku Dayus, sebuah drama yg baik premisnya. Lakonan oleh Nora Danish, Rozi Rashid, tahu sebab dia byk muncul dalam filem2 Yasmin Ahmad. Pelakon lelakinya Aku tak kenal, tapi heronya bagus, selalunya jadi budak jahat. Yang jadi bapak pun dah biasa dlm drama tv, pelakon tvlah! Tak ramai pelakon, cuma Lima orang, semuanya berkesan, ditambah pulak dgn lagu Beribu Sesalan nyanyian gabungan 3 penyanyi, Ning, jac & shila, menjadi latarbelakang tanpa tidak keterlaluan. Bukan macam sesetengah drama atau filem yg mcm bollywood plak. Sambil mengemas rumah, kemboja rak untuk perpustakaan dan mengeluarkan buku2 dari kotak2, sambil menonton. <br />
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Aku juga masih melankoli dgn berita yg kawan Aku, Nurul Husni, bekas pemilik Galeri Kebun Mimpi dan pilot MAS, meninggal mati lemas di Pulau Perhentian dan bakal dikebumikan di Alor Star esoknya. <br />
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Tiba2 tv Aku menjadi fuzzy, mungkin angin masih kuat, siaran mcm terganggu, jadi tak tahulah siapa pengarahnya, yg tahu cuma produsernya, Ziela Jalil, penulisnya Rohaya Ibrahim kalau tak silap. Korang tahu tak?<br />
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Ah Aku dah dapat Nama pelakon lelakinya, suami kpd Lis, Nora Danish, namanya Beto Kushairy, tak pasti plak Nama betul. Bapa Lis pulak dilakonkan oleh Hafifuddin? Tak pastilah dan bekas kekasih lama suami Lis, Aishah yg dilakonkan oleh Irma Hasmie. Sayangnya Aku masih tak dapat Nama Pengarah yg brilliant ni, lakonan byk terkawal dan tidak over, sebuah editing yg bagus. Tapi the star dlm drama ini adalah penulis skripnya yg bijak dgn membuatkan penonton membuat tekaan yg salah. Yg bijaknya, hanya penonton yg tahu, watak2 dlm nya masih keliru dgn peristiwa2 yg berlaku. Syabaszubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-46295015068889482732012-02-15T19:25:00.000-08:002012-02-15T19:25:17.416-08:00Anugerah Juara Lagu 26 (Muzik Muzik 2011)<div dir="ltr" style="text-align: left;" trbidi="on"><span class="Apple-style-span" style="font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px;"></span><br />
<div class="title" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><h3 style="background-color: transparent; border-bottom-color: rgb(208, 208, 208); border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Georgia, 'Nimbus Roman No9 L', serif; font-size: 25px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Apa Ada Di AJL26? www.themalaysianinsider.com</h3></div><div class="date" style="background-color: transparent; border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); clear: left; color: grey; float: left; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 11px; font-style: inherit; font-weight: normal; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">February 05, 2012</div><div class="article reset" id="article" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); clear: left; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">5 FEB — Sudah beberapa tahun aku tidak menonton pertandingan akhir Juara Lagu, kerana tidak berada di dalam Negara. Selain menonton siaran langsung di TV3, aku juga pernah menonton persembahan di tempat berlangsung di Bukit Jalil. Tapi sekarang orang sudah boleh menonton di seluruh dunia melalui www.tonton.com.my. Tahun ini juga aku mengambil keputusan untuk menonton acara kemuncak industri muzik tanah air ini, walaupun di televisyen. Tahniah kerana terus kekal berada di dalam industri kreatif selama 26 tahun. Selalunya acara-acara tahunan di Malaysia tak kekal lama, terutamanya acara seni, seperti Kuala Lumpur Arts Festival. Mungkin inilah sebuah acara seni yang sebenar untuk orang Malaysia masakini, seni pop. Tapi bila menyebut sedemikian rupa, seni itu harus ada bukan saja pada muzik, senikata dan nyanyian, tetapi juga pakaian dan persembahan keseluruhannya. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Di Hong Kong, Hong Kong Arts Festival akan menyambut ulangtahun ke 40 pada tahun ini. Manakala Singapura pula telah mula mengadakan Singapore Arts Festivalnya sejak tahun 1977, genaplah 35 tahun pada tahun ini. Pada tahun 2008, Singapore Arts Festival menjadikan air sebagai tema, sama seperti tema Anugerah Juara Lagu pada tahun ini. Video promo yang dihasilkan oleh Celcom lah juga yang menjadi daya penarik untuk aku menonton AJL pada tahun ini, kerana seperti ada sesuatu yang berlainan yang bakal terjadi. Malah video promo di dalam air itu mengingatkan aku kepada persembahan teater tari ekspresionis Jerman karya Pina Bausch (1940-2009) yang begitu terkenal di dunia seni kontemporari. Di dalam pementasan tersebut pada tahun 1981, seluruh pentas dipenuhi dengan air, malah terdapat curahan air di mana-mana dari lelangit pentas. Para penari harus menari dan bermain di dalam air selama dua jam. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Apabila pengacara AJL26, Cheryl Samad bertanya kepada pengacara pasangannya, Faizal Ismail, ckenapa tema air?”, jawapannya, “kerana kita banyak taman tema air di Malaysia” dengan sebuah jawapan jenaka. Tetapi di dalam video promo “Di Sebalik Iklan AJL26”, ada beberapa cetusan idea yang disampaikan seperti kata Faizal Ismail sendiri “Air unsur yg baik, tubuh dan dunia penuh dengan air”. Hasni Yusof, pengarah iklan sendiri menjawab yang “air adalah sebagai sebuah tenaga”. Ning Baizura pula turut mengatakan yang “air sebagai sesuatu yang sangat simbolik, terutamanya pada seorang wanita, seperti air dalam kandungan ibu dan air yang menjadi sebahagian darah yang mengalir”. Pendekata tema air sudah diperjelaskan di situ. Tapi apakah cita-cita menjadikan air sebagai tema terlaksana? </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Pada aku, kita di Malaysia juga sebenarnya dihubungkan dengan air, di antara Sabah, Sarawak dan Semenanjung, Pulau Pinang serta pulau-pulau lain yang penting buat kita. Air pula sememangnya asas kehidupan, tanpa air, keringlah kita. Tetapi air juga membawa bencana seperti tsunami yang berlaku di Aceh, Jepun dan banjir yang baru melanda negara Thailand. Pendekata itulah salah satu unsur kejadian, selain tanah, api dan angin. Sayang, ini semua tidak pernah diucapkan. Atau mungkin itu terlalu akademik? Rasanya tidak, rakyat Malaysia pun semua dah berpendidikan. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Segmen pembuka tirai selalunya menjadi penentu sesebuah acara, samada ia memberansangkan atau tidak. Persembahan dimulakan dengan sebuah tribut yang menampilkan Jamal Abdillah sebagai Raja Pop, Awie Wings sebagai Raja Rock dan Shiela Majid sebagai Ratu Jazz. Cuma aku kurang jelas dengan konsep pemenang-pemenang AJL yang lalu. Aku juga tak pasti yang irama jazz pernah menjadi salah satu irama yang dipertandingkan. Malah seingat aku, Shiela Majid tidak pernah masuk ke peringkat akhir. Kalu tidak aku pastilah tahu, kerana irama jazz dan “Rhythm & Blues” adalah irama kegemaran sejak berada di kampus pengajian tinggi. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Yang lebih melucukan, M.Nasir yang bukan hanya seorang komposer rock dan balada, tetapi juga seorang penyanyi yang memperkenalkan irama pop-ethno atau irama Malaysia, langsung tidak disebutkan, apalagi bila orangnya sudah berada di depan mata. Sayang sekali! Yang lebih pelik lagi Sti Nurhaliza, yang banyak menggondol banyak anugerah di AJL langsung tidak diundang membuat persembahan. Dia seharusnya seorang Ratu Pop yang tidak harus ditinggalkan. Jikalah empat penghibur ditampilkan cukuplah untuk menzahirkan konsep Tanah, Air, Api dan Angin. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Walaubagaimanapun, persembahan Jamal Abdillah mendendangkan lagu “Senandung Semalam” cukup memukau, malah mengingatkan aku pada klip video Raja Pop, Michael Jackson, “Thriller”. Jamal juga sudah siap berjaket, bersarung tangan dan bertopi, disulami dengan asap, hujan dan kilat sabung menyabung. Sayang sekali tidak ada gadis-gadis dan jejaka-jejaka yang bangit dari kepulan-kepulan itu. Ini tepat sekali mewakili konsep tanah dan air. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Persembahan Awie dgn rambutnya yang mengerbang dan angin yang bertiup, membelaia sekaf merahnya, dengan aura warna pentas yang merah amat menarik sekali. Kontinuiti berwarna merah pada baju Shiela Majid pula seperti mewakili api. Cuma sayang, aku tak berapa pasti apa yang ditarikan atau dilakukan oleh penari-penari di sekelilingnya. Secara umum, kesemua lagu-lagu yang dipertandingkan agak unik dan menarik untuk didengar, dari lagu-lagu rock seperti “Wanita Seluruh Dunia” nyanyian Projek Pistol, “Karma” oleh Faizal Tahir dan “Gadis Semasa” nyanyian and Yuna, irama pop alternatif seperti “Adinda Kekanda” persembahan Monolog dan Atilia, “Cinta Muka Buku” oleh Najwa Latif, “Penakut”nyanyian dan ciptaan Yuna dan “Sungai Lui” persembahan Aizat. Yang peliknya saban tahun AJL ini menjadi seperti sebuah pertarungan persembahan penyanyi-penyanyi menyanyikan lagu secara “live”. Bukankah kita sepatutnya meraikan pencipta lagu? Bagaimana pula dengan pengiktirafan terhadap penulis lirik? Anugerah tersebut telah hilang dari pertandingan. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Lagu “Kalau Berpacaran” dendangan penyanyi puisi era 1970an Sohaimi Mior Hassan, Ana Rafali dan Ultimate Rapper, kelihatan seperti sebuah percubaan menghasilkan irama baru melalui gabungan tiga gaya berbeza, tetapi didominasi irama 1960an. Tiga buah lagu lain yang dipertandingkan, “Awan Nano” nyanyian Hafiz, “Beribu Sesalan” persembahan gabungan Ning Baizura, Shila Amzah dan Jacquiline Victor, “Sedetik Lebih” yang didendangkan oleh Jac serta “Kisah Hati” nyanyian Alyah, boleh dikatakan sebagai lagu-lagu pop balada yang sudah menjadi kebiasaan untuk tercalon di peringkat akhir, malah berpotensi untuk menjadi juara. Cuma sejak beberapa tahun kebelakangan ini irama pop urban, rap, hip-hop dan rock alternatif menjadi pilihan. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Penjurian 12 belas lagu yang dipertandingkan melalui pengundian oleh 30 orang juri dari kalangan pencipta, penulis dan produser lagu yang diketuai oleh Azmeer dengan menggabungkan nama-nama besar seperti Jennifer Thomson, Fauzi Marzuki, Susan Goh, Ajai, Johan Nawawi dan lainnya, mungkin dilihat sebagai suatu perubahan baru untuk hala tuju industri muzik. Sekaligus mengumpulkan mereka bersama untuk sama-sama berfikir, apakah arah seterusnya untuk industri muzik di era teknologi informasi ini? </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Juara lagu pada tahun ini, “Awan Nano” ciptaan M.Nasir dan lirik oleh Budi Hikayat, mendapat hadiah RM35,000. Lagu “Beribu Sesalan” ciptaan Kevin Chin pula menyandang Naib Johan dengan hadiah RM15,000, manakala lagu “Karma” ciptaan Audi Mok bule mendapat tempat ketiga dengan hadiah RM12,000. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Hafiz AF(Akademi Fantasia) dari Sarawak memenangi anugerah Vokal Terbaik melalui lagu dendangannya, “Awan Nano”, yang tidak kurang menarik persembahannya melalui penampilan penyanyi dangdut Malaysia, Herman Tino, di dalam tayangan video yang dipaparkan. Penampilannya yang bersahaja, dengan berkaki ayam, berbaju tee, dan bercelana trak, mampu menarik perhatian dan menumpukan persembahannya kepada vokal. Sebelum ini pun kita pernah melihat persembahan Maizurah Hamzah, Eliana dan Ning Baizura berkaki ayam. Apakah penampilan sebegini rupa boleh menjadi representasi kaum petani dan penduduk luar bandar? Atau ianya boleh merepsentasikan golongan urban yang melihat fesyen catwalk di Paris dan Milan sebagai rujukan untuk bergaya? </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Rasanya banyak persembahan yang menarik dalam AJL26, dari Projek Pistol yang simple bersahaja, Aizat yang menampilkan projeksi video “seni pasir”, sesuatu yang baru di Malaysia, Faisal Tahir yang tampil gothic dramatik, Jac dengan busana yang begitu sensuous dengan penampilan piano, alat muzik bertali dan dibelakangi kumpulan koir, seperti sekumpulan penyanyi gospel di Amerika. Persembahan Alyah dalam lagunya “Kisah Hati” menjadi satu tanda tanya buat aku, bukan kerana bajunya tak cantik atau suaranya hancur, tetapi pengarahan yang membingungkan, dengan seorang badut yang membaca doa “Alif Ba Ta” beberapa kali untuk memulakan pergerakan patung yang bernyanyi. Yang peliknya aku tidak pasti macamana tiba-tiba patung itu bergerak tanpa sebarang desakan. Atau mungkin Remy Ishak yang tiba-tiba muncul menjadi penggerak patung yang kaku untuk bergerak. Apapun, Alyah dianugerahkan sebagai persembahan terbaik dan menerima RM10,000. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">AJL26 juga mencatatkan momen-momen yang unik seperti persembahan Monolog dan Atilia yang berpakaian tradisi siap dengan tanjak, kot dan sampin labuh, manakala Atilia berbaju kebaya songket bunga tabur, dengan iringan alat muzik angklung dan sekumpulan marching band, menjadikan persembahan menarik, walaupun lagunya agak hambar. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Yuna yang tampil berbeza di dalam kedua-dua buah lagu “Gadis Semasa” dan “Penakut”, menyuntikkan elemen muzik James Bond dalam di dalam prelude lagu “Gadis Semasa”. Cuma agak terperanjat melihat beliau menampilkan imej glam-muslim, siap dengan bulu mata lentik, baju-baju berjemaki dan dihiasi assesori. Beberapa tahun lalau sewaktu beliau mula-mula muncul ada suara-suara yang bertanya “selama mana Yuna akan bertahan di dalam industri dan tidak menjadi “glamour girl”. Malah aku sendiri tertanya-tanya “Perlukah Yuna, yang bersuara simpel, sempoi, santai dan bersahaja, mengikut jejak penyanyi-penyanyi wanita Malaysia yang suka menyanyi dengan suara nada tinggi dan membawakan imej glamor? Kerana di saat dia berubah dari gaya asalnya yang tersendiri, dia harus mula memikirkan gaya persembahannya. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Malam gilang gemilang itu diakhiri dengan sebuah persembahan tribut untuk penyanyi penuh inovasi, Allahyarham Sudirman, melalui lagu-lagunya “Hidup Sederhana (Basikal Tua)”, “Balik Kampung”, “Chow Kit Road” dan “Salam Terakhir”. Yang sedihnya penyanyi-penyanyi yang digandingkan, Hazama, Black dan Lan Typewritter seperti tidak memberikan persembahan yang terbaik. Walaupun mereka tidak bertanding di dalam AJL, seharusnya para penyanyi generasi baru ini memberikan perhatian dan kesungguhan yang lebih, juga sebagai tanda hormat pada penghibur generasi terdahulu. Para penari latar di akhir persembahan seperti kehilangan arah dan tidak membantu nilai persembahan. Bak kata orang dulu-dulu “Buat Perabih Boreh”.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><em style="border-bottom-color: rgb(208, 208, 208); border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); font-style: italic; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">* Pandangan yang diberikan di atas hanyalah pandangan penulis.</em></div></div></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-63795456219652784202011-12-26T22:06:00.000-08:002011-12-26T22:06:22.297-08:00Dari Novel Ke Filem: Karipap Cinta dan yang sewaktu dengannya<div dir="ltr" style="text-align: left;" trbidi="on"><span class="Apple-style-span" style="font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px;"></span><br />
<div class="title" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><h3 style="background-color: transparent; border-bottom-color: rgb(208, 208, 208); border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Georgia, 'Nimbus Roman No9 L', serif; font-size: 25px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Karipap awak sedap tak?</h3></div><div class="date" style="background-color: transparent; border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); clear: left; color: grey; float: left; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 11px; font-style: inherit; font-weight: normal; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">December 23, 2011</div><div class="article reset" id="article" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); clear: left; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">23 DIS — Rasanya tidak salah untuk kita memperkatakan tentang sebuah filem yang walaupun ianya telah beberapa bulan lalu ditayangkan di pawagam. Apalagi apabila kita masih sedang hangat membicarakan tentang filem bagaimanakah yang harus dinobatkan sebagai filem yang baik dan apakah kesan filem-filem yang diadaptasi dari novel.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Usaha-usaha sebegini bukanlah satu usaha yang baharu dilakukan di Malaysia. Sebelum ini kita telah ada filem seperti “Langit Petang”(1982) arahan Shahrom Mohd. Dom yang diadaptasi dari novel Sasterawan Negara A.Samad Said dengan judul yang sama dicetak pada tahun 1980, dua tahun selepas ianya dicetak.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">“Ranjau Sepanjang Jalan”, novel tulisan Sasterawan Negara Shahnon Ahmad yang ditulis pada tahun 1966, dijadikan filem dengan arahan oleh Jamil Sulong pada tahun 1983, dua puluh tiga tahun setelah novelnya diterbitkan.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Sekarang ini kedengaran pula novel Sasterawan Negara Anwar Ridhwan, “Hari-hari Terakhir Seorang Seniman” yang ditulis pada tahun 1984 dan sedang diarahkan oleh Sabri Yunus, dua puluh enam tahun setelah novelnya diterbitkan.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Yang menariknya, kita juga baru saja dihidangkan dengan filem adaptasi novel “Ombak Rindu” yang diarahkan oleh pengarah filem Osman Ali. “Ombak Rindu” sebuah novel popular yang ditulis oleh Fauziah Ashaari pada tahun 2002 terbitan ALAF 21, Kumpulan Karangkraf, yang dijual hakciptanya untuk dijadikan filem pada tahun 2009, tujuh tahun setelah pertama kali novel tersebut diterbitkan.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Filem yang telah mencecah lima juta ringgit pada minggu pertama itu telah menghasilkan dua kali ulangcetak berjumlah 40,000 naskah. ALAF 21 menjelaskan yang Fauziah Ashaari bakal menerima RM50,000 sebagai bayaran royalti dan telah menerima lebih dari RM220,000 bayaran royalti sejak tahun 2002.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Mungkin ini sesuatu yang jarang berlaku di dalam dunia penulisan dan perfileman tanah air. Sebelum filem “Ombak Rindu” pun sudah ada sebuah lagi novel popular “Karipap-karipap Cinta” (2010) tulisan Nazri M. Annuar terbitan PTS Fortuna yang filemkan.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Filem yang diarah oleh pengarah filem tersohor Othman Hafsham itu gagal mendapat perhatian yang tinggi di pawagam. Filem tersebut malah menemui kerugian dengan hanya mengutip RM980,000 berbanding modalnya berjumlah RM1.8 juta.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Walaupun sesetengah pihak menganggap yang ia mendapat saingan besar daripada filem box-office “Hantu Bonceng” arahan Ahmad Idham, ramai pihak pula berpendapat yang filem tersebut jauh lari dari cerita asal dalam novel popular remaja yang bernafaskan cinta islami.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Ramai penggemar novel menganggap yang filem tersebut bersifat liberal dan langsung gagal menyelitkan bibit-bibit percintaan dua remaja Melayu Islam dalam ruang lingkup Malaysia yang menjadikan Islam sebagai ugama rasminya.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Pada pandangan saya novel tersebut cuba mengikuti jalur-jalur yang telah dipacakkan oleh novel Ayat-ayat Cinta tulisan Habiburrahman El-Shirazy cetakan pertama pada tahun 2004, dan kemudiannya difilemkan pada tahun 2008 dengan arahan Hanung Bramantyo. Filem yang bukan hanya mendapat kutipan tinggi di Indonesia dan Singapura ini juga mencatat kutipan lebih RM15 juta di 22 pawagam di Malaysia pada tahun 2008.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Ada sesetengah penulis menyifatkan novel Nazri M. Annuar sebagai mempersendakan novel-novel cinta di pasaran tetapi diterjemahkan sebagai sebuah novel islam di dalam menjenamakan novel tersebut untuk melariskan jualan.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Jadi adalah tidak benar jika dikatakan yang penonton filem di Malaysia tidak menggemari judul yang bersifat islami. Tetapi mungkin ada benarnya jika dikatakan yang pengarah filem Othman Hafsham sudah tidak dikenali lagi kerana perbezaan generasi. Atau mungkin juga ada benarnya yang Othman Hafsham dan Cinematic membuat pilihan yang tidak tepat pada dua watak utama Gambit Shaifullah dan Melia Aimelia, yang bukan hanya tidak dikenali ramai, malah Gambit pula mempunyai imej yang tidak baik di kalangan penonton, kerana tingkah lakunya sebelum ini. Pendekata, penonton Malaysia bukan hanya menilai lakonan tetapi juga latarbelakang pelakon dan gossip-gossip yang menghujani mereka.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Bagi saya yang tidak mengenali kedua-dua pelakon tersebut dan hanya bersandarkan kepada pengetahuan latarbelakang perfileman Othman Hafsham, pengalaman menonton hanyalah tertumpu kepada bagaimana pelakon-pelakon tersebut membawakan watak masing-masing.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Filem yang juga bertemakan makanan ini tidak jauh berbeza dari filem “Papadom”(Afdlin Shauki) dan “Nasi Lemak”(Namawee) yang menampilkan isu pertembungan kaum di Malaysia atau isu “multi-culturalism”. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Mungkin Othman Hafsham yang dikenali kerana filem “Mekanik” di tahun 1983, masih ingin mempertahankan popularitinya sebagai pengarah filem-filem muhibbah, apalagi setelah kita kehilangan tokoh filem muhibbah Yasmin Ahmad.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Kerana itulah juga Othman Hafsham yang untuk sekalian lamanya bertapak di dalam program sitkom televisyen “2+1” dan “Pi Mai Pi Mai Tang Tu”, menampilkan watak-watak Melayu, Cina dan India yang hidup dalam satu ruang lingkup, menampilkan filem “Karipap-karipap Cinta” sebagai sebuah filem yang berunsurkan “multi-culturalism”. Malangnya filem ini seperti masih sangat terpengaruh dengan gaya arahan 1980an dan estetika televisyen yang sangat mendatar lakonan dan kedalaman perwatakan.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Memanglah Othman Hafsham di antara pengarah filem yang disegani di Malaysia, terutamanya di tahun-tahun 1980an selepas membawakan kita filem-filem yang sangat diingati seperti “Adik Manja”, “Mekanik” dan “Rahsia”.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Mungkin Othman Hafsham masih sama dan tidak berubah kehandalannya, tapi kita penonton-penonton filem Melayu yang telah banyak berubah, dari hanya menonton satu atau dua filem Melayu di pawagam dalam setahun dan dipaparkan dengan filem-filem Melayu hitam putih tahun 1950an dan 1960an, kini kita sudah boleh menonton 365 buah filem setahun melalui DVD, pawagam, ASTRO, YouTube di komputer riba atau di telefon gengam.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Kita, penonton filem masakini, sudah tahu menilai filem yang baik dan filem yang ingin ditonton, walaupun kita hanya boleh dibilang sebagai seorang “Film Buff”. Sudah tiba masanya pengeluar dan pengarah filem memandang serius terhadap penonton filem dan tidak memperbodoh-bodohkan mereka.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Dari pengamatan saya, filem “Karipap-karipap Cinta” seperti melonggokkan isu “multi-culturalism” atau muhibbah ini secara terpaksa, melalui rakan serumah yang berketurunan India serta jiran berketurunan Cina. Bukannya skenario sebegini tidak wujud di Malaysia, tetapi pengembangan skripnya sudah berubah dari bukunya. Saya percaya yang isu Islam juga boleh ditemukan dengan isu “multi-culturalism” seperti yang telah hadir dalam filem Yasmin Ahmad.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Jika dilihat pada filem “Ayat-ayat Cinta”, lagu temanya yang sama judulnya dinyanyikan oleh Superstar Indonesia, Rossa dan ditulis oleh komposer handal, Melly Goeslow, lebih melonjakkan lagi populariti filem tersebut.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Berbeza dengan lagu tema filem “Karipap-karipap Cinta” berjudul “Sehabis Baik” yang dinyanyikan oleh Ana Rafali mempunyai nada “indie” yang tidak ada unsur nada popular, sebaliknya hanya menjurus kepada sebilangan kecil peminat muzik. Ini langsung tidak memberikan promosi yang baik kepada bakal penonton filem tersebut. </div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Pendekata, tidak mudah untuk menghasilkan filem yang baik daripada novel-novel popular dan termashur. Walaupun ianya mempunyai pengikut yang sedia ada, mereka juga mempunyai kayu pengukur yang tersendiri tentang bagaimanakah filem tersebut harus hadir di depan mata mereka. Manakala pihak pengeluar juga harus berdepan dengan isu royalti dan hak milik kreativiti dan cerita asal.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Bagi saya, apa yang paling menarik tentang “Karipap-karipap Cinta” adalah resipinya yang diberikan oleh Nazri M. Annuar.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"> 3 ulas rasa suka</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"> 1 botol hati gembira</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"> 1 biji rendah diri(saiz besar)</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"> 5 keping kehormatan</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"> 1 cubit rasa rindu</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"> 3 batang tanggungjawab, dipotong halus</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"> 3 bekas cita-cita</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"> 10 guni kejujuran (diayak untuk membuang kata dusta)</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Ramuan diadun dengan ilmu dan akal. Masukkan dalam kuali persahabatan, tunggu hingga masak. Setelah masak, hidangkan bersama yang tersayang.</div></div></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-90810151236329987752011-11-22T07:53:00.000-08:002011-11-22T08:13:19.402-08:00Aku Dalam Buku<div dir="ltr" style="text-align: left;" trbidi="on"><span class="Apple-style-span" style="color: #222222; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 12px; line-height: 16px;"></span><br />
<div class="date-posts"><div class="post-outer"><div class="post hentry" style="margin-bottom: 25px; margin-left: 0px; margin-right: 0px; margin-top: 0px; min-height: 0px; position: relative;"><div class="post-body entry-content" id="post-body-6285897787028340108" style="font-size: 13px; line-height: 1.4; position: relative; width: 570px;"><div><span class="Apple-style-span" style="font-size: x-small;"><span class="Apple-style-span" style="font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: x-large;"><span class="Apple-style-span" style="font-size: 22px;"><br />
</span></span> </span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_MJX_VUCwYYmSFOK6zNkWtpr3EfroohDplVrTu3_SLzp8JoT7rC-NdVW0k6_cwTLrq95xeT6n8BppgTdxVw9FXupPH1cEVoyxIpkjCEAk_4SFhjWiIw4XT56hgVkPZLZlgwoTA4yiOs/s1600/omk.jpg" imageanchor="1" style="color: #2288bb; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgy_MJX_VUCwYYmSFOK6zNkWtpr3EfroohDplVrTu3_SLzp8JoT7rC-NdVW0k6_cwTLrq95xeT6n8BppgTdxVw9FXupPH1cEVoyxIpkjCEAk_4SFhjWiIw4XT56hgVkPZLZlgwoTA4yiOs/s400/omk.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(238, 238, 238); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(238, 238, 238); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(238, 238, 238); border-top-style: solid; border-top-width: 1px; border-width: initial; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="400" /></a></div><div><span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: 11px;"><b><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Orang Macam Kit</span></span></b></span><span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: 11px;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">a ialah sebuah antologi cerpen dan esei mengenai seksualiti alternatif di Malaysia. Seksualiti alternatif boleh diertikan sebagai homoseksual, biseksual, transgender dan dwikelamin. Ini termasuklah gay, lesbian, tomboy, mak nyah dan khunsa. Label-label sebegini mungkin tampak sensasi atau klinikal. Namun cerita-cerita dan kajian-kajian di dalam buku ini mungkin mendedahkan sisi lain, yakni sisi alternatif, daripada tanggapan yang sedia ada. </span></span></span><span class="Apple-style-span" style="font-family: 'Lucida Grande';"><b><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Orang Macam Kita</span></span><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;"> </span></span></i></b><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">memuatkan 25 karya dengan gaya dan pendekatan yang berbeza-beza: kisah cinta dan penerimaan yang mencuit, cerita pendedahan yang dramatik, kajian mengenai media, sastera dan filem; dan ada yang melayang jauh ke alam surreal. Kepelbagaian ini turut diraikan; tepuk dada tanya selera!</span></span></span></div><div><span class="Apple-style-span" style="font-family: inherit;"></span><br />
<div><div class="gmail_quote"><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"> <span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: x-small;"> <u>Kandungan:</u><br />
Pengenalan - Azwan Ismail & Diana Dirani</span><br />
<span class="Apple-style-span" style="font-family: 'Lucida Grande'; font-size: x-small;"><div style="margin-bottom: 0cm;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Tiga Perbualan dan Satu Siri Pesanan Ringkas - Nur Fadhlin Binti Mohd Yusof<br />
Anak Ikan - Ajami Hashim & Fadli al-Akiti<br />
Sembang Ratu - Nizam Zakaria<br />
Jika Itu Takdirnya - Khalid Idris<br />
Pangkon - Dalih Sembiring<br />
Hanya Jauhari Menyelindung Manikam: Memburu Ikon Gay dalam Filem Malaysia - Fadli al-Akiti<br />
Avatar Tekne Seksual - Clarissa Lee<br />
Rabak - Mohd Zaain Bin Md Zin<br />
Sulalatus Anilingus - Ridhwan Saidi<br />
Lurus Atau Bengkok - Dina Zaman<br />
Pencuri Hati - Nizam Zakaria<br />
Gay.a Ke Aku? - Zulkifli Bin Mohamad<br />
Duyung Karuna - Chuah Guat Eng<br />
Indra Dan Fadil - Paul Agusta<br />
Sejarah Ringkas Media Cetak Tentang Orang Macam Kita - Hafidz Baharom<br />
Tiada Sesalan - Azwan Ismail<br />
Wanita Dua Wajah - Bissme S.<br />
Honey - Bernice Chauly<br />
Sepetang Di Kafe Oedipus - Mohd Ikhwan<br />
Syi - Mohd Syahar Azizan<br />
Vagabundando, Vagabundando - Fernando Rosa Ribeiro<br />
Yang Sebenarnya - Adibah Yahya<br />
Sembang Ratu II - Nizam Zakaria<br />
Sekilas Ikan Di Air, Siapa Tahu Jantan Betina: Siapa Sebenarnya Panji Semirang Asmarantaka? - Farish A. Noor<br />
Asmara Dua Vampir - Diana Dirani</span></span></div><div style="margin-bottom: 0cm;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;"><br />
</span></span></div><div style="margin-bottom: 0cm;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Jumlah mukasurat: 226</span></span></div><div style="margin-bottom: 0cm;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Harga: RM20 sahajork</span></span></div><div style="margin-bottom: 0cm;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Ni kulit penuh; judulnya ialah </span></span><i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">sticker</span></span></i><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;"> yang boleh perpindah-randah mengikut selera si pembeli:</span></span></div><div style="margin-bottom: 0cm;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;"><br />
</span></span></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiihJwz-1J20VvVkcL3UUtuFTIMxoI-i-01R0_qceAlrj50PMqx0XkBy97adRKmdLRuoie6ypiYYJZrUnQoIYJq__AeiwB2RsqQ5rF3bJhCswyqam7EziQ7jMdfY4DY38H6ahskfyhXcRU/s1600/Cover4-01.jpg" imageanchor="1" style="color: #2288bb; margin-left: 1em; margin-right: 1em; text-decoration: none;"><img border="0" height="272" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiihJwz-1J20VvVkcL3UUtuFTIMxoI-i-01R0_qceAlrj50PMqx0XkBy97adRKmdLRuoie6ypiYYJZrUnQoIYJq__AeiwB2RsqQ5rF3bJhCswyqam7EziQ7jMdfY4DY38H6ahskfyhXcRU/s400/Cover4-01.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; border-color: initial; border-left-color: rgb(238, 238, 238); border-left-style: solid; border-left-width: 1px; border-right-color: rgb(238, 238, 238); border-right-style: solid; border-right-width: 1px; border-top-color: rgb(238, 238, 238); border-top-style: solid; border-top-width: 1px; border-width: initial; padding-bottom: 5px; padding-left: 5px; padding-right: 5px; padding-top: 5px; position: relative;" width="400" /></a></div><div style="margin-bottom: 0cm;"><span class="Apple-style-span" style="font-size: x-small;"><br />
</span></div><div style="margin-bottom: 0cm;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Buku ini TIDAK akan dijual di kedai-kedai buku utama (hanya di <a href="http://www.silverfishbooks.com/buybooks/index.php?main_page=product_book_info&products_id=1074" style="color: #2288bb; text-decoration: none;">Silverfish</a>). Ia hanya boleh dibeli di event-event (bermula dengan </span></span><a href="http://www.facebook.com/event.php?eid=113591965365607" style="color: #2288bb; text-decoration: none;"><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Pekan Frinjan</span></span></a><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;"> pada malam 2 Oktober) dan juga melalui pesanan pos (sila emel saya di info@mataharibooks.com - pengeposan percuma di seluruh 1Malaysia ). </span></span><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">Yang ovesi boleh pesan melalui </span></span><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;"><a href="http://www.amazon.com/Orang-Macam-Kita-Azwan-Ismail/dp/9834484569?ie=UTF8&tag=MATCK&link_code=btl&camp=213689&creative=392969" style="color: #2288bb; text-decoration: none;" target="_blank">Amazon</a><img alt="" border="0" height="1" src="http://www.assoc-amazon.com/e/ir?t=MATCK&l=btl&camp=213689&creative=392969&o=1&a=9834484569" style="-webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 1px 1px 5px; background-attachment: initial; background-clip: initial; background-color: white; background-image: initial; background-origin: initial; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(238, 238, 238); border-bottom-style: none !important; border-bottom-width: 1px; border-color: initial !important; border-left-color: rgb(238, 238, 238); border-left-style: none !important; border-left-width: 1px; border-right-color: rgb(238, 238, 238); border-right-style: none !important; border-right-width: 1px; border-top-color: rgb(238, 238, 238); border-top-style: none !important; border-top-width: 1px; border-width: initial !important; margin-bottom: 0px !important; margin-left: 0px !important; margin-right: 0px !important; margin-top: 0px !important; padding-bottom: 0px !important; padding-left: 0px !important; padding-right: 0px !important; padding-top: 0px !important;" width="1" /></span></span><span class="Apple-style-span" style="font-family: inherit;"><span class="Apple-style-span" style="font-size: x-small;">.</span></span></div></span></span><span class="Apple-style-span" style="font-family: Arial, Helvetica, sans-serif;"></span></div></div></div><div style="clear: both;"></div></div><div class="post-footer" style="background-color: #f9f9f9; border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; color: #666666; font-size: 11px; line-height: 1.6; margin-bottom: 0px; margin-left: -2px; margin-right: -2px; margin-top: 20px; padding-bottom: 5px; padding-left: 10px; padding-right: 10px; padding-top: 5px;"></div></div></div></div></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-79322887083865276162011-11-22T07:07:00.000-08:002011-11-22T07:07:22.832-08:00Black Swan dan Bulemia<div dir="ltr" style="text-align: left;" trbidi="on"><span class="Apple-style-span" style="font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px;"></span><br />
<div class="title" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><h3 style="background-color: transparent; border-bottom-color: rgb(208, 208, 208); border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Georgia, 'Nimbus Roman No9 L', serif; font-size: 25px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Ballet, Black Swan dan bulemia</h3></div><div class="date" style="background-color: transparent; border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); clear: left; color: grey; float: left; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 11px; font-style: inherit; font-weight: normal; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">February 01, 2011</div><div class="article reset" id="article" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); clear: left; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">1 FEB — www.themalaysianinsider.com</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Selesai menonton filem Black Swan (lakonan Natalie Portman dan Winona Ryder) di University Village, Riverside, California, aku terus terpanggil untuk menulis sesuatu tentang filem itu dan tari ballet.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Memanglah ballet bukan budaya tarian kita di Malaysia, apalagi di kalangan orang Melayu, India dan lainnya. Tetapi ada banyak sekolah ballet di Kuala Lumpur dan bandar-bandar lain termasuk di Kuching, Sarawak dan Ipoh, Perak.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Aku tak pernah belajar di kelas ballet di Malaysia; yang ada cuma menonton video-video VHS ballet dari tahun 1960an hingga 1980an, termasuk persembahan tarian oleh penari Margot Fonteyn dan Rudolf Nureyev, dual agenda ballet abad ke 20.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Dari situlah aku mula belajar judul-judul ballet klasik barat seperti Nutcracker, Romeo & Juliet, Cinderella, Giselle, Copellia serta Swan Lake. Apabila sampai ke Glasgow pada tahun 1991 untuk progam master dalam international marketing and business, aku mendaftarkan diri untuk masuk ke kelas ballet di Scottish Ballet.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Aku tak tahan lama di kelas ballet, cuma sebulan saja, tapi aku mulai masuk ke kelas kontemporari yang lebih serasi dengan aku, apalagi kerana sudah ada tarian-tarian lain yang sudah dipelajari seperti tari klasik Melayu.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Selalunya selesai kelas di University of Strathclyde, aku mengambil keretapi bawahtanah ke untuk kelas selama dua jam. Akhirnya aku menjadikan Scottish Ballet sebagai case study disertasi program sarjana pemasaran antarabangsa, Sponsorship Strategy of Ballet Companies in United Kingdom.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Berkerja di Bahagian Pembangunan, Scottish Ballet, banyak membuka mataku, bukan hanya tentang penajaan seni tetapi juga tentang sesebuah karya artistic itu sendiri dan apa yang diminati oleh publik dan sponsor korporat.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><img src="http://www.themalaysianinsider.com/images/uploads/2011/february/01/black-swan.jpg" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: none; border-color: initial; border-left-color: rgb(208, 208, 208); border-left-style: none; border-right-color: rgb(208, 208, 208); border-right-style: none; border-top-color: rgb(208, 208, 208); border-top-style: none; border-width: initial; float: left; font-style: inherit; font-weight: inherit; margin-bottom: 5px; margin-left: 5px; margin-right: 5px; margin-top: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; vertical-align: middle;" /></div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Penyelidikan ballet di United Kingdom yang ditaja oleh British Rail, memberi peluang untuk aku melawat kota London untuk menonton dan menemubual artistic director, chief executive dan pengarah pembangunan beberapa buah ballet seperti English City Ballet, Royal Ballet, Ballet Rambert, London Contemporary Dance Company serta Birmingham City Ballet.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Aku juga berpeluang menonton beberapa ballet luar United Kingdom seperti Kirov Ballet dan Bolshoi Ballet dari Rusia serta Australian Ballet. Ternyata setiap kumpulan menampilkan gaya yang berbeza walaupun mereka membawa cerita ballet klasik yang sama. Selalunya cerita-cerita ballet ini dipersembahkan mengikut empat musim.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Antara tontonan ballet yang paling tidak dapat dilupakan adalah Romeo & Juliet, koreografi Rudolf Nureyev di Paris Opera, pada tahun 1991, beberapa bulan sebelum Rudulf Nureyev meninggal dunia, dan dari jauh, aku sempat melihat Rudulf Nureyev naik ke pentas. Rudolf, walaupun lambat belajar menari ballet di umur 21, beliau bukan saja menjadi di antara penari ballet terunggul di abad 20, tetapi juga koreografer ballet yang disegani.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Setelah banyak menonton ballet klasik, dan mulai jemu, aku beralih ke arah tarian kontemporari serta pasca-moden. Sebelum pulang ke Malaysia, aku menonton tari contemporary Wild Life yang dipersembahkan oleh London Contemporary Dance Company di London, dan itulah yang terus memberikan inspirasi untuk aku terus pulang berkerja di Sarawak, Borneo. Pertama kali membuat koreografi tari, aku berkolaborasi dengan Chan Layna, seorang penari ballet bertauliah, beliau juga mempunyai sekolah ballet sendiri di Kuching.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Ballet selalunya dimulakan sejak kecil, mungkin sejak dari umur lima tahun, di Malaysia sekolah ballet sering dikunjungi oleh masyarakat Cina. Sekolah-sekolah ini harus mempunyai tauliah dan juga diajar oleh guru-guru bertauliah dan susah untuk ditemui. Kelas-kelas ballet atau tarian lain seringkali membentuk disiplin yang baik dikalangan anak-anak, tetapi sering juga anak-anak memberontak, kerana mereka dipaksa oleh ibu untuk mengambil kelas ballet.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Mungkin itulah juga yang ingin ditampilkan di dalam filem Black Swan, yang seterusnya membuatkan anak itu menghadapi tekanan jiwa. Ballet juga seringkali diasosiasikan dengan masalah bulimia, di mana mereka tidak mahu makan, supaya terus kurus, kerana setiap ballerina harus mempunyai imej yang sedemikian. Sewaktu di Scottish Ballet, aku pernah melihat sendiri gadis-gadis ballerina hanya memakan sebiji buah epal, cokelat Mars dan jus oren untuk makan tengahari mereka.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Sebagai seorang Asia yang mempunyai bentuk badan yang tidak kurus dan tinggi agak sulit untuk menjadi seorang penari ballet, apalagi kalau tidak dibimbing dari kecil, terutamanya untuk gadis-gadis. Apalagi untuk lelaki Asia Tenggara yang harus mengangkat dan menjunjung badan seorang gadis ballerina. Yang paling sulit adalah untuk menari ballet menggunakan point.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Sebenarnya sudah ada bebarapa buah filem yang mengisahkan kesulitan para penari ballet untuk terus bertahan sebagai penari ballet atau terus bertahan sebagai prima ballerina, apalagi setelah umur meningkat seperti di dalam filem Red Shoes (1948), White Nights (1985) lakonan Isabella Rosalini dan Mikail Barishnikov, Centre Stage (2000) tentang American Ballet, The Company 2003) arahan Robert Altman lakonan Neve Campbell, serta Billie Elliot (2000) yang menampilkan kesusahan seorang kanak-kanak Irish untuk mencapai impiannya kerana pendirian orang irish yang bersifat macho.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Mungkin filem ini juga ingin menarik minat para pelajar lelaki untuk menari ballet di United Kingdom dan seluruh dunia. Tarian ballet Swan Lake di dalam filem tersebut dikoreografikan oleh Matthew Bourne, kini terkenal dengan beberapa buah ballet lain termasuk Dorian Gray dan Edward Scissorhands yang menampilkan semua penari lelaki. Ballet Trocadero juga menjadi terkenal dengan balletnya yang menampilkan semua lelaki tetapi sebaliknya mengenakan pakaian wanita. Kumpulan Ballet Trocadero ini juga pernah datang membuat persembahan di Kuala Lumpur beberapa tahun lalu.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Menarik juga melihat seorang penari ballet terkenal Paris Opera, Sylvie Guillem yang menukar arah ke arah contemporary setelah meningkat usianya, bagaimanapun fizikalnya yang luarbiasa membuatkan dia sukar dilupakan walaupun usianya sudah lanjut, pernah menonton secara langsung di Esplanade Singapura dalam karya Sacred Monster koreografi Akram Khan bebarap tahun lalu, beliau seterusnya bekerjasama dengan Russel Malliphant dari United Kingdom dan Robert Lepage serta beberapa yang lain.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Begitu juga dengan Mikail Barrishnikov yang menubuhkan grup tarian kontemporarynya sendiri, White Oak Tree Project. Beliau juga banyak tampil di dalam filem dan rancangan televisyen seperti Sex and the City. Pendekata seseorang penari ballet harus pandai menyesuaikan diri dan mencari sesuatu yang lain untuk lebih bertahan lama, samada menjadi seorang guru ballet atau berubah menjadi koreografer atau juga mencari bidang baru seperti berlakon dan sebagainya.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Black Swan adalah sebuah filem ballet yang menarik, mengabungkan karier seorang penari ballet serta tekanan hidupnya, untuk senantiasa muda dan berada di atas sebagai prima ballerina dan untuk terus kurus dan langsing.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Apalagi jika penari ballet tersebut masih berada di dalam usia yang begitu muda dan masih mentah di dalam pengalaman hidup. Ibu selalunya juga menjadi pembimbing atau perosak utama, terutamanya ibu-ibu yang terlalu ambisius tentang kerjaya anaknya. Sebenarnya inilah yang ingin dipaparkan di dalam filem ini. Yang menariknya, filem ini dibikin seperti sebuah seram atau triller yang menyelitkan adegan-adegan pembunuhan serta peristiwa ngeri yang bermain di kepala sang prima ballerina.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><em style="border-bottom-color: rgb(208, 208, 208); border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); font-style: italic; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">* The views expressed here are the personal opinion of the columnist.</em></div></div></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-55699092632629398832011-11-22T06:56:00.000-08:002011-11-22T06:56:07.750-08:00Nasi Lemak 2.0<div dir="ltr" style="text-align: left;" trbidi="on"><span class="Apple-style-span" style="font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px;"></span><br />
<div class="title" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><h3 style="background-color: transparent; border-bottom-color: rgb(208, 208, 208); border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Georgia, 'Nimbus Roman No9 L', serif; font-size: 25px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Masak nasi lemak pun kontroversi</h3></div><div class="date" style="background-color: transparent; border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); clear: left; color: grey; float: left; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 11px; font-style: inherit; font-weight: normal; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">November 03, 2011</div><div class="article reset" id="article" style="border-bottom-color: rgb(208, 208, 208); border-bottom-style: solid; border-bottom-width: 0px; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); clear: left; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 5px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Nov 3 - www.themalaysiansinsider.com</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Pertama kali melihat poster filem “Nasi Lemak 2.0” di pawagam, aku tertanya-tanya, siapakah dia Namawee? Kawan Cina aku pulak cuma cakap “dia ni cuba nak buat filem 1 Malaysia tapi timbulkan banyak kontroversi”. Aku sedari itu bila melihat adanya gambar Adibah Noor, Afdlin Shauki, David Arumugam dan Reshmonu dalam poster. Tapi bila diajak menonton filem itu, terus terang dia menolak menontonya di pawagam “alah, beli DVD aje nanti!”. Tapi ternyata filem ini tak dapat diketepikan begitu saja, apalagi bila ada berita-berita yang kononnya ada pihak yang tidak berpuas hati dengan filem dan pengarahnya, Namawee.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Pertubuhan Gagasan Rakyat Negeri Perak telah membantah penayangan filem itu, yang dikhuatiri memberi kesan negative kepada golongan muda. Datuk Seri Hishammuddin Hussein, Menteri di Kementerian Dalam Negeri (KDN), mengumumkan jika ada pihak yang tidak berpuas hati dengan penayangan filem “Nasi Lemak 2.0” bolehlah mengemukan bantahan mereka kepada pihaknya untuk dinilai memandangkan kementerian itu bertanggungjawab dari segi penapisan filem melalui Bahagian Kawalan Filem KDN. Namawee, dikatakan pernah mencetuskan isu yang tidak boleh diterima rakyat Malaysia, menerbitkan video klip “Negarakuku” yang menghina lagu kebangsaan dan masyarakat Malaysia berbilang kaum.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Kontroversi seterusnya melibatkan filem “Nasi Lemak 2.0″ yang bakal tidak menikmati insentif penolakan cukai sebanyak 20 peratus sebagaimana diterima oleh kebanyakan filem tempatan Malaysia yang lain kerana filem tersebut gagal mendapat status Skim Wajib Tayang. Perbadanan Kemajuan Filem Nasional Malaysia (Finas) telah menjelaskan yang filem “Nasi Lemak 2.0” tidak layak mendapat status Wajib Tayang kerana pandangan prejudis terhadap Namewee yang merupakan pengarah dan pelakon filem tersebut. Walaubagaimanapun, Menteri di Jabatan Perdana Menteri, Datuk Seri Nazri Aziz telah memberikan sokongan beliau dan berkata “Nasi Lemak 2.0 adalah sebuah filem 1 Malaysia”.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Filem bergenre komedi yang dibintangi oleh Karen Kong, Afdlin Shauki, Datuk David Arumugam, Reshmonu, Nadine Ann Thomas, Adibah Nor, Pete Teo, Patrick Teoh dan Ho Yuhang ini telah berjaya mendapat kutipan RM4.5 juta selepas dua minggu tayangan. Ianya dibuat dengan peruntukan kurang daripada RM1 juta.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Sewaktu membeli DVD filem ini aku berkali-kali dipastikan “ini DVD original okay, bukan cetak rompak”. Ketika itu juga aku teringatkan filem “Sepet” arahan Yasmin Ahmad yang menampilkan watak sipenjual VCD cetak rompak di pasar malam. Yang menariknya, filem ini bukan saja dilakonkan oleh kalangan pelakon-pelakon yang pernah bekerjasama dengan Allahyarham Yasmin Ahmad, seperti Pete Teoh, Ho Yuhang dan Adibah Noor, filem ini juga bijak mengundang penaja korporat seperti Canon, talipon HTC, minuman beer Tiger serta imej kapalterbang AirAsia. Pendekata, filem yang masih dikategorikan sebagai filem Indie Malaysia ini sudah bijak berkolaborasi dan mendapat pendanaan dari pihak produk konsumer.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Sepanjang filem ini aku tercari-cari imej-imej yang menimbulkan kontroversi seperti yang diwar-warkan. Sebagai sebuah filem Malaysia yang banyaknya menggunakan bahasa Cina dalam pelbagai dialek, walaupun ada menyelitkan bahasa Tamil, Melayu dan pigeon English, pastinya filem ini telah diluliskan oleh Lembaga Penapisan Filem kerana mengikut garispanduan. Mungkin jika adapun imej yang mengganggu sesetengah pihak adalah adegan mabuk meminum tiga botol beer. Jika itulah yang dikontroversikan, kita sebenarnya telah lama dihidangkan dengan iklan-iklan minuman keras setiap kali menonton di pawagam. Maka garis panduan filem kita harus diperjelaskan.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Filem ini sebenarnya adalah sebuah “homage” kepada pembikin-pembikin filem multicultural Malaysia seperti P. Ramlee, Othman Hafsham, Yasmin Ahmad, Mamat Khalid, Afdlin Shauki dan Ho Yuhang. Filem ini juga boleh dilihat sebagai sebuah tribut untuk pembikin-pembikin filem independen Malaysia yang didahulukan dengan filem digital “Lips to Lips” arahan Amir Muhammad.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Selain filem-filem Yasmin Ahmad, filem ini seperti mempunyai hubungannya yang tersendiri dengan filem Stephan Chow dari Hong Kong, Jack Neo dari Singapura serta program masakan terkenal “Iron Chef”. Filem ini juga begitu dekat dengan filem-filem yang bersangkutan dengan makanan seperti “Papadom” oleh Afdlin Shauki serta karya terbaru Othman Hafsham, “Karipap-karipap Cinta”. Imej pahlawan Melayunya serta keperwiraan seorang pendekar juga dekat dengan imej Hang Tuah dan biskut bercokelat Kit Kat. Mungkin Namawee sendiri juga dekat dengan dunia pengiklanan seperti Yasmin Ahmad.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Filem “Nasi Lemak 2.0” ini mempunyai sebuah resipi genre “road movie” yang mencari sebuah kejayaan setelah menghadapi kegagalan hidup di dalam sebuah kehidupan berkareerkan sebagai seorang tukang masak, sekaligus mencari jati diri, siapa dirinya yang sebenar (merujuk kepada kewujudan kaum Cina di Malaysia).</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Di sini “Nasi Lemak” bukan hanya menjadi ikon Malaysia, tetapi juga sebagai metafor jati diri bangsa Malaysia, bukan hanya sekadar makanan orang Melayu. Malah nasi lemak itu sendiri juga dilihat sebagai sebuah ikon yang sememangnya beridentitikan multi-kultural Malaysia yang menggabungkan budaya India, Cina dan Melayu.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Apa yang menarik di dalam filem ini bukan hanya pencarian diri dalam Hero Huang sendiri, tetapi juga watak Anak Angkat yang dilakonkan dengan baik sekali oleh Karen Kong serta watak Gong Xi Ning, mak saudaranya. Yang paling jelas adalah pencarian pemenang peraduan masakan untuk menjadi tukang masak di Restoran Gong Xi. Pengarahnya, Namawee, begitu pandai menyelitkan komentar-komentar semasa ke dalam filem ini, seperti adegan wanita upahan untuk memabukkan ayah Karen Kong, Gong Xi Fa, seterusnya menimbulkan skandal seks yang dirakam di dalam video dan dimuatkan ke dalam YouTube dan kemudiannya dinafikan bulat-bulat, adegan Nyonya Baba yang dimasukkan ke dalam genre filem komedi seram, serta komentar tentang lelaki Melayu-Muslim yang tinggal serumah dengan keempat-empat isterinya. Pendekata, kita tidak jemu menonton dari satu adegan ke adegan yang lain, walaupun tidak mampu untuk ketawa.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">Jika benarlah filem ini adalah sebuah filem multi-kultur Malaysia atau diwar-warkan sebagai 1 Malaysia, siapakah yang sebenarnya yang menimbulkan kontroversi dan kenapakah hal-hal sedemikian masih terjadi di dalam industri filem.</div><div style="background-color: transparent; border-bottom-color: initial; border-bottom-style: none; border-bottom-width: initial; border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); color: black; font-family: Arial, Helvetica, Garuda, sans-serif; font-size: 13px; font-style: inherit; font-weight: inherit; margin-bottom: 10px; margin-left: 0px; margin-right: 0px; margin-top: 10px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;"><em style="border-bottom-color: rgb(208, 208, 208); border-left-color: rgb(208, 208, 208); border-right-color: rgb(208, 208, 208); border-top-color: rgb(208, 208, 208); font-style: italic; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px;">* The views expressed here are the personal opinion of the columnist.</em></div></div></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-83179465312895677012011-11-22T04:21:00.000-08:002011-11-22T04:21:59.369-08:00Festival Filem Malaysia 24Wow, rupanya dah lebih setahun Aku tak menjenguk ke blog yang satu ini, maklumlah terlalu sibuk dgn fb. Rasanya terlalu banyak yang hendak ditulis, filemlah, bukulah, program ghosh, Muzik, fesyen dan macam2 lagi. Tapi yg Paling hangat buat masa ni adalah ffm24 serta cadangan tontonfilem.blogspot untuk mengadakan festival filem dikalangan blogger pengkritik filem. Cuma Nama majlis tu bunyi mcm majlis ugama atau yg sewaktu dengannya. Boleh tak kita cari Nama lain yg menterjemahkan circle ataupun guna dulu Nama dalam Bahasa Ingeris. Circle juga boleh diterjemahkan menjadi lingkungan.zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-76420820831758561952010-07-07T04:05:00.000-07:002010-07-30T02:21:01.324-07:00Gamelan Melayu (Trengganu & Pahang) atau Gamelan Jawa<span class="Apple-style-span" style=" ;font-family:'Trebuchet MS', Trebuchet, Verdana, sans-serif;font-size:13px;"><div class="sidebar section" id="sidebar" style="margin-top: 20px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-align: left; float: left; width: 342px; word-wrap: break-word; overflow-x: hidden; overflow-y: hidden; "><div class="widget HTML" id="HTML2" style="margin-top: 0px; margin-right: 0px; margin-bottom: 33px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 12px; "><div class="widget Text" id="Text1" style="margin-top: 0px; margin-right: 0px; margin-bottom: 33px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font-size: 12px; "><h2 class="title" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; color: rgb(184, 168, 13); padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; font: normal normal bold 150%/normal Verdana, sans-serif; "><span class="Apple-style-span" style="font-family:'Trebuchet MS', Trebuchet, Verdana, sans-serif;font-size:100%;color:#000000;"><span class="Apple-style-span" style=" font-weight: normal;font-size:12px;"><span class="Apple-style-span" style="font-family:Verdana, sans-serif;font-size:180%;color:#B8A80D;"><span class="Apple-style-span" style="font-size:18px;"><b> <!--StartFragment--> <p class="MsoNormal" style="text-align:justify;line-height:150%;mso-pagination:none;mso-layout-grid-align:none;text-autospace:none"><span style="Book Antiqua"font-family:";"><b><span class="Apple-style-span" style="color:#000000;"> </span><span class="Apple-style-span" style="color:#000000;"><o:p></o:p></span></b></span></p> <p class="MsoNormal" align="right" style="text-align: justify;line-height: 150%; "><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-weight: 800;"><span class="Apple-style-span" style="font-size: medium;"><span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-weight: normal; line-height: normal; color: rgb(51, 51, 51); font-size: 11px; "></span></span></span></span></p><span class="Apple-style-span" style="color:#000000;"><ul class="commentList" style="list-style-type: none; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><li class="uiUfiComment comment_13509940 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><span class="Apple-style-span" style="line-height: 14px; ">Gamelan Melayu (Trengganu-Pahang) - Perang Bugis Makasar, Raja-raja Bugis Johor-Riau-Pahang, Perkahwinan dan Kekuasaan di Tanah Melayu.<br /><br />Kertas ini merupakan sebuah himpunan tentang pemikiran dan pencarian hasil dari perbincangan tentang Gamelan Melayu antara saya dan Che Gu Nik Mustapha, ASWARA. Perbincangan bermula dengan bicara tentang buku Gamelan Pahang yang sedang ingin disiapkan oleh pihak Muzium Pahang. Che Gu Nik Mustapha atau lebih dikenali dengan nama Pak Nik adalah orang lama gamelan di Kementerian Kebudayaan (yang lain2 tu tergantung zaman bila, kerana ianya berubah-ubah campurannya, dari belia dan sukan, kepada pelancungan, warisan, kemudiannya informasi, kommunikasi dll), yang dulunya bertugas di Kompleks Budaya Negara yang lebih dikenali sebagai KBN di tahun2 1970an. Saya hanya mempersoalkan apakah bezanya di antara gamelan Jawa, Bali dengan gamelan Melayu?. Apa yang membuatkan gamelan Melayu menjadi istimewa atau mempunyai identiti yang tersendiri?. Sejak bilakah gamelan tersebut yang dulunya dibina oleh raja-raja bugis menjadi Melayu atau digelar Melayu?. Pada saya sendiri, saya memperkatakan yang pabila kita membicarakan tentang kesenian dan kebudayaan klasik, tidak dapat tidak kita harus membicarakan tentang kesultanan, walaupun gamelan dipraktikan dan disebarkan serta digalakkan oleh kegiatan folk dari kalangan rakyat. Oleh itu ianya harus dimulakan dari Perang Bugis Makasar di Sulawesi sewaktu Belanda mulai masuk menjajah di Maluku dan Sulawesi. Seterusnya perjalanan pelarian raja-raja dan putera-putera Bugis menyelusuri pesisir Pulau Bali dan Jawa untuk menyelamatkan diri dari ditangkap Belanda. Tidak dapat tidak perjalanan ini harus didekati dengan perbincangan tentang kegiatan pelayaran dan perlanunan, seperti yang disebut pihak penjajah. Begitu juga dengan perbincangan tentang hubungan kekeluargaan di kalangan kesultanan di seluruh nusantara yang sememangnya mempunyai hubungan samada melalui perkahwinan atau kekuasaan, agama serta perdagangan. Keeratan hubungan ini terjadi akan karena satu rasa silatul-rahim dan kesatuan ummah yang dijalin dari kepercayaan agama Islam. Tarian Gamelan Melayu itu sebenarnya adalah sebuah symbol kesenian Melayu Islam. Mungkin ini juga ada hubungan kaitnya dengan kegiatan keagamaan dan kesusasteraan Raja Ali Haji di Riau. Jelas sekali Tarian Gamelan Melayu, atau Joget Gamelan atau Joget Pahang yang sebenarnya adalah sebuah kegiatan Anti-Kolonial, yang mungkin ada hubungan dengan tarian Bedhoyo dan Serimpi di Jawa Tengah.</span><br /><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> I am still gathering info, but pls give your feed back, thx<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:42pm" date="Wed, 07 Jul 2010 07:42:22 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:42pm</abbr> · <span class="uiTextSubtitle comment_like_13509940" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509940]" value="13509940" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509940]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13509944 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/dengfatimah.bolhassan" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs351.snc4/41625_777148069_6852_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/dengfatimah.bolhassan" hovercard="/ajax/hovercard/user.php?id=777148069" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">DengFatimah Bolhassan</a> Jangan lupa kalau datang sini nanti berjumpa dengan gamelan team kat sini. mereka aktif sungguh dalam gamelan and its an every year event performed at the Uni. just for a comparison. tapi rasanya research yang akan Zul buat ni lebih mendalam terus dengan tarian sekali.<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:42pm" date="Wed, 07 Jul 2010 07:42:24 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:42pm</abbr> · <span class="uiTextSubtitle comment_like_13509944" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509944]" value="13509944" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509944]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13509948 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> we must get in touch with U Michigan the music person and also to connect with William Malm, thx<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:43pm" date="Wed, 07 Jul 2010 07:43:17 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:43pm</abbr> · <span class="uiTextSubtitle comment_like_13509948" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509948]" value="13509948" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509948]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13509954 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> actually I have not done anything on gamelan melayu, not even the tarian, baru nak belajar menari gamelan melayu<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:44pm" date="Wed, 07 Jul 2010 07:44:07 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:44pm</abbr> · <span class="uiTextSubtitle comment_like_13509954" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509954]" value="13509954" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509954]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13509957 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/dengfatimah.bolhassan" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs351.snc4/41625_777148069_6852_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/dengfatimah.bolhassan" hovercard="/ajax/hovercard/user.php?id=777148069" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">DengFatimah Bolhassan</a> very true. I am sure they would be very helpful in giving you info:)<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:44pm" date="Wed, 07 Jul 2010 07:44:21 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:44pm</abbr> · <span class="uiTextSubtitle comment_like_13509957" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509957]" value="13509957" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509957]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13509962 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/dengfatimah.bolhassan" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs351.snc4/41625_777148069_6852_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/dengfatimah.bolhassan" hovercard="/ajax/hovercard/user.php?id=777148069" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">DengFatimah Bolhassan</a> that would be an interesting.I would love to see it.<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:45pm" date="Wed, 07 Jul 2010 07:45:20 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:45pm</abbr> · <span class="uiTextSubtitle comment_like_13509962" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509962]" value="13509962" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509962]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13509968 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> Deng dear, this is just a paper may be. I only started as idea and internet search for my own blog then I tot may be it could be a paper<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:46pm" date="Wed, 07 Jul 2010 07:46:23 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:46pm</abbr> · <span class="uiTextSubtitle comment_like_13509968" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509968]" value="13509968" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509968]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13509987 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/dengfatimah.bolhassan" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs351.snc4/41625_777148069_6852_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/dengfatimah.bolhassan" hovercard="/ajax/hovercard/user.php?id=777148069" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">DengFatimah Bolhassan</a> heheh, I'm already seeing the big picture:)<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:49pm" date="Wed, 07 Jul 2010 07:49:00 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:49pm</abbr> · <span class="uiTextSubtitle comment_like_13509987" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509987]" value="13509987" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509987]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13509997 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> by the way, I am also working on Mak Yong book and thinking of publishing it with U Michigan, we have to talk about it!<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:51pm" date="Wed, 07 Jul 2010 07:51:26 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:51pm</abbr> · <span class="uiTextSubtitle comment_like_13509997" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13509997]" value="13509997" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13509997]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13510036 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/dengfatimah.bolhassan" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs351.snc4/41625_777148069_6852_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/dengfatimah.bolhassan" hovercard="/ajax/hovercard/user.php?id=777148069" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">DengFatimah Bolhassan</a> That awesome!:) I am so excited for you!:)<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 10:58pm" date="Wed, 07 Jul 2010 07:58:24 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 10:58pm</abbr> · <span class="uiTextSubtitle comment_like_13510036" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13510036]" value="13510036" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13510036]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13510075 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/hminarti" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs344.snc4/41437_731863312_3464_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/hminarti" hovercard="/ajax/hovercard/user.php?id=731863312" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Helly Minarti</a> interesting, though it evokes many questions. your last notion, for instance: in what way? obviously, bedhoyo and serimpi were not created within the anti-colonial framework. have fun at further investigating those questions!<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 11:04pm" date="Wed, 07 Jul 2010 08:04:25 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 11:04pm</abbr> · <span class="uiTextSubtitle comment_like_13510075" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13510075]" value="13510075" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13510075]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13510169 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=536085051" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs353.snc4/41668_536085051_2560_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=536085051" hovercard="/ajax/hovercard/user.php?id=536085051" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Amron-Paul Yuwono</a> Wooo hooo<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Wednesday, July 7, 2010 at 11:31pm" date="Wed, 07 Jul 2010 08:31:40 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 7 at 11:31pm</abbr> · <span class="uiTextSubtitle comment_like_13510169" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13510169]" value="13510169" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13510169]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13513115 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/kamalsabran" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs344.snc4/41427_1472171052_5120_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/kamalsabran" hovercard="/ajax/hovercard/user.php?id=1472171052" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Kamal Sabran</a> good research zubin! tak sabaq nak tau ni :)<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 8:45am" date="Wed, 07 Jul 2010 17:45:24 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 8:45am</abbr> · <span class="uiTextSubtitle comment_like_13513115" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13513115]" value="13513115" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13513115]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13513121 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=580976088" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs626.ash1/27445_580976088_4192_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=580976088" hovercard="/ajax/hovercard/user.php?id=580976088" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Soedarmadji Jean Henry Damais</a> Interesting ! Why not !<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 8:47am" date="Wed, 07 Jul 2010 17:47:12 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 8:47am</abbr> · <span class="uiTextSubtitle comment_like_13513121" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13513121]" value="13513121" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13513121]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13513140 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=650354757" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/profile-ak-snc1/profile5/1714/55/q650354757_6364.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=650354757" hovercard="/ajax/hovercard/user.php?id=650354757" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Nor Faridah Abdul Manaf</a> Bugis atau Rawa, Zul? The Rawa royalties were dominant in Pahang.Mana datang Bugisnya?<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 8:52am" date="Wed, 07 Jul 2010 17:52:24 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 8:52am</abbr> · <span class="uiTextSubtitle comment_like_13513140" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13513140]" value="13513140" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13513140]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514275 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> they are known as Bugis, I am not sure the Rawa. Where is Rawa from?<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 12:53pm" date="Wed, 07 Jul 2010 21:53:24 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 12:53pm</abbr> · <span class="uiTextSubtitle comment_like_13514275" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514275]" value="13514275" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514275]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514282 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> Helly, I said Bedhoyo and Serimpi were also created during the colonial period!<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 12:54pm" date="Wed, 07 Jul 2010 21:54:52 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 12:54pm</abbr> · <span class="uiTextSubtitle comment_like_13514282" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514282]" value="13514282" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514282]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514312 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> <div id="id_4c52987969f2555b1f096" class="text_exposed_root" style="display: inline; "><a href="http://marisma.multiply.com/" onmousedown="UntrustedLink.bootstrap($(this), "af099", event);" rel="nofollow" target="_blank" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://marisma.multiply.co</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>m/</a>:<br />Walaupun terdapat perbezaan yang spesifik di antara kumpulan sub-etnik Melayu ini, mereka menunjukkan hubungan yang rapat di antara satu sama lain dan juga kepada populasi lain di Asia. Melayu Banjar, Bugis dan <span class="text_exposed_hide">...</span><span class="text_exposed_hide"><span class="text_exposed_link" style="font-size: 9px; padding-top: 0px; padding-right: 12px; padding-bottom: 0px; padding-left: 0px; white-space: nowrap; "><a onclick="CSS.addClass($("id_4c52987969f2555b1f096"), "text_exposed");" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; ">See More</a></span></span></div><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 1:03pm" date="Wed, 07 Jul 2010 22:03:41 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 1:03pm</abbr> · <span class="uiTextSubtitle comment_like_13514312" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514312]" value="13514312" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514312]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514346 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> <div id="id_4c5298796cc9c6c901033" class="text_exposed_root" style="display: inline; "><a href="http://serimau.blogspot.com/" onmousedown="UntrustedLink.bootstrap($(this), "af099", event);" rel="nofollow" target="_blank" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://serimau.blogspot.co</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>m/</a>:<br />Sejarah orang Melayu Rao@Rawa bermula di Kecamatan (Daerah Kecil) Rao Mapat Tunggul, di dalam Kabupaten (Daerah) Pasaman, Propinsi (Negeri) Sumatera Barat, Indonesia. Duduk di sebelah utaranya pula, bermastautin<span class="text_exposed_hide">...</span><span class="text_exposed_hide"><span class="text_exposed_link" style="font-size: 9px; padding-top: 0px; padding-right: 12px; padding-bottom: 0px; padding-left: 0px; white-space: nowrap; "><a onclick="CSS.addClass($("id_4c5298796cc9c6c901033"), "text_exposed");" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; ">See More</a></span></span></div><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 1:18pm" date="Wed, 07 Jul 2010 22:18:45 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 1:18pm</abbr> · <span class="uiTextSubtitle comment_like_13514346" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514346]" value="13514346" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514346]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514561 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/rshashim" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs254.snc3/23142_557448778_8126_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/rshashim" hovercard="/ajax/hovercard/user.php?id=557448778" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Ruzy Hashim</a> Interesting paper.<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 2:34pm" date="Wed, 07 Jul 2010 23:34:05 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 2:34pm</abbr> · <span class="uiTextSubtitle comment_like_13514561" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514561]" value="13514561" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514561]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514622 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=650354757" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/profile-ak-snc1/profile5/1714/55/q650354757_6364.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=650354757" hovercard="/ajax/hovercard/user.php?id=650354757" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Nor Faridah Abdul Manaf</a> thks for notes on Rawa.Yang I suka 2 putra tu sudah so global..sorang ke China, sorang ke Rom.<br /><br />But need to know about Bugis in Pahang ni.Mana datangnya.Yang kita tau Bugis ramai di Johor.Najib claims he's a Bugis.I rasa dia Rawa. :))<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 3:08pm" date="Thu, 08 Jul 2010 00:08:01 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 3:08pm</abbr> · <span class="uiTextSubtitle comment_like_13514622" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514622]" value="13514622" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514622]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514856 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/hminarti" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs344.snc4/41437_731863312_3464_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/hminarti" hovercard="/ajax/hovercard/user.php?id=731863312" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Helly Minarti</a> <div id="id_4c5298796d596385f902b" class="text_exposed_root" style="display: inline; ">well, I must have misunderstood your Melayu! (the last sentence) or it is because I did not read the paper in whole? (only on this page, there is no link to the rest). But playing a devil advocate (hiha, if you don't mind): we can not be su<span class="text_exposed_hide">...</span><span class="text_exposed_hide"><span class="text_exposed_link" style="font-size: 9px; padding-top: 0px; padding-right: 12px; padding-bottom: 0px; padding-left: 0px; white-space: nowrap; "><a onclick="CSS.addClass($("id_4c5298796d596385f902b"), "text_exposed");" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; ">See More</a></span></span></div><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:26pm" date="Thu, 08 Jul 2010 01:26:56 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:26pm</abbr> · <span class="uiTextSubtitle comment_like_13514856" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514856]" value="13514856" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514856]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514879 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> Ruzy, not yet a paper, just some idea.<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:36pm" date="Thu, 08 Jul 2010 01:36:18 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:36pm</abbr> · <span class="uiTextSubtitle comment_like_13514879" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514879]" value="13514879" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514879]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514882 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> Darling Faridah, you ni tak baca sejarah Melayu ke? Raja Pahang, Selangor dan Johor semuanya Bugis. Rawa tu datang kemudian!<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:37pm" date="Thu, 08 Jul 2010 01:37:16 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:37pm</abbr> · <span class="uiTextSubtitle comment_like_13514882" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514882]" value="13514882" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514882]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514883 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=548790641" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs625.snc3/27433_548790641_4568_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=548790641" hovercard="/ajax/hovercard/user.php?id=548790641" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Suhaimi Sulaiman</a> im quite interested in gamelan trg.very soothing.<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:37pm" date="Thu, 08 Jul 2010 01:37:21 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:37pm</abbr> · <span class="uiTextSubtitle comment_like_13514883" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514883]" value="13514883" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514883]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514887 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> Don't care about Najib and his claim that he keturunan raja bugis<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:38pm" date="Thu, 08 Jul 2010 01:38:05 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:38pm</abbr> · <span class="uiTextSubtitle comment_like_13514887" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514887]" value="13514887" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514887]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514891 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/hminarti" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs344.snc4/41437_731863312_3464_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/hminarti" hovercard="/ajax/hovercard/user.php?id=731863312" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Helly Minarti</a> yes, ideas - somewhere to start! have fun: trudging and treading on the historical path........<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:38pm" date="Thu, 08 Jul 2010 01:38:39 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:38pm</abbr> · <span class="uiTextSubtitle comment_like_13514891" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514891]" value="13514891" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514891]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514907 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> Helly, Bedhaya -Serimpi is definately created earlier than 1800s, read about it before, somewhere, should check with Mas Adji. Darlink to know your Javanese work you have to read Javanese, nor Raffles! You can start with Raffles but go beyond that if you you looking from post-colonial perspective<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:41pm" date="Thu, 08 Jul 2010 01:41:05 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:41pm</abbr> · <span class="uiTextSubtitle comment_like_13514907" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514907]" value="13514907" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514907]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514921 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> Che Mie, Trengganu gamelan has interesting history, especially the dance theatre works, mostly dah hilang. I like the gamelan work with singing, also mostly dah hilang, they have abandoned many important works, I hope kumpulan Suktra could be revived! Wonder what Yayasan Nur Zahirah is doing? Perhaps not on gamelan!<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:45pm" date="Thu, 08 Jul 2010 01:45:10 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:45pm</abbr> · <span class="uiTextSubtitle comment_like_13514921" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514921]" value="13514921" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514921]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514931 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/hminarti" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs344.snc4/41437_731863312_3464_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/hminarti" hovercard="/ajax/hovercard/user.php?id=731863312" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Helly Minarti</a> <div id="id_4c5298796e9564cde6c91" class="text_exposed_root" style="display: inline; ">well, like you i have to start somewhere :-) I came across quotes on Serat Wedhataya by Mangkunegara VII quoted by Western scholars here and there. Yes, looking further (if anything survives!!). archive is the Third World problem, and Indon<span class="text_exposed_hide">...</span><span class="text_exposed_hide"><span class="text_exposed_link" style="font-size: 9px; padding-top: 0px; padding-right: 12px; padding-bottom: 0px; padding-left: 0px; white-space: nowrap; "><a onclick="CSS.addClass($("id_4c5298796e9564cde6c91"), "text_exposed");" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; ">See More</a></span></span></div><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 4:49pm" date="Thu, 08 Jul 2010 01:49:11 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 4:49pm</abbr> · <span class="uiTextSubtitle comment_like_13514931" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514931]" value="13514931" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514931]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13514969 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/hminarti" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs344.snc4/41437_731863312_3464_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/hminarti" hovercard="/ajax/hovercard/user.php?id=731863312" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Helly Minarti</a> ps. (promise, the last entry). ugh, MaS Adji (not Mad). typo typo - maaf banget!!!! (how do you say it in Javanese? pangapunten?)<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 5:01pm" date="Thu, 08 Jul 2010 02:01:46 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 5:01pm</abbr> · <span class="uiTextSubtitle comment_like_13514969" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13514969]" value="13514969" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13514969]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13515000 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> <div id="id_4c5298796ee6e2d56556f" class="text_exposed_root" style="display: inline; ">in javanese hehehehe. Mas Adji once told me to learn Javanese, the key to the Javanese culture, but I am not young anymore. So for now I could just go back and learn Jawi script, where I used to read properly. Malau dengan Dr.Gallop di SEA <span class="text_exposed_hide">...</span><span class="text_exposed_hide"><span class="text_exposed_link" style="font-size: 9px; padding-top: 0px; padding-right: 12px; padding-bottom: 0px; padding-left: 0px; white-space: nowrap; "><a onclick="CSS.addClass($("id_4c5298796ee6e2d56556f"), "text_exposed");" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; ">See More</a></span></span></div><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 5:11pm" date="Thu, 08 Jul 2010 02:11:25 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 5:11pm</abbr> · <span class="uiTextSubtitle comment_like_13515000" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13515000]" value="13515000" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13515000]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13515001 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> another place would be Paris and Germany!<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 5:12pm" date="Thu, 08 Jul 2010 02:12:16 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 5:12pm</abbr> · <span class="uiTextSubtitle comment_like_13515001" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13515001]" value="13515001" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13515001]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13516513 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=580976088" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs626.ash1/27445_580976088_4192_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=580976088" hovercard="/ajax/hovercard/user.php?id=580976088" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Soedarmadji Jean Henry Damais</a> I'm afraid I am only sure about what I don't know in Serimpi and Bedhoyo matters which are mentioned in old malay litterature as "surimpi" and "bidaya"<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 11:51pm" date="Thu, 08 Jul 2010 08:51:28 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 11:51pm</abbr> · <span class="uiTextSubtitle comment_like_13516513" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13516513]" value="13516513" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13516513]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13516529 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=580976088" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs626.ash1/27445_580976088_4192_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=580976088" hovercard="/ajax/hovercard/user.php?id=580976088" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Soedarmadji Jean Henry Damais</a> About Rawa pronounced in minang malay as Rao one should also read "Tuanku Rao" by Parlindungan Siregar ! Controversial but exciting !<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 8, 2010 at 11:54pm" date="Thu, 08 Jul 2010 08:54:14 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 8 at 11:54pm</abbr> · <span class="uiTextSubtitle comment_like_13516529" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13516529]" value="13516529" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13516529]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13540111 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> wow mas adji, where can I find that malay literature surimpi and bidaya? wow where to get that book "Tuanku Rao"?<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Monday, July 12, 2010 at 9:26pm" date="Mon, 12 Jul 2010 06:26:06 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 12 at 9:26pm</abbr> · <span class="uiTextSubtitle comment_like_13540111" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13540111]" value="13540111" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13540111]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13540114 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> thanks so much, mas adji always have something hidden to show us<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Monday, July 12, 2010 at 9:26pm" date="Mon, 12 Jul 2010 06:26:38 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 12 at 9:26pm</abbr> · <span class="uiTextSubtitle comment_like_13540114" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13540114]" value="13540114" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13540114]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13540759 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=580976088" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs626.ash1/27445_580976088_4192_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=580976088" hovercard="/ajax/hovercard/user.php?id=580976088" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Soedarmadji Jean Henry Damais</a> "Tuanku Rao" adalah buku terbitan tahun 70an dan pernah dilarang di Indonesia ! Pasti perpustakaan yang besar di Malaysia punya buku ini !<br /><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Monday, July 12, 2010 at 11:40pm" date="Mon, 12 Jul 2010 08:40:23 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 12 at 11:40pm</abbr> · <span class="uiTextSubtitle comment_like_13540759" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13540759]" value="13540759" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13540759]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13540777 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=580976088" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs626.ash1/27445_580976088_4192_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=580976088" hovercard="/ajax/hovercard/user.php?id=580976088" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Soedarmadji Jean Henry Damais</a> Buku Hikayat Hang Tuah dan Sejarah Melayu pasti sudah di "digitalised" di Malaysia . Jadi carilah kata "surimpi" dan "bidaya" dalam terbitan "digital" kedua karya tersebut !<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Monday, July 12, 2010 at 11:43pm" date="Mon, 12 Jul 2010 08:43:44 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 12 at 11:43pm</abbr> · <span class="uiTextSubtitle comment_like_13540777" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13540777]" value="13540777" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13540777]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13540804 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=580976088" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs626.ash1/27445_580976088_4192_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=580976088" hovercard="/ajax/hovercard/user.php?id=580976088" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Soedarmadji Jean Henry Damais</a> Yang pertama menyebut masalah ini adalah Overbeck dalam majalah "Djawa" dalam tulisan berjudul " Java in Maleische litteratuur" Maaf dalam bahasa belanda ! Jadi disamping bahasa jawa juga harus belajar bahasa belanda ! Selamat meneliti !<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Monday, July 12, 2010 at 11:50pm" date="Mon, 12 Jul 2010 08:50:14 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 12 at 11:50pm</abbr> · <span class="uiTextSubtitle comment_like_13540804" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13540804]" value="13540804" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13540804]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13602688 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=100000700951225" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs323.snc4/41409_100000700951225_596_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=100000700951225" hovercard="/ajax/hovercard/user.php?id=100000700951225" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Ahmad Suryavarman Khi</a> <div id="id_4c529879702166ad7f618" class="text_exposed_root" style="display: inline; ">abg Zubin yang saya tahu Gamelan Jawa yang dibawa ke Istana Pahang awal abad 20, di Johor ramai kumpulan Gamelan dan mereka tetap cakap sebagai Gamelan Jawa.<br />Gamelan Jawa juga sudah diperkenal di amerika tahun 1893 pada acara<br />"World's Columb<span class="text_exposed_hide">...</span><span class="text_exposed_hide"><span class="text_exposed_link" style="font-size: 9px; padding-top: 0px; padding-right: 12px; padding-bottom: 0px; padding-left: 0px; white-space: nowrap; "><a onclick="CSS.addClass($("id_4c529879702166ad7f618"), "text_exposed");" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; ">See More</a></span></span></div><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 22, 2010 at 10:45pm" date="Thu, 22 Jul 2010 07:45:20 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 22 at 10:45pm</abbr> · <span class="uiTextSubtitle comment_like_13602688" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13602688]" value="13602688" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13602688]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13602873 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=100000700951225" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs323.snc4/41409_100000700951225_596_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=100000700951225" hovercard="/ajax/hovercard/user.php?id=100000700951225" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Ahmad Suryavarman Khi</a> Pebruari 2009 Prof. Dr. Rahayu Supanggah Rektor ISI Solo memberikan pelatihan Gamelan di Akademi Seni dan Warisan Malaysia (ASWARA),<br />so aneh bukan jika cakap sebagai gamelan Melayu yang kini masih ramai import dari Solo???<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 22, 2010 at 11:16pm" date="Thu, 22 Jul 2010 08:16:21 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 22 at 11:16pm</abbr> · <span class="uiTextSubtitle comment_like_13602873" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13602873]" value="13602873" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13602873]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13602967 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/profile.php?id=100000700951225" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-snc4/hs323.snc4/41409_100000700951225_596_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/profile.php?id=100000700951225" hovercard="/ajax/hovercard/user.php?id=100000700951225" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Ahmad Suryavarman Khi</a> <div id="id_4c529879708a206c50a88" class="text_exposed_root" style="display: inline; ">Abg Zubin : Awal abad 17 pada masa Sultan AgungHanyokrowati Raja Besar Matarampon sudah berkreasi Tarian Bedhaya: malah gending pengiring tarian Sakral ini dipercaya diciptakan oleh Sultan Agung:<br />tahun 1977 Gending Jawa Puspawarna salah sat<span class="text_exposed_hide">...</span><span class="text_exposed_hide"><span class="text_exposed_link" style="font-size: 9px; padding-top: 0px; padding-right: 12px; padding-bottom: 0px; padding-left: 0px; white-space: nowrap; "><a onclick="CSS.addClass($("id_4c529879708a206c50a88"), "text_exposed");" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; ">See More</a></span></span></div><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Thursday, July 22, 2010 at 11:34pm" date="Thu, 22 Jul 2010 08:34:04 -0700" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">July 22 at 11:34pm</abbr> · <span class="uiTextSubtitle comment_like_13602967" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13602967]" value="13602967" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13602967]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13650944 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> Di Malaysia ada perpustakaan yang besar, yang dindingnya bermotif songket dibuat dari jubin toilet, di dalamnya kurang pasti Hang Tuah Digital, tapi baru2 ini, mereka membuat pameran tulisan tangan hikayat hang tuah yang bakal mendapat pengiktirafan dari UNESCO untuk karya agung dunia.<div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Friday, July 30, 2010 at 5:04pm" date="Fri, 30 Jul 2010 02:04:23 -0700" class="timestamp" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">15 minutes ago</abbr> · <span class="uiTextSubtitle comment_like_13650944" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13650944]" value="13650944" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13650944]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li><li class="uiUfiComment comment_13650988 ufiItem" style="background-color: rgb(237, 239, 244); border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(229, 234, 241); margin-top: 2px; padding-top: 5px; padding-right: 5px; padding-bottom: 4px; padding-left: 5px; "><div class="UIImageBlock clearfix uiUfiActorBlock" style="display: block; zoom: 1; "><a class="actorPic UIImageBlock_Image UIImageBlock_SMALL_Image" href="http://www.facebook.com/zubin.mohamad" tabindex="-1" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; float: left; margin-right: 8px; "><img class="uiProfilePhoto uiProfilePhotoMedium img" src="http://profile.ak.fbcdn.net/hprofile-ak-sf2p/hs323.snc4/41406_700011048_1254_q.jpg" alt="" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; width: 32px; height: 32px; display: block; " /></a><div class="commentContent UIImageBlock_Content UIImageBlock_SMALL_Content" style="display: table-cell; vertical-align: top; width: 1000px; padding-top: 1px; "><a class="actorName" href="http://www.facebook.com/zubin.mohamad" hovercard="/ajax/hovercard/user.php?id=700011048" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; font-weight: bold; ">Zubin Mohamad</a> <div id="id_4c529879713f701fbbe12" class="text_exposed_root" style="display: inline; ">Mas Ahmad, saya yang pertama mengusahakan membawa Pak Rahayu Supanggah ke Malaysia pada tahun 2003, asalnya untuk menjadi komposer kepada proposal saya "Festival Gong" di Istana Budaya, dan saya sebagai artistik direktor, tetapi apabila pro<span class="text_exposed_hide">...</span><span class="text_exposed_hide"><span class="text_exposed_link" style="font-size: 9px; padding-top: 0px; padding-right: 12px; padding-bottom: 0px; padding-left: 0px; white-space: nowrap; "><a onclick="CSS.addClass($("id_4c529879713f701fbbe12"), "text_exposed");" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; ">See More</a></span></span></div><div class="uiTextSubtitle commentActions" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; padding-top: 2px; "><abbr title="Friday, July 30, 2010 at 5:15pm" date="Fri, 30 Jul 2010 02:15:28 -0700" class="timestamp" style="border-bottom-style: none; border-bottom-width: initial; border-bottom-color: initial; ">3 minutes ago</abbr> · <span class="uiTextSubtitle comment_like_13650988" style="color: rgb(128, 128, 128); font-size: 11px; line-height: 14px; "><button class="stat_elem as_link" type="submit" name="like_comment_id[13650988]" value="13650988" title="Like this comment" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; overflow-x: visible; overflow-y: visible; width: auto; text-align: left; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; cursor: pointer; color: rgb(59, 89, 152); background-position: initial initial; "><span class="default_message" style="display: inline; ">Like</span></button></span> · <label class="uiLinkButton async_throbber" style="cursor: pointer; color: rgb(102, 102, 102); font-weight: bold; vertical-align: middle; "><input type="submit" name="delete[13650988]" value="Delete" class="stat_elem" style="font-weight: normal; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; color: rgb(59, 89, 152); cursor: pointer; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: top; background-position: initial initial; "></label></div></div></div></li></ul></span><p></p> <!--EndFragment--> </b></span></span></span></span></h2><div class="widget-content" style="margin-top: 0.5em; "><br /><br /></div><div class="clear" style="clear: both; "></div><span class="widget-item-control" style="float: right; height: 20px; margin-top: -20px; position: relative; z-index: 10; "></span><div class="clear" style="clear: both; "></div></div></div></div></span>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-33883730967078975512010-05-30T20:50:00.000-07:002010-05-30T20:51:04.236-07:00Exhibition Opportunity in Manila and Beyond<span class="Apple-style-span" style="font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 11px; color: rgb(51, 51, 51); "><div class="note_header" style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: rgb(247, 247, 247); border-bottom-style: solid; border-bottom-width: 1px; border-bottom-color: rgb(216, 223, 234); border-top-style: solid; border-top-width: 1px; border-top-color: rgb(59, 89, 152); padding-top: 4px; padding-right: 6px; padding-bottom: 5px; padding-left: 6px; background-position: initial initial; "><div class="note_title_share clearfix" style="display: block; "><div class="note_title" style="font-size: 13px; font-weight: bold; line-height: 15px; float: left; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 1px; padding-left: 0px; width: 390px; word-wrap: break-word; "><span>Call for Proposals: Nothing to Declare, Manila 2011</span></div><a class="note_share uiButton uiButtonDefault uiButtonMedium" href="http://www.facebook.com/ajax/share_dialog.php?s=4&appid=2347471856&p[]=1174441348&p[]=10150179803420635" rel="dialog" title="Send this to friends or post it on your profile." style="cursor: pointer; color: rgb(51, 51, 51); text-decoration: none; background-image: url(http://static.ak.fbcdn.net/rsrc.php/zCCSI/hash/7am1obcj.png); background-repeat: repeat; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: rgb(238, 238, 238); border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(153, 153, 153); border-right-color: rgb(153, 153, 153); border-bottom-color: rgb(136, 136, 136); border-left-color: rgb(153, 153, 153); display: inline-block; font-size: 11px; font-weight: bold; line-height: normal !important; padding-top: 2px; padding-right: 6px; padding-bottom: 2px; padding-left: 6px; text-align: center; vertical-align: middle; white-space: nowrap; -webkit-box-shadow: rgba(0, 0, 0, 0.0976562) 0px 1px 0px; float: right; background-position: 0px 0px; "><i class="img spritemap_cvvicv sx_4e6797" style="background-image: url(http://static.ak.fbcdn.net/rsrc.php/z8KUR/hash/3o3uqzbw.png); background-repeat: no-repeat; display: inline-block; height: 14px; width: 8px; margin-right: 5px; vertical-align: top; margin-top: 2px; background-position: 0px -50px; "></i><span class="uiButtonText" style="background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; color: rgb(51, 51, 51); cursor: pointer; display: inline-block; font-family: 'Lucida Grande', Tahoma, Verdana, Arial, sans-serif; font-size: 11px; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-style: none; outline-width: initial; outline-color: initial; padding-top: 1px; padding-right: 0px; padding-bottom: 2px; padding-left: 0px; white-space: nowrap; background-position: initial initial; ">Share</span></a></div><div class="byline" style="clear: both; padding-top: 2px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "><br /></div></div><div class="note_content text_align_ltr direction_ltr clearfix" style="display: block; direction: ltr; text-align: left; clear: both; margin-left: 6px; padding-top: 10px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; word-wrap: break-word; width: 460px; "><div style="clear: none; line-height: 14px; padding-top: 0px; padding-right: 0px; padding-bottom: 10px; padding-left: 0px; "><div class="photo photo_left" style="clear: left; line-height: 14px; padding-top: 2px; padding-right: 10px; padding-bottom: 5px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; float: left; width: 180px; "><div class="photo_img" style="clear: none; line-height: 14px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; "><a href="http://www.facebook.com/photo.php?pid=31442396&op=1&view=all&subj=10150179803420635&aid=-1&auser=0&oid=10150179803420635&id=1174441348" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><img class="img" src="http://photos-e.ak.fbcdn.net/hphotos-ak-snc3/hs640.snc3/32135_1481216388431_1174441348_31442396_5056554_a.jpg" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; display: block; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; " /></a></div></div><br /><br />We are initiating an independent project entitled Nothing to Declare, an International Contemporary Art Exhibition in Manila, Philippines from 25 October to 25 November 2011 with the possibility of traveling the exhibition to select countries in 2012 and 2013. Nothing to Declare will host a roster of international and local artists. We will also organize teachers’ training workshops, artist talks and group discussions as satellite activities to the program.<br /><br />In brief, Nothing to Declare revolves around the following interrelated themes:<br />1. Shifting geographies emerging from diasporas, migrations, overseas work<br />2. Shifting identities arising from movement, mobility, displacement, exchange; implying a sense of rooted-ness and slippage, identification and estrangement, familiarity and alienation, entitlement and distance<br />3. Shifting spaces, connoting not just physical relocation, but mental and spiritual dis/position, as well as dislocations, gaps and silences that take place in immediate, virtual and hyper-realities<br />4. Shifting positions, implying an appreciation of difference and a willingness to dialogue, work together, listen and engage.<br />5. Shifting power relations, connoting multiple flows and streams of choices, constraints, control and conditions of creation, dissemination and reception<br />6. Shifting possibilities, connoting transformations and breaking grounds where marginality – of having nothing to declare - IS source of intervention and strength, of loss as well as triumphs<br /><br />To participate in Nothing to Declare, please send us a proposal of, (preferably recent) artwork you would like to show OR a proposal for new work you will make and would like to exhibit. Include medium resolution (75-100 dpi) photographs or drawings to illustrate your proposal including installation requirements, size of the artwork, medium, etc.<br />Email proposals and inquiries to nothing2declare@gmail.com by the deadline on 30 August 2010.<br /><br />For video works, please limit works to only single channel, and since video projection on screens are limited to availability, please allow works that can be displayed on LCD and/or on screen<br />For photography, works should be printed on aluminum without frames or mounted on foam.<br /><br />Selected artists will be invited to come to Manila. Traveling expenses costs for shipping and insurance of the artworks and minor living expenses will be borne by the artists. We will host accommodations and some meals from 22 October to 7 November 2010.<br /><br /><br />NOTHING TO DECLARE<br />Curatorial Brief<br />Flaudette May V. Datuin<br /><br />Overview<br />Nothing to Declare is a Contemporary Art Exhibition aiming to exhibit artworks by international artists, who are enjoined to collaborate and interact, not only with each other but also with their host communities. The pedagogic / educational aspect of the project is an integral component that aims to conduct art educators’ training workshops, essay writing contests and artist talks for children / adolescents in high school and college levels.<br /><br />The tentative target date is 25 October to 25 November 2011, in several venues in Manila, Philippines, with a possibility for the exhibition to travel to some of the participating artists’ countries in 2012 to 2013.<br /><br />Project Objective<br />Nothing to Declare is a project that aims to explore the creative process of visual artists who come to Manila with their cultural specificities and span of professional experience that is varied and diversified.<br /><br />The project is designed to allow selected international artists to mingle with selected local Filipino artists and share their artistic practices and know-how as regards concept and craft.<br /><br />This exchange among artists provides the starting point for pedagogical, art-critical and art-education activities.<br /><br />Nothing to Declare’s exhibition and workshop is expected to be documented in a full color book/catalogue that will comprise critical texts, academic essays, artists’ statements, photo-documentation of the workshop, the community activities as well as of the round-table discussions.<br /><br />Themes and Discourse<br />Through the selected works of international and Filipino artists, Nothing to Declare will explore issues of identity, gender, migration —broadly defined as movement not just across waters, land, and air, but also across immediate, virtual and hyper realities—and shifting societies. The title pays particular attention to the role of migration in shaping those social changes by continuous movement, a movement characterized by breaks, dislocations, absences, and silences of those who have nothing to declare.<br /><br />In an uneven global system where people’s ways of sensing and feeling are de-synchronized and fractured, irreducibly plural, discontinuous and non-homogenous, Nothing to Declare plans to address such phenomena in workshops and round table discussions.<br /><br />Such disjointed perceptions —which become concretely apparent in states of trance, possession, daydreams, jokes, manic and epileptic seizures— can be understood under the thematic of “picnolepsy”, a category we borrow from Paul Virilio to explain experiences that exist as a series of vacancies and absences, configured in shifting and provisional arrangements, rather than coherent unities, ordered and logical thought.[i] This project is thus interested in those picnoleptic vacancies and absences, the un-saids in human perception and the gaps in human experience, particularly of those at the fringes who fall between the cracks of the “real,” the rational and the visible in a global culture of unequal access amidst material excess, of want and poverty amidst waste and plenty.<br /><br />The project’s first stopover and point of entry for engaging with and making sense of these gaps and disappearances is Manila, the capital city of what is referred to as “a nation of nannies,”[ii] of exported overseas workers, whose remittances to those they leave behind supposedly keep the economy afloat. [iii]<br /><br />Project Location<br />As pilot site for Nothing to Declare, Manila is place as well as metaphor for understanding a particularly nomadic, migratory sensibility characterized by displacements, of absences, and of slippages, that are lived in very real, concrete, at times painful terms in the everyday. “Livedness” and “lived realities” for these families do not only refer to the immediate, the concrete. In life until death, the bodies of these so-called citizens of the world present concrete examples of contradictions, of absent people who are made present through money coming through the wires, a lifeblood circulating —from birth to death— through impersonal, electronic banking and financial circuits of exchange.<br /><br />For example, there is now a funerary service advertised as “Cyber-Burol” (cyber-wake), where the webcam and the computer can relay images of the bereaved and the dead, a situation where grief and feelings of loss, and pain are played out virtually.<br /><br />Such virtual realities become very real and pervasive, especially in political circuses, such as elections, which for the first time have become “automated” in 2010 —a development that gives rise to the possibility of failures in elections, a danger that WJT Mitchell[iv] characterized no longer of “things falling apart” —of wars and mass destruction or mass malfunctioning of machines— but of things coming alive: the creation of new, ever-vital, virulent images and life forms: of computer viruses, terrorist sleeper cells, of warlord cells, of smart bombs, and in the case of Philippine elections, of automated Garcis (short for Garcillano, the election commissioner linked to the vote rigging in the presidential elections that in 2004).<br /><br />Similar circus elections and migration of labor phenomena are found in the homeland of some of the invited artists, from Egypt as a sample of Middle East countries to several Latin American and African nations. Nothing to Declare takes careful note of these movements across realities: movements where copies and objects that, despite or maybe because of having nothing to declare, nonetheless have realities and lives of their own.<br /><br />As site of political and cultural power, Manila is the seat of the nation-state, one that is constantly challenged by political, cultural and social forces within and without. As source of exported labor and goods, Manila exists in the margins of global politics and economy as well as in relative geographic isolation from the rest of mainland Southeast Asia’s capital cities. However, as port of entry to the rest of the Philippine Islands, Manila is also the junction towards the rest of Asia. As the first destination for Nothing to Declare, Manila becomes a meeting place where people from various points of origin can work together, listen and tell stories of loss and leavings, as well as gains and triumphs.<br /><br /><br />Nothing to Declare is thus a contribution to contemporary discussion on migration, not only of people across borders, but of forms and realities across time and space, with the dysfunctional city of Manila as initial site. But instead of the subaltern who cannot speak[v], the project focuses on those who have nothing to declare –those whose marginality is source of intervention and strength, of subterfuge and resistance, of constraint as well as change.<br /><br />[i] Paul Virilio. The Aesthetics of Disappearance. USA: MIT Press, Cambridge, Mass. And London, 2009.<br />[ii] Sheila Coronel , April 2, 2005. <a href="http://pcij.org/stories/a-nation-of-nannies/" onmousedown="UntrustedLink.bootstrap($(this), "37be4", event);" rel="nofollow" target="_blank" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://pcij.org/stories/a-</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>nation-of-nannies/</a><br />[iii] Data from 2003-2009 of the Bangko Sentral showed that there has been increasing remittance flows from OFWS . In 2003, total remittance was USD7.6 billion. In 2009, total remittance reported was USD17.3 billion. Data on Oversea’s Filipinos Remittances by country, by source are available at <a href="http://www.bsp.gov.ph/Statistics/keystat/ofw.htm" onmousedown="UntrustedLink.bootstrap($(this), "37be4", event);" rel="nofollow" target="_blank" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://www.bsp.gov.ph/Stat</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>istics/keystat/ofw.htm</a><br />ADB notes that, in the long term, remittances will not help rebalance economic growth as the bank did not find evidence that money sent home by OFWs enhances human or physical capital. See new article on <a href="http://www.tripleiconsulting.com/2010/02/01/ofw-remittances-not-sufficient-for-long-term-growth/" onmousedown="UntrustedLink.bootstrap($(this), "37be4", event);" rel="nofollow" target="_blank" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://www.tripleiconsulti</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span><span>ng.com/2010/02/01/ofw-remi</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span><span>ttances-not-sufficient-for</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>-long-term-growth/</a> . The article also cites that The Commission on Filipinos Overseas (CFO) estimated that almost 10 percent of the Philippine population lives outside the country. The latest estimate puts the population at about 92 million. A copy of the study by the ADB entitled “Remittances and Household Behaviour in the Philippines” is available at<a href="http://ideas.repec.org/p/ris/adbewp/0188.html" onmousedown="UntrustedLink.bootstrap($(this), "37be4", event);" rel="nofollow" target="_blank" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://ideas.repec.org/p/r</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>is/adbewp/0188.html</a><br />Southeast Asian Migration and Remittances<br />Workers Remittance Flows in Southeast Asia, ADB, 2006. While the data may be dated, the study is quite comprehensive and includes migration trends in Southeast Asia. The study also cites that nearly 2 million largely women immigrants remit more than USD3 billion from Hong Kong, China, Japan, Singapore and Malaysia. A full copy of the study is available in pdf format at <a href="http://www.adb.org/Documents/Reports/workers-remittance/workers-remittance.pdf" onmousedown="UntrustedLink.bootstrap($(this), "37be4", event);" rel="nofollow" target="_blank" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://www.adb.org/Documen</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span><span>ts/Reports/workers-remitta</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>nce/workers-remittance.pdf</a><br />[iv] WJT Mitchell. “the Work of Art in the Age of Biocybernetic Revolution,” What Do Pictures Want? Chicago and London: The University of Chicago Press, 2005.<br />[v] Gayatri Spivak, “Can the Subaltern Speak?” Marxism and the Interpretation of Culture. C. Nelson and L. Grossberg, eds. Basingstoke: Macmillan Education, 1988.</div></div></span>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com2tag:blogger.com,1999:blog-4021561197607212176.post-82557983409351648412010-04-07T20:54:00.000-07:002010-04-08T02:42:39.625-07:00"RIBUT" di ASWARA Sebelum Masuk Lambang Sari Untuk "JU & MEO"<div style="text-align: justify;"><span class="Apple-style-span" style="font-family: arial, fantasy; font-size: medium; ">Dalam dua minggu ini aku bertuah kerana berpeluang menyaksikan dua buah teater, satunya "Ribut" arahan Rohani Yusouff, pengarah drama veteran yang sedang menyiapkan phdnya dalam pengajian Teater dan Ilmu Islam di UIA. Katanya teater ini adalah projek akhir pengijazahan untuk pelajar-pelajar Universiti Malaya, Pengajian Teater di Pusat Kebudayaan, di mana seramai 5 pelajar dinilai termasuk Rosman, Ijat, Eliza, Juhara dan sorang lagi pelajar perempuan yang rupanya ada iras2 wajah Yasmin Ahmad(maaf ya tak tahu nama, lagipun aku cuma menonton pada malam full-dress rehearsal). Aku sebenarnya tertarik dengan karya ini yang mana karya asalnya adalah dari karya William Shakespeare.</span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family:arial, fantasy;"><span class="Apple-style-span" style="font-size: medium; line-height: 19px;"><b><i><br /></i></b></span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="line-height: 19px; "><span class="Apple-style-span" style="font-family:arial;"><span class="Apple-style-span" style="font-size: medium;"><i><span class="Apple-tab-span" style="white-space:pre"> </span><span class="Apple-style-span" style="line-height: normal; border-collapse: collapse; "><strong><span class="Apple-style-span" style="font-family:'times new roman';">The Tempest</span></strong><span class="Apple-style-span" style="font-family:'times new roman';"> adalah sandiwara komedi atau roman karya </span><a href="http://wapedia.mobi/id/William_Shakespeare"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">William Shakespeare</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';"> yang ditulis sekitar tahun </span><a href="http://wapedia.mobi/id/1610"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">1610</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';">-</span><a href="http://wapedia.mobi/id/1611"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">1611</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';">. Mulanya tidak begitu diminati oleh orang-orang, namun pada abad keduapuluh sandiwara ini mendapat pujian dari para kritikus dan ahli, hingga disebut sebagai salah satu karya terbaik Shakespeare. Terjemahan ke dalam </span><a href="http://wapedia.mobi/id/Bahasa_Indonesia"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">bahasa Indonesianya</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';">berjudul </span><strong><span class="Apple-style-span" style="font-family:'times new roman';">Prahara</span></strong><span class="Apple-style-span" style="font-family:'times new roman';"> dan dilakukan oleh </span><a href="http://wapedia.mobi/id/Trisno_Sumardjo"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">Trisno Sumardjo</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';">. </span></span><span class="Apple-style-span" style="line-height: normal; border-collapse: collapse; "><span class="Apple-style-span" style="font-family:'times new roman';">Sandiwara ini menceritakan tentang Prospero, </span><a href="http://wapedia.mobi/id/Adipati_Milan"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">Adipati Milan</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';"> dan penyihir ulung yang digulingkan oleh lawannya akhirnya terdampar di pulau tidak berpenghuni. Angin ribut telah membawa musuh-musuhnya ke pantainya. Prospero menghadapi dilema yang sulit, apakah ia akan menggunakan kemampuan sihirnya untuk memperoleh kembali jabatannya, atau ia akan membalas dendam kepada musuhnya?</span><div><span class="Apple-style-span" style="font-family:'times new roman', fantasy;"><br /></span></div><div><span class="Apple-style-span" style="font-family:'times new roman';">Watak-watak dalam The Tempest</span></div><ul><li><span class="Apple-style-span" style="font-family:'times new roman';">Prospero, Adipati </span><a href="http://wapedia.mobi/id/Milan"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">Milan</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';"> yang digulingkan</span></li><li><span class="Apple-style-span" style="font-family:'times new roman';">Miranda, Putri Prospero</span></li><li><span class="Apple-style-span" style="font-family:'times new roman';">Ariel, roh pelayan Prospero</span></li><li><span class="Apple-style-span" style="font-family:'times new roman';">Caliban, pelayan Prospero, anak nenek sihir Sycorax</span></li><li><span class="Apple-style-span" style="font-family:'times new roman';">Antonio, saudara Prospero dan Adipat Milan saat ini</span></li><li><span class="Apple-style-span" style="font-family:'times new roman';">Alonso, R</span><a href="http://wapedia.mobi/id/Raja_Naples"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">aja Naples</span></span></a></li><li><span class="Apple-style-span" style="font-family:'times new roman';">Ferdinand, Pangeran </span><a href="http://wapedia.mobi/id/Naples"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">Naples</span></span></a></li><li><span class="Apple-style-span" style="font-family:'times new roman';">Sebastian, saudara Raja Alonso</span></li><li><span class="Apple-style-span" style="font-family:'times new roman';">Stephano, Trinculo, para pelayan dan badut Raja Alonso</span></li></ul><span class="Apple-style-span" style="font-weight: bold; "><span class="Apple-style-span" style="font-family:'times new roman';">Waktu dan tempat - </span><span class="Apple-style-span" style="border-collapse: separate; font-weight: normal; line-height: 19px; "><span class="Apple-style-span" style="line-height: normal; border-collapse: collapse; "><a href="http://wapedia.mobi/id/Abad_ke-16"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">Abad ke-16</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';"> di sebuah pulau di </span><a href="http://wapedia.mobi/id/Laut_Mediterania"><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-family:'times new roman';">Laut Mediterania</span></span></a><span class="Apple-style-span" style="font-family:'times new roman';">. </span></span><span class="Apple-style-span" style="font-family:'times new roman';">(www.wikipedia.com)</span></span></span></span></i></span></span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family:arial, fantasy;"><span class="Apple-style-span" style="font-size: medium; line-height: 19px;"><i><br /></i></span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family:arial, -webkit-fantasy;"><span class="Apple-style-span" style="font-size: medium; line-height: 19px;">Apa yang menarik lagi tentang karya Ribut ini adalah adaptasinya yang menjad<i>ikannya sebuah teater yang bernafaskan atau berlabelakangkan kehidupan keluarga besar Cina. Tetapi sewaktu menonton aku tak tahu keluarga ni berada di Taiping atau di Taipei, mungkin kerana settingnya yang buat dalam aura kontemporari dengan sebuah gerbang merah yang agak simpel dan dibelakangnya dipaparkan tayangan slide - bunga berkembang yang mula dari kuncupnya serta awan gelap yang berarak sewaktu berlaku ribut besar. Dengarnya drama ini diadaptasi oleh Rohani Yusouff. Aku pernah terbaca Ribut terjemahan Shakespeare ini pernah dipentaskan di Taman Budaya Kuala Lumpur dalam suasana yang lebih dekat kepada Tempest yang asal. Tempest juga pernah dipentaskan di Lambang Sari keluaran Teater Kini kepunyaan Datin Sabera Shaik tidak berapa tahun lalu. Alangkan eloknya kalau kita melihat semuanya dan membuat suatu perbandingan agar dapat kita belajar sesuatu darinya. Apapun, apa yang dapat aku katakan tentang teater Ribut di ASWARA ini adalah penampilan pelakon-pelakon wanita yang hebat, bukan kerana semua pandai menangis, tapi kerana lakonan mereka boleh dirasakan, apalagi pakaian mereka yang lebih dekat dengan jiwa yang dilakonkan. Tapi apapun tahniah kepada pelajar-pelajar yang dinilai kerana mementaskan penilaian akhir mereka untuk tatapan umum, sayangnya kita tak boleh memberikan markah dari perspektif penonton. Tapi nanti banyak pulak kerja penilai nak mengira dan menghitung markah mereka. Selamat maju jaya dan terus berteater dan menghasilkan naskah-naskah baru serta adaptasi karya-karya nasional dan internasional.</i></span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family:arial, fantasy;"><span class="Apple-style-span" style="font-size: medium; line-height: 19px;"><i><br /></i></span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family:arial, fantasy;"><span class="Apple-style-span" style="font-size: medium; line-height: 19px;"><i><br /></i></span></span></div><div style="text-align: justify;"><span class="Apple-style-span" style="font-family:sans-serif, -webkit-fantasy;font-size:100%;"><span class="Apple-style-span" style="font-size: 13px; line-height: 19px;"><b><i><br /></i></b></span></span></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-52679525908957040632010-03-22T16:39:00.000-07:002010-03-22T16:49:20.568-07:00Ada Seminar Warisan Perak di Ipoh Pada Hari IniSaya baru sedar, lebik kurang setahun lalu, saya poskan catatan dan petikan tentang Perak ini di blog svarnabhumi.blogspot, tapi itulah yang sedang dibincangkan bersama2 pelajar2 Teori Kesenian Tradisional di ASWARA dan pada masa yang sama di kelas lain ada perbincangan Pengajian Budaya 2 yang membincangkan Post-Kolonialism dan Feminism. Salah satu assignment pelajar adalah "Man, his house, costume and performance". Ini petikan dari permulaan perbincangan tersebut. Hari ini ada seminar di Perak tentang hal2 berkaitan termasuk Kerajaan Beruas, Pakaian, Rumah, Permainan dsb. Harapnya dapat kita belajar benda baru atau yang baru ditemui.<div><br /></div><div><span class="Apple-style-span" style=" color: rgb(99, 32, 53); font-family:Helvetica, Arial, Verdana, 'Trebuchet MS', sans-serif;font-size:13px;"><h2 class="date-header" style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 29px; text-transform: uppercase; color: rgb(200, 143, 162); background-image: url(http://www.blogblog.com/thisaway_rose/icon_date.gif); background-repeat: no-repeat; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; font-size: 10px; font-weight: normal; background-position: 13px 0px; "><span style="margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 5px; padding-top: 0px; padding-right: 25px; padding-bottom: 0px; padding-left: 25px; background-image: url(http://www.blogblog.com/thisaway_rose/bg_date.gif); background-repeat: no-repeat; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background- background-position: 0% 0px; color:initial;">WEDNESDAY, APRIL 08, 2009</span></h2><div class="date-posts"><div class="post-outer"><div class="post hentry uncustomized-post-template" style="margin-top: 0px; margin-right: 8px; margin-bottom: 14px; margin-left: 21px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-bottom-width: 3px; border-bottom-style: solid; border-bottom-color: rgb(247, 216, 226); "><a name="5883846874604266786" style="color: rgb(191, 39, 126); font-weight: bold; "></a><h3 class="post-title entry-title" style="margin-top: 13px; margin-right: 0px; margin-bottom: 13px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; color: rgb(186, 71, 107); font-size: 18px; "><a href="http://svarnabhumi.blogspot.com/2009/04/perbincangan-rumah-untuk-wanita-rumah.html" style="color: rgb(186, 71, 107); font-weight: bold; text-decoration: none; ">Rumah Untuk Wanita, Rumah Ibu, Rumah Perak, Baju Puteri Perak dan "Perak Woman": Perbincangan Mencari Pengertian Gender, Feminiti & Feminism</a></h3><div class="post-header"><div class="post-header-line-1"></div></div><div class="post-body entry-content"><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><div>Ini adalah himpunan awal item-item yang ingin saya bincangkan di sini. Walaubagaimanapun himpunan ini masih berada di dalam peringkat awal tulisan. Tapi mungkin juga himpunan ini boleh menjadi pemanggil untuk diskusi tentang gender dan feminiti serta feminism dalam "Visual Culture" negeri Perak. Kenapa negeri Perak menjadi pilihan? Mungkin kerana perbincangan terbaru membawa saya untuk berfikir dalam bidang arkeologi yang terus menerus memanggil-manggil ke arah Perak Man, suatu diskoveri yang menarik untuk Malaysia. Tapi rasanya masih ramai rakyat Malaysia yang kurang mengerti tentang itu. Saya juga pernah melihat sebuah buku berjudul "Java Man", mungkin satu masa kita akan sampai ke situ, untuk mengadakan sebuah buku dalam skala general untuk orang awam lebih mengerti tentang apa dia Perak Man. Kemudian kita pula dihadirkan dengan sebuah penemuan arkeologi terbaru Perak Woman. Ini juga sebenarnya memanggil saya untuk menegatakan sesuatu atau setidak-tidaknya mencari kaitannya dengan isu gender, feminism dan feminiti di Malaysia. Ini membuatkan saya terpanggil.</div><div><br /></div>Rumah Kutai Perak adalah dari jenis bumbung panjang. Keistimewaan reka bentuknya <span class="Apple-tab-span" style="white-space: pre; "> </span>adalah kerana ia lebih etnik dan ringkas. Reka bentuk ini juga dikenali sebagai rumah kutai. <span class="Apple-tab-span" style="white-space: pre; "> </span>Rumah ini masih terdapat di negeri Perak dan telah berusia lebih 100 tahun. Antaranya di <span class="Apple-tab-span" style="white-space: pre; "> </span>Kampung Sayong Lembah, Kuala Kangsar, Kampung Kota Lama Kanan dan Kampung <span class="Apple-tab-span" style="white-space: pre; "> </span>Bota Kanan, Parit. Rumah Kutai Perak menggunakan sepenuhnya bahan binaan semula <span class="Apple-tab-span" style="white-space: pre; "> </span>jadi yang terdapat di sekeliling kampung. Struktur asas adalah kayu keras manakala atap <span class="Apple-tab-span" style="white-space: pre; "> </span>dibuat dari daun rumbia dan dinding pelupuh dari anyaman buluh atau rotan. Rumah ini<span class="Apple-tab-span" style="white-space: pre; "> </span>mempunyai bumbung yang agak tinggi, tetapi terdapat sedikit keunikan dari segi <span class="Apple-tab-span" style="white-space: pre; "> </span>keterbukaan rumah ini. Ia seolah-olah tidak mempunyai pengudaraan yang baik dan <span class="Apple-tab-span" style="white-space: pre; "> </span>mencukupi. Dinding rumah mencapai ke paras rabung atap tanpa diselangi kerawang atau <span class="Apple-tab-span" style="white-space: pre; "> </span>seumpamanya. Ini disebabkan dinding itu sendiri tembus angin, maka ianya tidak perlu<span class="Apple-tab-span" style="white-space: pre; "> </span>hiasan kerawang dan sikap rendah diri penghuni rumah ini. Keringkasan reka bentuk <span class="Apple-tab-span" style="white-space: pre; "> </span>menunjukkan yang rumah kutai adalah untuk orang biasa berbanding rekaan lain yang <span class="Apple-tab-span" style="white-space: pre; "> </span>lebih moden dan canggih seperti bumbung limas dan bumbung Perak. Rumah ini <span class="Apple-tab-span" style="white-space: pre; "> </span>menyaksikan beberapa unsur seni struktur yang agak menarik, ringkas dan mempunyai <span class="Apple-tab-span" style="white-space: pre; "> </span>fungsinya tersendiri.<br /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>Rumah ibu mempunyai bumbung yang tertinggi. Ia turut menempatkan atau berfungsi <span class="Apple-tab-span" style="white-space: pre; "> </span>sebagai serambi di bahagian depan dan sebuah bilik. Di sebelah kiri bilik terdapat ruang<span class="Apple-tab-span" style="white-space: pre; "> </span>seakan serambi menyamai bahagian serambi utama di sebelah kanan, mungkin ianya <span class="Apple-tab-span" style="white-space: pre; "> </span>adalah untuk ahli keluarga perempuan. Rumah ibu mempunyai tingkap menghala ke rumah <span class="Apple-tab-span" style="white-space: pre; "> </span>dapur. Rumah ibu dipisahkan atau dihubungkan oleh selang yang lebih terbuka. Selang <span class="Apple-tab-span" style="white-space: pre; "> </span>mempunyai ketinggian yang sedikit rendah, sekitar 15cm sehingga 30cm dari aras rumah <span class="Apple-tab-span" style="white-space: pre; "> </span>ibu dan rumah dapur. Rumah dapur menempatkan segala peralatan memasak dan ruang <span class="Apple-tab-span" style="white-space: pre; "> </span>makan. Ia dihubungkan oleh selang untuk ke rumah ibu. Di penghujung rumah dapur <span class="Apple-tab-span" style="white-space: pre; "> </span>terdapat pelantar, berfungsi sebagai tempat penyediaan makanan dan ruang letak untuk <span class="Apple-tab-span" style="white-space: pre; "> </span>hasil dari kebun atau sungai. (http://silverian.org)</span></span><div><span class="Apple-style-span" style=" ;font-family:arial;"><br /></span></div><div><span class="Apple-style-span" style=" ;font-size:medium;"></span><span class="Apple-style-span" style=" ;font-family:arial;">Dari kata Rumah Kutei membayangkan yang rumah bentuk ini datangnya dari Kutei di Kalimantan Timur di Borneo yang juga terkenal dengan lombong emas dan arang batu serta kain Samarinda. Apakah kita mempunyai sejarah perdagangan dan kesultanan serta perkahwinan atau migrasi dari Kutei. Jika ada, inilah yang kita perlu cari, tarikh dan zamannya, siapakah orang yang bertanggungjawab membawa bentuk tersebut ke Perak.<br /></span><div><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;">Di bahagian utara pantai barat Semenanjung Malaysia iaitu di Perlis, Kedah, Pulau Pinang <span class="Apple-tab-span" style="white-space: pre; "> </span>dan Perak, rumah bumbung panjang amat terkenal. Bumbungnya agak tinggi dan curam<span class="Apple-tab-span" style="white-space: pre; "> </span>dan lazimnya mempunyai tiga bahagian rumah iaitu serambi, ibu rumah dan <span class="Apple-tab-span" style="white-space: pre; "> </span>dapur. </span></span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"> (http://malay.cari.com).<br /></span></span></div><div><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>Rumah Ibu dari rumah dapur dengan selang yang terbuka. Rumah ibu mempunyai tingkap <span class="Apple-tab-span" style="white-space: pre; "> </span>menghala ke rumah dapur. Di penghujung rumah dapur terdapat pelantar untuk kegunaan <span class="Apple-tab-span" style="white-space: pre; "> </span>penyediaan makanan atau ruang letak untuk hasil dari kebun dan sungai. Rumah ini <span class="Apple-tab-span" style="white-space: pre; "> </span>mempunyai beberapa unsur seni struktur yang agak menarik, ringkas dan mempunyai <span class="Apple-tab-span" style="white-space: pre; "> </span>fungsinya tersendiri(http://malaysiana.pnm/senibina). <span class="Apple-tab-span" style="white-space: pre; "></span></span></span></div><div><span class="Apple-style-span" style=" ;font-family:arial;"><br /></span></div><div><span class="Apple-style-span" style=" ;font-family:arial;">Dari kata Rumah Ibu, jelas bahawa di dalam budaya kita Ibu merupakan Induk yang begitu penting. Apakah ini mempunyai hubungan dengan budaya matriachal seperti di Minangkabau atau di Champa yang akhirnya juga mempengaruhi negeri Kelantan dan wilayah Pattani di Selatan Thai, di mana wanita menjadi begitu penting di dalam sistem pemerintahan dan perniagaan.</span></div><div><br /></div><div><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; ">A century ago, this house was built on the banks of the Perak River in Kampong Ngior, <span class="Apple-tab-span" style="white-space: pre; "> </span>Tanjong Blanja, now known as Parit. Little of its history is known, although family tradition<span class="Apple-tab-span" style="white-space: pre; "> </span>suggested that it was built by Maharaja Lela, the assassin of Birch, the British resident of <span class="Apple-tab-span" style="white-space: pre; "> </span>Perak, in 1875. Supposedly Maharaja Lela substituted a slave to be hanged in his stead<span class="Apple-tab-span" style="white-space: pre; "> </span>and went into exile, but later came back and built the house. Coins found under the principal <span class="Apple-tab-span" style="white-space: pre; "> </span>pillars of the house during the restoration, placed there according to custom, are dated 1901 <span class="Apple-tab-span" style="white-space: pre; "> </span>and indicate that the lapse was too long for this story to be likely. </span></span></span></div><div><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:arial;"><br /></span></div><div><span class="Apple-style-span" style=" -webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; font-family:arial;">Dato Maharaja Lela sememangnya menjadi ikon kepada pemberontakan Inggeris di Tanah Melayu selain Tok Janggut di Kelantan, Dato Bahaman di Pahang dan beberapa orang lagi. Ini adalah satu usaha untuk membesar-besarkan pemikiran anti-kolonial, dan sebenarnya bukanlah bersifat post-kolonial atau masih di dalam pembentukan sebuah pemikiran ke arah itu.</span></div><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "><p align="left" style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 551px; overflow-x: visible; overflow-y: visible; "><span><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span><a href="http://www.rimbundahan.org/architecture/rumah_uda_manap/inhabitants.jpg" style="color: rgb(191, 39, 126); font-weight: bold; text-decoration: none; "><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/inhabitants_sm.jpg" alt="Previous inhabitants of Rumah Uda Manap, from a photograph still kept in the house." width="132" height="175" hspace="10" border="0" align="right" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; " /></a><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>It is more likely that Uda Manap built the house for his bride, Ngah <span class="Apple-tab-span" style="white-space: pre; "> </span>Porbu, who came from Indonesia in the 1890's to marry him. She was <span class="Apple-tab-span" style="white-space: pre; "> </span>a wealthy woman who brought with her beautiful textiles and <span class="Apple-tab-span" style="white-space: pre; "> </span>household artifacts. As the local custom, or adat, prescribes that <span class="Apple-tab-span" style="white-space: pre; "> </span>property is held by women, the house should rightly be known as <span class="Apple-tab-span" style="white-space: pre; "> </span>Rumah Ngah Porbu. Ngah died in 1946 and left the house to her <span class="Apple-tab-span" style="white-space: pre; "> </span>granddaughter who apparently married the grandson of Maharaja <span class="Apple-tab-span" style="white-space: pre; "> </span>Lela. She died in the '80s and left the house to her youngest daughter <span class="Apple-tab-span" style="white-space: pre; "> </span>Rohani.<br /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>The house was built by Chinese craftsmen from Indonesia, at a time when the Perak River <span class="Apple-tab-span" style="white-space: pre; "> </span>was the main thoroughfare into the hinterland and the village was wealthy from the tin trade.<span class="Apple-tab-span" style="white-space: pre; "> </span>The wooden shingle roof timber can only have come from Sumatra where belian wood is <span class="Apple-tab-span" style="white-space: pre; "> </span>found.<br /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>The house, made of durable indigenous hard woods, is typical of Perak in its form and <span class="Apple-tab-span" style="white-space: pre; "> </span>layout, but its decoration is unusual. Carved wall panels and window shutters feature<span class="Apple-tab-span" style="white-space: pre; "> </span>Chinese motifs, dragons and calligraphic characters combined with flowers and birds. The <span class="Apple-tab-span" style="white-space: pre; "> </span>lightness of the carving, necessary because of the extreme hardness of the wood, is <span class="Apple-tab-span" style="white-space: pre; "> </span>balanced by the brightly coloured lime based paint (kapor) that highlights the design.</span></span></span></span></p><p align="left" style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 836px; overflow-x: visible; overflow-y: visible; "><span><span><b><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span></b><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>By the time the house was moved to Rimbun Dahan in 1998, it was derelict. The roof and <span class="Apple-tab-span" style="white-space: pre; "> </span>floors had collapsed and much of the diagonal wall paneling was rotted and broken, but <span class="Apple-tab-span" style="white-space: pre; "> </span>most of the structural members were sound. All timbers, carvings and shutters were <span class="Apple-tab-span" style="white-space: pre; "> </span>numbered and photographed before dismantling.<br /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>The rooms behind the rumah ibu were not worth salvaging, they had been built of inferior <span class="Apple-tab-span" style="white-space: pre; "> </span>materials and lacked the decorative detail of the front. They were measured and<span class="Apple-tab-span" style="white-space: pre; "> </span>documented from the remains, but nothing was relocated from this portion except for some <span class="Apple-tab-span" style="white-space: pre; "> </span>carvings and a pair of doors.<br /></span></span><b><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span></b></span></span><span><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>Wherever possible, old timber was used in the restoration. The floor timbers are from other <span class="Apple-tab-span" style="white-space: pre; "> </span>houses demolished in Perak (note the saw milling marks), but the new belian roof shingles <span class="Apple-tab-span" style="white-space: pre; "> </span>had to be brought from Sarawak.<br /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>The present layout follows the original with these modifications:<br /><span class="Apple-tab-span" style="white-space: pre; "> </span>· The main entrance was moved to the opposite side to suit the new site. The porch roof, <span class="Apple-tab-span" style="white-space: pre; "> </span>which was added later to the original was roofed in belian.<br /><span class="Apple-tab-span" style="white-space: pre; "> </span>· The ceiling shape was changed to follow the roof line, originally it didn't do so and possibly <span class="Apple-tab-span" style="white-space: pre; "> </span>concealed a hiding place.<br /><span class="Apple-tab-span" style="white-space: pre; "> </span>· The window shutters were reversed to display the single sided decoration on the outside <span class="Apple-tab-span" style="white-space: pre; "> </span>while they are open during the day, and on the inside at night.<br /><span class="Apple-tab-span" style="white-space: pre; "> </span>· The selang sloped down to the back, leading to a large room and a roofed dapur, or <span class="Apple-tab-span" style="white-space: pre; "> </span>kitchen. In the present house, the selang is flat (the dining room) and leads to the new <span class="Apple-tab-span" style="white-space: pre; "> </span>kitchen, a staircase, and a back bedroom.<br /><span class="Apple-tab-span" style="white-space: pre; "> </span>· The roofless veranda was originally another room, but the house was already big enough <span class="Apple-tab-span" style="white-space: pre; "> </span>for Rimbun Dahan's purposes. The verandah's footprint does, however, record the size and <span class="Apple-tab-span" style="white-space: pre; "> </span>the floor level of the original.<br /><span class="Apple-tab-span" style="white-space: pre; "> </span>· A pair of doors on the original selang walls led to a lost staircase/ladder, so the doors have <span class="Apple-tab-span" style="white-space: pre; "> </span>been reused at the ground level entrance.<br /><span class="Apple-tab-span" style="white-space: pre; "> </span>· A new toilet and shower were added below the new kitchen. </span></span></span></span></p><p align="left" style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 898px; overflow-x: visible; overflow-y: visible; "><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span><img border="0" src="http://www.rimbundahan.org/architecture/rumah_uda_manap/plan.JPG" width="500" height="209" /></span></span></span><span><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>The modern kitchen retains the open roofed shelves typical of the period. Unlike the original, <span class="Apple-tab-span" style="white-space: pre; "> </span>the new house has water and electricity. The light fittings in the main room are from the '30s<span class="Apple-tab-span" style="white-space: pre; "> </span>and were bought in Malacca, as was the furniture. The light switches are Australian, <span class="Apple-tab-span" style="white-space: pre; "> </span>manufactured for restoration of Federation houses. (Coincidentally, Federation was also in<span class="Apple-tab-span" style="white-space: pre; "> </span>1901). Two items were found in the derelict house and restored: the tall room divider with <span class="Apple-tab-span" style="white-space: pre; "> </span>drawers and open shelves, and the desk in the smallest room off the rumah ibu, where prints <span class="Apple-tab-span" style="white-space: pre; "> </span>of Birch's death and the manhunt (Illustrated London News of the 1870s) are displayed.<br /><br /></span></span><img border="0" src="http://www.rimbundahan.org/architecture/rumah_uda_manap/kghousenewwindow.JPG" align="left" alt="View through main room window after renovations" hspace="10" vspace="10" width="123" height="246" /><b><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span></b><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;">The internal carvings did not need repainted and they remain an important example of the quality of the original decoration. The external carvings had lost almost all traces of colour, but enough remained to guide the restoration. The external blue could only be matched by using laundry blueing bags (nila), the traditional colour source. The same blue was used on many old buildings in Penang such as the Cheong Fatt Sze Mansion.<br /><br /></span></span></span></span><span><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;">Helen Crawford, the Australian resident artist at Rimbun Dahan during the restoration, designed the new carved panels outside the selang to reflect the house's new purpose. The motifs are Australian and contemporary: the sulphur crested cockatoo and Sturt's Desert Pea are well known examples of Australian fauna and flora; the biawak, or monitor lizard, is a current resident of the garden, and grape vines and vegetables acknowledge the <span class="Apple-tab-span" style="white-space: pre; "> </span>present use as a dining room. </span></span></span></span></p><p align="left" style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 95px; overflow-x: visible; overflow-y: visible; "><span><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>The house is used as accommodation for the Rimbun Dahan residency programme for <span class="Apple-tab-span" style="white-space: pre; "> </span>artists and writers. As a guest house for people working in the arts, architecture, sustainable <span class="Apple-tab-span" style="white-space: pre; "> </span>development and conservation, it will be experienced by many people in the century to <span class="Apple-tab-span" style="white-space: pre; "> </span>come. </span></span></span></span></p><p align="left" style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 0px; overflow-x: visible; overflow-y: visible; "><span><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><a name="int" style="color: rgb(191, 39, 126); font-weight: bold; "></a></span></span></span></span></p><h2 align="left" style="font-weight: bold; "><span><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>Interiors</span></span></span></span></h2><p style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 105px; overflow-x: visible; overflow-y: visible; "><span><span><a href="http://www.rimbundahan.org/architecture/rumah_uda_manap/shutters.jpg" style="color: rgb(191, 39, 126); font-weight: bold; text-decoration: none; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); "><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/shutters_small.jpg" alt="Shutters show their carvings on the outside when open during the day, and on the inside when closed at night." width="133" height="100" border="0" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; " /></span></span></span></a><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"> </span></span><a href="http://www.rimbundahan.org/architecture/rumah_uda_manap/entrance.jpg" style="color: rgb(191, 39, 126); font-weight: bold; text-decoration: none; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); "><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/entrance_small.jpg" alt="Carved wooden steps at the entrance lead up to the anjung." width="133" height="100" border="0" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; " /></span></span></span></a></span></span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"> </span></span><span><span><a href="http://www.rimbundahan.org/architecture/rumah_uda_manap/anjung2.jpg" style="color: rgb(191, 39, 126); font-weight: bold; text-decoration: none; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); "><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/anjung2_small.jpg" alt="The anjung, a small room at the front of the house where guests are greeted." width="74" height="100" border="0" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; " /></span></span></span></a><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/dining_small.jpg" alt="View of the dining room from the rumah ibu." width="74" height="100" border="0" /></span></span></span></span></p><p style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 105px; overflow-x: visible; overflow-y: visible; "><span><span><a href="http://www.rimbundahan.org/architecture/rumah_uda_manap/mainroom3.jpg" style="color: rgb(191, 39, 126); font-weight: bold; text-decoration: none; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); "><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/mainroom3_small.jpg" alt="The central rooms feels bright and spacious when the shutters are opened." width="133" height="100" border="0" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; " /></span></span></span></a><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/antiroom_small.jpg" alt="Anti room containing original desk and prints of Birch's death and the following manhunt." width="74" height="100" border="0" /></span></span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/shutterstobedroom_small.jpg" alt="View of the main bedroom through the shutters." width="74" height="100" border="0" /></span></span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><img src="http://www.rimbundahan.org/architecture/rumah_uda_manap/dining_room_small.jpg" alt="The selang, which passes from the ruman ibu to the kitchen, has been converted into a dining room, seating six." width="133" height="100" border="0" /></span></span></span></span></p><p style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 19px; overflow-x: visible; overflow-y: visible; "><span><span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"> (www.rimbundahan.org/ architecture)</span></span></span></span></p></span><div><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>Pakaian adalah aspek budaya yang membuktikan kewibawaan adat istiadat wilayah <span class="Apple-tab-span" style="white-space: pre; "> </span>budaya Melayu. Pakaian cara Melayu yang pertama kali disebut pada abad ke-16 adalah <span class="Apple-tab-span" style="white-space: pre; "> </span>kesinambungan pola asas yang berkembang di istana Kerajaan Melayu Melaka pada <span class="Apple-tab-span" style="white-space: pre; "> </span>zaman keagungannya di Kepulauan Melayu. Pemakaiannya tidak berkembang di istana <span class="Apple-tab-span" style="white-space: pre; "> </span>Kerajaan Melayu Melaka pada zaman keagungannya di Kepulauan Melayu. Pemakaiannya <span class="Apple-tab-span" style="white-space: pre; "> </span>tidak berkembang di Semenanjung Tanah Melayu dan Sumatera sahaja, malah ke Brunei <span class="Apple-tab-span" style="white-space: pre; "> </span>dan Sulawesi. Walaupun di sana sini ada unsur luar yang digunakan tetapi ia digabungkan <span class="Apple-tab-span" style="white-space: pre; "> </span>secara harmoni.</span></span></span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style="-webkit-border-horizontal-spacing: 2px; -webkit-border-vertical-spacing: 2px; "><p style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 304px; overflow-x: visible; overflow-y: visible; font-style: normal; font-weight: normal; text-decoration: none; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>Di sinilah ditemui persamaan ciri reka bentuk pakaian wilayah budaya Melayu seperti baju <span class="Apple-tab-span" style="white-space: pre; "> </span>kurung Palembang, baju kurung Melayu-Brunei dan baju panjang Minangkabau yang<span class="Apple-tab-span" style="white-space: pre; "> </span>umumnya dikenal sebagai baju teluk belanga. Keistimewaan konsep pakaian cara Melayu <span class="Apple-tab-span" style="white-space: pre; "> </span>dibuktikan dengan wujudnya ciri reka bentuk pakaian tradisional Melayu yang diterima<span class="Apple-tab-span" style="white-space: pre; "> </span>sebagai salah satu identiti budaya Melayu. Perbandingan pola baju Melayu kurung Johor <span class="Apple-tab-span" style="white-space: pre; "> </span>dengan pakaian Cik Siti Wan Kembang dan Puteri Perak lebih memperlihatkan<span class="Apple-tab-span" style="white-space: pre; "> </span>kesinambungan pengaruh dua unsur utama yang menyerap masuk melalui perkembangan <span class="Apple-tab-span" style="white-space: pre; "> </span>sejarah dan budaya. Pakaian Cik Siti Wan Kembang adalah warisan budaya Seriwijaya,<span class="Apple-tab-span" style="white-space: pre; "> </span>manakala Puteri Perak pula adalah kesan asimilasi budaya Melayu-Aceh. Kini kedua-dua <span class="Apple-tab-span" style="white-space: pre; "> </span>pakaian ini adalah simbol kebesaran yang dijadikan pakaian adat. (Siti Zainon Ismail -<span class="Apple-tab-span" style="white-space: pre; "> </span>Pakaian Cara Melayu)</span></span><span class="Apple-style-span" style="line-height: 16px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"></span></span></span></p><p style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 90px; overflow-x: visible; overflow-y: visible; font-style: normal; font-weight: normal; text-decoration: none; "><span class="Apple-style-span" style="line-height: 16px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family:arial;"><span class="Apple-tab-span" style="white-space: pre; "> </span>Seluar Acheh sutera bertenun benang emas, berkain samping diikat <span class="Apple-tab-span" style="white-space: pre; "> </span>di pinggang <span class="Apple-tab-span" style="white-space: pre; "> </span>dengan tali pinggang dan pending, berbaju leher cekak musang diserikan <span class="Apple-tab-span" style="white-space: pre; "> </span>dengan <span class="Apple-tab-span" style="white-space: pre; "> </span>selendang panjang dilampaikan di bahu kanan dan hujung selendang yang <span class="Apple-tab-span" style="white-space: pre; "> </span>sebelah lagi <span class="Apple-tab-span" style="white-space: pre; "> </span>disangkutkan di lengan kiri merupakan persalinan terkenal Puteri Perak.</span><br /></p><span class="Apple-style-span" style="line-height: 16px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; "><p align="justify" style="line-height: 1.4em; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; height: 133px; overflow-x: visible; overflow-y: visible; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>Bermula dari penghijrahan Sultan Muzaffar Shah, putera sulung Sultan Mahmud maka <span class="Apple-tab-span" style="white-space: pre; "> </span>terbentuk sebuah kerajaan di tepian Sungai Perak. Maka wujud sistem pengganti dalam<span class="Apple-tab-span" style="white-space: pre; "> </span>institusi kesultanan, bermula dengan Raja Di Hilir, Raja Bendahara, Raja Muda dan <span class="Apple-tab-span" style="white-space: pre; "> </span>Paduka Seri Sultan. Institusi kesultanan ini melahirkan pakaian istiadat gemilang warna<span class="Apple-tab-span" style="white-space: pre; "> </span>warni mengikut kedudukan dan martabat golongan istana.</span></span></p><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><img src="http://www.heritage.gov.my/upload/Content/image/perak002.jpg" alt="Busana Perak1" /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>Pakaian diraja ini dibuat dari songket bunga tabur sedondon. Lelaki memakai Baju Melayu <span class="Apple-tab-span" style="white-space: pre; "> </span>Cekak Musang, tengkolok, bengkung dan ikatan samping Perak. Wanita memakai pakaian <span class="Apple-tab-span" style="white-space: pre; "> </span>Puteri Perak berseluar panjang songket jong sarat<br /><br /></span></span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><img src="http://www.heritage.gov.my/upload/Content/image/perak003.jpg" alt="Busana Perak2" /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>Lelaki berbaju Melayu Cekak Musang, kain samping ikatan Perak, berbengkung dan kepala <span class="Apple-tab-span" style="white-space: pre; "> </span>berhias Justar Sering hiasan kepala yang dipakai di hari perkahwinan. Wanita memakai<span class="Apple-tab-span" style="white-space: pre; "> </span>pakaian Puteri Perak berseluar Acheh dan berselendang songket penuh<br /><br /></span></span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><img src="http://www.heritage.gov.my/upload/Content/image/perak004.jpg" alt="Busana Perak3" /><br /><span class="Apple-tab-span" style="white-space: pre; "> </span>Pakaian Puteri Perak yang diubahsuai menjadi pakaian kebiasaan tetapi masih <span class="Apple-tab-span" style="white-space: pre; "> </span>mengekalkan ciri-ciri sut 5, baju, seluar, samping, selendang dan bengkung. Baju Sikap <span class="Apple-tab-span" style="white-space: pre; "> </span>Perak yang juga telah diubahsuai sebagai pakaian kebiasaan tetapi mengekalkan ciri-<span class="Apple-tab-span" style="white-space: pre; "> </span>ciri asal Baju Sikap. Pakaian Zarith Gangga direka sebagai salah satu pakaian <span class="Apple-tab-span" style="white-space: pre; "> </span>perkahwinan puteri diraja Perak. Pakaian kemban dari songket dipadankan dengan <span class="Apple-tab-span" style="white-space: pre; "> </span>Kebaya les dan selendang dari pinggang yang dilepaskan di belakang bahu. Pakaian <span class="Apple-tab-span" style="white-space: pre; "> </span>Puteri Perak dari baldu hitam dan seluar Aceh songket. Selendang dan<span class="Apple-tab-span" style="white-space: pre; "> </span>samping juga <span class="Apple-tab-span" style="white-space: pre; "> </span>dari songket tenun Terengganu. (www.heritage.gov.my)</span></span><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span></span></span></div><div><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><br /></span></span></div><div><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-tab-span" style="white-space: pre; "> </span>Perak Man, found in 1991, is the only complete human skeleton which has been found in <span class="Apple-tab-span" style="white-space: pre; "> </span>Malaysia. The cave that was his final resting place is called Gua Gunung Runtuh and is <span class="Apple-tab-span" style="white-space: pre; "> </span>situated in Bukit Kepala Gajah or Elephant's Head Hill in the Lenggong Valley. The <span class="Apple-tab-span" style="white-space: pre; "> </span>skeleton has been dated at between 10-11,000 years old, which makes him a Stone Age<span class="Apple-tab-span" style="white-space: pre; "> </span>man, from the Palaeolithic period. It is believed he was an important member of his tribe <span class="Apple-tab-span" style="white-space: pre; "> </span>judging by the way he was buried, in a foetal position, accompanied by stone tools. He was <span class="Apple-tab-span" style="white-space: pre; "> </span>about 157cm tall and probably aged between 30-55 when he died. Perak Woman was found <span class="Apple-tab-span" style="white-space: pre; "> </span>more recently in 2004. This is an 8000 year old skeleton found in Gua Teluk Kelawar in <span class="Apple-tab-span" style="white-space: pre; "> </span>Lenggong. Muzium Negara has some simple information on </span></span><a href="http://www.museum.gov.my/english/perakman.htm" style="color: rgb(191, 39, 126); font-weight: bold; "><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;"><span class="Apple-style-span" style="color: rgb(0, 0, 0); ">Perak Man</span></span></span></a><span class="Apple-style-span" style=" ;font-family:arial;"><span class="Apple-style-span" style=" ;font-size:medium;">. <span class="Apple-tab-span" style="white-space: pre; "> </span>(www.cavesofmalaysia.com)</span></span><br /></div></div><div style="clear: both; "></div></div><div class="post-footer" style=" color: rgb(200, 143, 162); text-align: right; font-size:10px;"><div class="post-footer-line post-footer-line-1"><span class="post-author vcard" style="display: block; float: left; text-align: left; margin-right: 4px; ">Posted by <span class="fn">zubin</span></span><span class="post-timestamp" style="display: block; float: left; text-align: left; margin-right: 4px; ">at <a class="timestamp-link" href="http://svarnabhumi.blogspot.com/2009/04/perbincangan-rumah-untuk-wanita-rumah.html" rel="bookmark" title="permanent link" style="color: rgb(191, 39, 126); font-weight: bold; "><abbr class="published" title="2009-04-08T20:47:00-07:00" style="border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; ">8:47 PM</abbr></a></span><span class="reaction-buttons"></span><span class="star-ratings"></span><span class="post-comment-link"></span><span class="post-backlinks post-comment-link"></span><span class="post-icons"><span class="item-action"><a href="http://www.blogger.com/email-post.g?blogID=10826867&postID=5883846874604266786" title="Email Post" style="color: rgb(191, 39, 126); font-weight: bold; text-decoration: none !important; "><img alt="" class="icon-action" height="13" src="http://www.blogger.com/img/icon18_email.gif" width="18" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: none !important; border-right-style: none !important; border-bottom-style: none !important; border-left-style: none !important; margin-top: 0px !important; margin-right: 0px !important; margin-bottom: -5px !important; margin-left: 0.5em !important; " /> </a></span><span class="item-control blog-admin pid-439334881" style="display: inline; "><a href="http://www.blogger.com/post-edit.g?blogID=10826867&postID=5883846874604266786" title="Edit Post" style="color: rgb(191, 39, 126); font-weight: bold; text-decoration: none !important; "><img alt="" class="icon-action" height="18" src="http://www.blogger.com/img/icon18_edit_allbkg.gif" width="18" style="border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-top-style: none !important; border-right-style: none !important; border-bottom-style: none !important; border-left-style: none !important; margin-top: 0px !important; margin-right: 0px !important; margin-bottom: -5px !important; margin-left: 0.5em !important; " /></a></span></span></div><div class="post-footer-line post-footer-line-2"><span class="post-labels"></span></div><div class="post-footer-line post-footer-line-3"><span class="post-location"></span></div></div></div><div class="comments" id="comments" style="margin-top: 0px; margin-right: 16px; margin-bottom: 14px; margin-left: 29px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(240, 206, 216); border-right-color: rgb(240, 206, 216); border-bottom-color: rgb(240, 206, 216); border-left-color: rgb(240, 206, 216); background-color: rgb(245, 228, 233); "><a name="comments" style="color: rgb(191, 39, 126); font-weight: bold; "></a><h4 style="margin-top: 0px; font-size: 16px; ">1 comments:</h4><dl class="avatar-comment-indent" id="comments-block" style="margin-left: 45px; position: relative; "><dt class="comment-author " id="c2793280435693831989"><a name="c2793280435693831989" style="color: rgb(191, 39, 126); font-weight: bold; "></a><div class="avatar-image-container vcard" style="height: 37px; left: -45px; position: absolute; width: 37px; "><span dir="ltr"><a href="http://www.blogger.com/profile/00585434185374553156" rel="nofollow" onclick="" class="avatar-hovercard" id="av-0-00585434185374553156" style="color: rgb(191, 39, 126); font-weight: bold; "><img src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyWCUBxkxzpthO9V3xGHtQrJ83qbPx1vviZ7XtdbZWKR4JRFbxEJ8_mEL6uEx9l00PXNY0gU-9KH7ppcCJfFgbkwMZTcc1okl-sr2h_pHuzJy2C2ymSzNVqLGwHoFcfKq2btfI5nkjO_w/s45/87322.jpg" width="35" height="35" alt="" class="delayLoad" longdesc="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgyWCUBxkxzpthO9V3xGHtQrJ83qbPx1vviZ7XtdbZWKR4JRFbxEJ8_mEL6uEx9l00PXNY0gU-9KH7ppcCJfFgbkwMZTcc1okl-sr2h_pHuzJy2C2ymSzNVqLGwHoFcfKq2btfI5nkjO_w/s45/87322.jpg" title="zubin" style="border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(204, 204, 204); border-right-color: rgb(204, 204, 204); border-bottom-color: rgb(204, 204, 204); border-left-color: rgb(204, 204, 204); float: right; " /></a></span></div><a href="http://www.blogger.com/profile/00585434185374553156" rel="nofollow" style="color: rgb(191, 39, 126); font-weight: bold; ">zubin</a> said...</dt><dd class="comment-body" style="margin-left: 0px; "><p style="line-height: 1.4em; ">Apakah pemakaian seluar untuk pakaian Puteri Perak ada kaitana dengan Aceh, sememangnya orang memanggilnya seluar Aceh, tapi kenapa dan bila mereka mula memakainya. Apakah ianya ada kaitannya dengan Raja2 perempuan Aceh yang enam itu, apakah Perak mempunyai pertalian yang kuat dengan kerajaan Aceh. Atau apakah seluar itu semamangnya terpengaruh dari seluar punjabi dari India, apakah hubungannya dan bila zamannya?</p></dd></dl></div></div></div></span></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-65146522626392200542010-02-24T00:36:00.000-08:002010-02-24T00:37:30.034-08:00Creative Industries Versus Cultural Industry<p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 14.0px Times New Roman"><b>http://portal.unesco.org/culture/en/files/30297/11942616973cultural_stat_EN.pdf/cultural_stat_EN.pdf</b></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 14.0px Times New Roman"><b><br /></b></p><p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 14.0px Times New Roman"><b><br /></b></p><div style="text-align: justify;"><span class="Apple-style-span" style="font-family:'Times New Roman', fantasy;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px; "><br /></span></span></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-89947220570882302482010-02-24T00:30:00.000-08:002010-02-24T00:34:02.341-08:00Politik Ruang, Bali Conference, 2000<p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: center; font: 14.0px Times New Roman"><b>Istana, Pasar, Desa dan Jalanan </b></p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 12.0px Times New Roman">Dahulu, kami selalu menemukan ruang-ruang untuk menciptakan teater mini milik kami sendiri. Saya ingat, kami biasa berkumpul di depan rumah tua yang tidak ditempati, memanfaatkan beranda dan tangga batu sebagai bagian dari panggung. Sebagian dari kami memerankan dan sebagian lagi memutuskan untuk jadi penonton, duduk di lantai menghadap tangga. Kami menari, menyanyi, memainkan upacara-upacara perkawinan, kelahiran dan kematian. Kadang-kadang kami bahkan memainkan wayang kulit, dengan membuat wayang-wayang sendiri, menggunakan sebuah meja makan sebagai panggung teater dan sprei putih sebagai layar. Semua ruang-ruang pentas ini menghilang tepat waktu kami dipanggil untuk makan malam. Pada hari-hari lain, kami menggunakan ruang-ruang yang berbeda, tapi kenangan terhadap ruang-ruang istimewa tersebut akan selalu ada di sana. Bukan saja kenangan akan sebuah ruang yang nyata, tapi tentang apa yang diambil dalam ruang itu.</p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 12.0px Times New Roman">Ruang lainnya yang menarik adalah pasar akhir pekan di depan rumah, yang berubah jadi lapangan bola basket atau bulu tangkis pada suatu malam atau menjadi pentas pertunjukan wayang kulit pada malam lainnya, atau juga pelataran ronggeng (tari pergaulan Melayu yang dimainkan di halaman) pada hari besar lainnya. Di beberapa desa tetangga, mereka mendirikan sebuah bangunan khusus dan menyebutkannya “balai serba guna” dan tak banyak yang terjadi kemudian. Hal yang sama terjadi pada pasar gelap kami ketika kantor distrik memutuskan untuk membangun tempat resmi seperti balai serba guna. Semuanya hilang, hanya bangunan yang tersisa. Mengapa peristiwa-peristiwa ini hilang bersamaan dengan menjadi formalnya ruang? Barangkali ini benar-benar nyata dalam kasus kota-kota di Asia. Pada saat yang bersamaan kita menginginkan peristiwa dan sekaligus ruang yang akan dikenal secara resmi. Atau ini sekedar kebetulan ketika apa yang kita namakan komunitas kebudayaan hilang bersamaan dengan munculnya teknologi modern seperti televisi, gedung bioskop dan lain sebagainya.</p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><b>Ruang dan Makna</b></p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 11.0px Times New Roman">Ruang adalah sesuatu yang di dalamnya terdapat semua objek nyata dan bergerak, adalah jarak antara dua objek atau lebih, wilayah atau isi, seperti ruang-ruang terbuka misalnya dataran yang belum dibangun, tempat atau wilayahayang terbatas atau tidak didiami, juga merupakan sebuah periode masa yang dibentuk dengan ruang-ruang teratur di tengah-tengahnya. Ruang memiliki peristiwa dan masa beserta kenangan dan sejarahnya sendiri, terhapus dan tertulis kembali, berulang-ulang. Yang tersisa adalah lapisan tertinggi atau peristiwa yang paling terkesan. (Noguchi, 1994)</p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 12.0px Times New Roman">Makalah ini memandang ruang-ruang dan ekspresinya dari perspektif historis, budaya, komunitas, tradisional, modern. Juga akan membicarakan lebih jauh lagi mengenai ruang-ruang resmi kenegaraan fungsi serta ekspresinya, demikian juga dengan ruang-ruang tidak resmi dan tidak representatif dari ruang resmi tradisional, ruang publik kontemporer, ruang-ruang konvensional dan modern. Secara tradisional, ruang-ruang terbagi ke dalam tipe-tipe utama: ruang-ruang kerajaan atau kenegaraan atau politik, ruang-ruang dagang dan ruang-ruang komunitas. Dua tipe ruang yang pertama telah didiskusikan Anthony Reid dalam<i> Southeast Asia in Age of Commerce 1450-1680.</i> Ruang politis jadi tampak seperti ini:</p> <p style="margin: 0.0px 0.0px 0.0px 7.7px; text-align: justify; text-indent: 28.4px; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 11.0px Times New Roman"><span style="font: 12.0px Times New Roman"><span class="Apple-tab-span" style="white-space:pre"> </span></span>Dengan mementaskan perayaan-perayaan luar biasa yang didalamnya terdapat ribuan orang berpartisipasi, pemerintah sepenuhnya sangat menunjuk dirinya sendiri sebagai titik tumpu supernatural keliling yang panggungnya diputar. Festival-festival kerajaan dan keagamaan memberikan kesempatan bagi pemerintah untuk memperlihatkan dirinya sendiri di hadapan rakyat dalam seluruh kekuasaannnya, dengan para anggota istana, pegawai, prajurit, pengikut dan bahkan orang asing; semuanya menentukan tempatnya sendiri di dalam perayaan. Perayaan-perayaan termasuk: penobatan keluarga kerajaan, pernikahan, penguburan, ritual-ritual pendewasaan, festival-festival religius tahunan, upacara-upacara dan festival-festival untuk menjaga kesuburan dan keselamatan negara…</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Pasar dideskripsikan Reid sebagai berikut:</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><span class="Apple-tab-span" style="white-space:pre"> </span></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 11.0px Times New Roman">Banyak pasar tumbuh sebagai bagian dari festival-festival besar. Semacam perhimpunan kuat masyarakat yang di dalam diri mereka sendiri terdapat sebuah jaminan ramainya perdagangan makanan dan esensi-esensi lainnya. Hal ini dimungkinkan ketika rakyat kota memanfaatkan pasar-pasar ini untuk membeli kemegahan mewah tahunan untuk tahun depan. Pemunculan periodik mereka di kota juga dapat menjadi kesempatan untuk menghadirkan upeti dan hasil panen yang wajib dibagi pada saat perayaan-perayaan atau festival-festival keagamaan di akhir masa panen padi…</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><b></b><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><span class="Apple-tab-span" style="white-space:pre"> </span>Ruang komunitas tradisional, dapat termasuk Ruai, rumah panjang Dayak di Kalimantan. Seperti yang digambarkan Charles Hose dalam <i>The Natural Man</i> (1988), Ruai adalah ruang tamu terbuka dalam rumah panjang.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><span class="Apple-tab-span" style="white-space:pre"> </span>Rumah panjang umumnya terdiri dari beberapa kamar atau rumah berjumlah ganjil (lebih dari lima dan bahkan sampai dua puluh lima atau lebih) bersambung dengan rumah di tengah yang merupakan rumah kepala suku. Rumah panjang dianggap sebagai ruang politik dalam komunitas tradisional. Ruai seringkali digunakan dalam Gawai (festival-festival panen), kelahiran, kematian, pernikahan, menerima tamu dan bersuka ria. Sering kali, upacara akan dimulai dari rumah kepala suku dan kepala suku bahkan akan pertama kali menari untuk memulai perputaran bola.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><b>Perubahan Ruang</b></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Akibat kolonialisasi, modernisasi dan urbanisasi, ruang-ruang dan strata ruang-ruang tersebut di negara-negara Asia terutama Asia Tenggara, berubah bentuk, fungsi dan ekspresi. Istana Sultan Kutai di Kalimantan Timur, misalnya, berubah menjadi kantor administrasi Belanda selama masa-masa kolonial. Bersama kemerdekaan, kantor itu berubah menjadi kantor gubernur. Bersama industrialisasi, berubah menjadi museum, dan bersama turisme dan penelitian budaya, Sultan Kutai mengunjungi istana itu dan merayakan hari ulang tahunnya di sana. Barangkali semua itu sangat aneh baginya, karena beliau tidak pernah tinggal dan merayakan ulang tahunnya di sana sebelumnya.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Sanam Luang (lapangan kenegaraan), sebuah ruang terbuka di depan Istana Agung di Bangkok, pada saat ini, dari sebuah lapangan bermain layang-layang pada musim berangin, dengan orang-orang bertebaran di sekelilingnya berpiknik setelah melewati hari kerja yang melelahkan, berubah menajdi lapangan lain untuk permainan-permainan cinta, romansa, pesona dan prostitusi, kelak pada malam hari. Ketika malam hampir larut, halaman yang dinaungi pohon-pohon rimbun tersebut menjadi tempat bagi plra tuna wisma. Kadang-kadang tempat itu menjadi tuan rumah upacara keselamatan anggota kerajaan seperti misalnya perayaan Ulang Tahun Raja dan Hari Cocok Tanam dan Kerajaan. Di sekitar ruang terbuka ini, terdapat beragam ruang kenegaraan lainnya seperti Museum Nasional. Galeri Nasional, Universitas Silapakorn, Universitas Thammasart, Gedung Teater Nasional, Sekolah Tinggi Seni Drama, Hotel Royal (hotel pertama di Bangkok) dan kantor-kantor pemerintah. Ruang mungkin bermakna satu hal bagi pemerintah dan lain hal bagi masyarakat. Yang terpenting ia menyatakan pada kita bahwa ruang ini membebaskan dirinya sendiri selama berabad-abad lampau.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Richard Engelhart, Direktur UNESCO untuk Asia Pasifik, berkedudukan di Bangkok, menyinggung bahwa Sanam Luang dulu merupakan pasar akhir pekan di Bangkok, mungkin lima belas tahun yang lalu. Kandang-kandang dibangun di sekitar lapangan, dengan ruang di tengah yang menjadi ruang bermain untuk perlombaan-perlombaan kompetisi kicauan burung di pagi hari, arena-arena tinju, permainan layang-layang di waktu senja dan pertunjukan-pertunjukan menarik yang dipentaskan pada malam hari. Hal ini dikonfirmasikan oleh seorang teman Thailand yang telah menetap di New York, menceritakan tentang masa kanak-kanaknya kepada saya, pergi mengelilingi pasar akhir pekan di Sanam Luang, menonton pertunjukan-pertunjukan dan beristirahat menuju Hotel Royal dengan keluarganya untuk mengudap limun dingin. Pada Senin pagi, lapangan kembali seperti biasa, tanpa jejak-jejak kejadian selama akhir pekan. Kini pasar akhir pekan telah pindah ke Chatuchak, barangkali merupakan pasar terbesar di dunia, menarik minat ribuan orang selama akhir pekan. Dikelola oleh Bangkok Metropolitan Authority (BMA). Saat ini dipromosikan oleh Tourism Authority of Thailand (TAT) sebagai salah satu atraksi khusus Bangkok yang menjual apapun, dari pasir sampai patung-patung. Bangunan pasar berdiri di sana selama tujuh hari dalam sepekan namun ia hanya menjadi ramai selama Sabtu dan Minggu. Sesuatu yang hilang dalam pasar akhir pekan adalah seni pertunjukan, sebagian disebabkan waktu, karena buka di pagi hari dan tutup sekitar pukul enam atau tujuh malam. Chatuchak juga bukan semacam tempat lingkup bertetangga, melainkan sekedar pasar, sementara Sanam Luang lebih dari sekedar pasar, ia merupakan sebuah tempat yang dikelilingi orang-orang nyata termasuk para seniman. Mungkin akan ada pertunjukan-pertunjukan di Chatuchak di masa yang akan datang.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Di masa lalu, pertunjukan-pertunjukan dilakukan bersama-sama oleh para penari, musisi dan tukang obat dalam lapangan pasar untuk menghibur para pedagang, saudagar dan publik serta sekaligus mendatangkan uang bagi mereka sendiri. Sangat sering, para seniman pertunjukan ini merupakan pengembara-pengembara dari tempat-tempat lain dan bukan kelompok seniman istana. Selama dua tahun terakhir, The European Union di Bangkok telah menyelenggarakan Teater Jalanan di dekat Tha Pra Chan, mengumpulkan berbagai kelompok teater yang datang dari Eropa untuk melakukan pertunjukan-pertunjukan di jalan-jalan lama di Bangkok. Mereka pasti telah terilhami oleh Phra Atit Road Festival yang pertama kali diselenggarakan oleh Hemlock Cafe; Gallery, mengumpulkan para seniman, para l lusan Universitas Silapakorn dan seniman-seniman pertunjukan dari daerah sekitarnya. Yang menarik adalah menyaksikan pertunjukan-pertunjukan yang dilakukan oleh beragam seniman Thai. Beberapa tahun yang lalu, kita menyaksikan mahasiwa-mahasiswa melakukan pertunjukan-pertunjukan sebagai semacam protes terhadap pemerintah. Mahasiswa-mahasiswa Indonesia, Thailand dan Filipina dikenal dengan hal ini. Mereka memilih ruang-ruang untuk demonstrasi dan drama mereka.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Akhir-akhir ini, BMA terinspirasi untuk membuat sebuah festival jalanan dengan menutup Maitri Chit Road dekat kawasan Pecinan di Bangkok. Mereka menyewa seorang konsultan sebagai penyelenggara tapi ini berakhir sebagai pasar akhir pekan. Banyak pengendara sepeda motor mengeluh tentang penutupan jalan-jalan dan kemacetan lalu lintas. About Cafe Gallery, dikenal karena kegiatan-kegiatan trendi dan perayaan-perayaannya, telah terjebak dengan semua ini, jadi harus mengubah pintu masuk biasanya (syukurlah karena memiliki pintu masuk samping) dan terperangkap di tengah-tengah kebisingan musik jalanan. Bagaimana menyesuaikan dengan semua ini? Apakah kita melakukan pendekatan dengan semua hal ini secara tepat? Atau apakah kita telah dengan mudah terpesona dengan lembaga kota yang menutup jalan bagi para pejalan kaki tanpa memikirkan akses dan tempat parkir bagi para pengunjung? Meskipun pertunjukan di About Cafe; memiliki banyak penonton, sebagian besar masyarakat berbalik menghindari kemacetan lalu lintas dan menghilang di rute-rute langsung. Meskipun pertunjukan seharusnya terbentuk olah kebutuhan-kebutuhan publik, pengelolaan pertunjukan merupakan hal yang krusial. Tidak mudah untuk menyesuaikan dengan ruang non-konvensional, baik bagi ruang itu sendiri maupun penonton. Terutama sewaktu penonton digabungkan dengan berbagai persepsi, para seniman pertunjukan perlu memiliki sikap yang tepat terhadap ruang dan penonton.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><b>Membangun Ruang</b></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 11.0px Times New Roman">Sejak masa pemerintahan Raja Chulalongkorn, pertunjukan-pertunjukan dramatik Thai disajikan baik di atas pentas terbuka maupun panggung temporer, dengan atau tanpa atap, dibangun pada lokasi-lokasi festival, pekan raya, penguburan atau upacara-upacara atau acara-acara sosial lainnya. (Rutnin, 1996)</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Menurut Mattani M. Rutnin, panggung-panggung temporer ini telah disinggung sejak awal periode Bangkok sebagai ‘Rong Lakhon’ (gedung teater). Hanya pada akhir masa pemerintahan Raja Chulalongkorn terdapat beragam gedung teater pribadi yang dibangun dalam istana-istana para pangeran dan putri dan rumah-rumah megah yang mewah milik para aristokrat. Adalah raja Vajiravudh, raja berdaulat berpendidikan Inggris, yang membangun konstruksi gedung teater modern Siam. Setelah beberapa lawatannya ke Eropa, Amerika dan Jepang pada awal tahun 1900-an, beliau mendirikan sebuah gedung teater mini bergaya Barat di halaman Istana Saranrom. Gedung teater permanen pertama dibangun di Dusit Park, dan dinamakan Royal Theatre, Dusit Park. Kelak ketika beliau menjadi raja, gedung tersebut berubah menjadi National Theatre. Raja Vajiravudh, yang mencintai teater dan kesusasteraan membangun banyak gedung teater yang disatukan dengan rumah-ruamh peristirahatan musim panasnya di luar Bangkok, seperti Istana Sanam Chan di Nakhon Pathom, Istana Marukhathiwan di Hua Hin dan Istana Bang Pa dekat Ayutthaya.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Setelah revolusi 1932 dan jatuhnya monarki absolut, Departemen Seni Rupa mengambil alih National Theatre dari istana dan mendirikan akademi musik dan tari. Dengan National Theatre baru yang dibangun pada tahun 1960, pembangunan identitas Thai menjadi makin dan semakin kokoh. Ruang bagaimanapun pernah menjadi forum untuk pertunjukan kebudayaan militer dan pegawai pemerintahan. Thailand Cultural Center, yang didirikan oleh pemerintah Jepang dibuka pada tahun 1985 untuk mementaskan kebudayaan Thai di atas panggung berstandar internasional dan sekaligus membawa pertunjukan-pertunjukan berkelas internasional dari luar negeri. Dari tahun 1997, National Theatre yang telah menjadi tua, tak mampu lagi bekerja sama dengan keperluan teknis dan terpaksa ditutup untuk direnovasi. Sejak saat itu, sangat sulit sekali menyaksikan sebuah tari tradisional Thai kecuali di restoran-restoran Thai. Setelah hampir lima belas tahun berdiri, Thailand Cultural Center menjadi semakin bersifat resmi. Lebih bersifat bebas hanya sewaktu melibatkan uang, seperti untuk konser-konser pop.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Perkembangan teater kontemporer di tahun 1970 sangat banyak merupakan aktivitas dari dua universitas di Bangkok, Thammasart dan Chulalongkorn. Hanya pada tahun 1980-an, ruang-ruang swasta untuk teater kontemporer besar seperti Sala Chalermknung dan Bangkok Playhouse. Pertunjukan-pertunjukan yang ditampilkan di sini lebih merupakan pertunjukan-pertunjukan teater dan musik komersial.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><b>Perpindahan</b></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Perkembangan lain yang perlu dicatat adalah perpindahan dari ruang-ruang teater biasa menjadi ruang-ruang-ruang terbuka seperti yang disediakan oleh kedua kelompok swasta, Dance Center dan Patravadi Theatre. Pada tahun 1988, Dance Theatre mementaskan ‘The Last Silver Crane’ di lantai dasar sebuah istana tua Suan Prakad. Berikutnya pada tahun yang sama, Dance Theatre mementaskan pertunjukan serupa di lantai dasar The Siam Society, dengan dua buah rumah tradisional Thai sebagai latar belakang. Patravadi Theatre dengan Theatre Season dan Bangkok Fringe Festival-nya memiliki bermacam ruang yang dapat digunakan dalam gabungan besar termasuk sebuah teater terbuka di atas kolam renang, sebuah studio teater terbuka seperti kafe teater terbuka;. Ide tersebut mungkin merupakan hal baru bagi kota-kota Asia Tenggara seperti di Kuala Lumpur dan Singapura. Lebih dari lima tahun yang lalu The Instant Cafe Theatre mementaskan sebuah produksi besar <i>Mid-Summer Night’s Dream</i> di lantai dasar Carcosa, Kuala Lumpur dan di awal tahun terakhir, Five Arts Center, mementaskan teater mereka <i>Welcome to Mrs. Yang’s 98th Birthday Party </i>di setiap ruang dalam rumah. Unimastage di Kuching Malaysia, mementaskan sebuah produksi tari kontemporer <i>River</i> di Kuching Waterfront, dengan empat puluhan seniman tari, menggunakan kedua sisi Sungai Kuching dan dua buah perahu dengan lilin yang menyala menyeberangi sungai menuju penonton dan bergabung dengan mereka.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Sebenarnya, konsep ruang terbuka atau gedung teater terbuka bukanlah hal yang baru bagi drama Asia bahkan drama Yunani. Barangkali kita juga telah terperangkap dengan ide untuk memiliki sebuah ruang teater murni, sebuah pemandangan yang diformalisasikan dan dikontrol. Tanpa menyadarinya, kita sebenarnya telah membatasi ruang-ruang pertunjukan, teknik, gaya, genre dan juga kelompok-kelompok teater dan penonton. Pembukaan beragam ruang untuk pertunjukan di Bangkok akhir-akhir ini misalnya telah membuncahkan cahaya pertaruhan artistik baru.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><b>Menembus Batasan-batasan</b></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Maradox Mai Black Box Theatre, telah memberikan kesempatan pada ide-ide dan kelompok-kelompok teater baru seperti produksi terbaru <i>This Is My Life-I Love You</i> yang dapat dikatakan merupakan pertunjukan musikal gay yang pertama di Bangkok, berlangsung di bawah pengaruh obat-obatan dan pertunjukan-pertunjukan go-go di Pat Pong di Bangkok. Gedung teater kecil ini tidak memberikan muatan apapun pada kelolmpok teater dan hanya muatan minimal untuk penonton. Sebuah organisasi nirlaba independen About Art Related Activities Gallery and Cafe; telah mengkurasi dan mementaskan bermacam pementasan, diskusi dan pertunjukan seni. Selaan dari menjadi sebuah galeri, ruang tiga tingkat tersebut menawarkan kafe galeri; di lantai pertama, ruang pameran dan pertunjukan di lantai dua dan pertunjukan-pertunjukan di lantai tiga. Sebenarnya galeri ini tidak berkaitan dengan ruang-ruang yang tetap untuk kegiatan-kegiatan spesifik. Mereka telah mementaskan pertunjukan-pertunjukan gaya jalanan di lantai dasar dan dua, band-band alternatif di lantai dasar dan pertunjukan-pertunjukan teater tari di lantai dua pada malam yang sama. Dengan semacam gabungan pemograman, kita dapat melihat apap yang disebut kebudayaan tinggi berpadu dan berbaur dengan kebudayaan populer dalam ruang dan waktu yang sama. Mungkin hal ini hanya bisa terjadi dalam sebuah masyarakat biasaa, di amana kelas-kelas sosial, kekayaan dan kekuasaan tidak terlibat.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Pada bulan Juni 1999, Patravadi Theatre dan Cetral Chidlom Departemen Store menembus batasan lain dengan bekerja sama mensponsori The Contemporary Thai Festival yang menampilkan pertunjukan-pertunjukan tari, musik dan teater kepada para pembeli dan pecinta teater dalam kompleks perbelanjaan. Mereka mengubah salah satu sudut kompleks tersebut untuk menjadi ruang teater dengan sebuah panggung mini dan tempat duduk untuk penonton. Pada zaman dahulu, orang-orang selalu menyaksikan kegiatan-kegiatan semacam ini sebagai sebuah perayaan komersial tapi dengan perlakuan yang sungguh-sungguh dari ruang dan pertunjukan, ruang komersial seperti ini dapat berubah menjadi sebuah ruang kebudayaan, artistik dan perayaan.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Ruang politik, ritual dan budaya yang merupakan wilayah tempat tinggal di depan kamar kepala suku dalam rumah panjang, dapat berubah menjadi ruang komersial ketika para wisatawan diterima untuk sebuah kunjungan rumah dalam waktu yang sama. Ruang yang sama ini telah menyaksikan hilangnya pertunjukan-pertunjukan budaya dan ritual lama dapat dipentaskan ulang untuk pertunjukan hiburan, kesenangan dan apresiasi para wisatawan. Pada saat yang sama hal ini menawarkan kesempatan untuk melestariakn kebudayaan mereka sendiri.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Kelompok-kelompok teater yang lebih <i>avant-garde </i>seperti Asia Theatre Research, Arts Vision dan Theatre Workshop di Singapura dan Five Art Centre di Kuala Lumpur, secara konstan mencari ruang non-konvensional, bukan sekedar bermaksud untuk melulu pindah dari ruang-ruang biasa tapi untuk berbagai alasan lainnya seperti sewa yang lebih murah. Ruang-ruang alternatif bukan tidak pasti lebih mudah menyesuaikan dengan dari administratif, artistik dan sudut-sudut pandang teknis, namun yang pasti menciptakan tantangan-tantangan sekaligus menciptakan publisitas dan kesadaran.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><b>Merengkuh Komunitas</b></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Sarawak di Malaysia Timur terdiri dari 33 kelompok etnis. Kuching sebagai kota, dekat sungai Sarawak, didirikan oleh James Brooke pada tahun 1840 sekarang telah menajdi perpaduan antar bangunan kolonial Inggris, tradisional dan Malaysia modern. Kuching Waterfront, tempat orang-orang, kaki lima yang terletak satu kilometer di sebelah kanan bank Kuching River, dikenal karena perpaduan desain modern dan etnis kontemporer, memenangkan beberapa penghargaan internasional untuk desain-desainnya yang menggambarkan termasuk perjalanan sejarah, seri-seri pahatan arsitektur tradisional, tempat bermain, kafe-kafe, taman-taman, patung-patung tradisional dan modern serta amphiteater. Ia benar-benar merupakan ruang komunitas. Dengan kenangan-kenangan dari ruang masa lalu kolonial, ruang komunitas secara konstan membawa bersama-sama kebudayaan tradisional dan beragam kelompok etnis demikian juga kebudayaan konser-konser<i> </i>rock, rap, jazz dan pop.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Di Singapura yang kosmopolitan, yang tengah mempersiapkan dirinya untuk menjadi poros kegiatan budaya Asia Tenggara, The National Arts Council mengeluarkan program lainnya, seni pertunjukan bagi komunitas tempat tinggal di flat-flat Housing Development Board (HDB). Sebenarnya, ini sekedar merupakan program di luar jangkauan, namun kini menajdi program khusus. Mereka telah mempergelarkan berbagai pertunjukan dari opera Cina, bangsawan, tari India dan teater-teater modern.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Singapura telah memainkan peranan sebagai ruang penting bagi seni, budaya dan pasar-pasar dalam masa modern sejak Sir Stamford Raffles menciptakan konser kota gerbang pelabuhan bagi Singapura. Pada tahun-tahun terakhir, The Singapore Tourism Board telah menekankan penemuan budaya dengan konsep “Singapore Asia Baru” dan “Poros Kebudayaan Asia.” The National Arts Council dengan keberhasilan Singapore Art Festival, baru-baru ini menelurkan The Esplanade, gedung teater baru di atas teluk, memfasilitasi untuk pendirian kelompok-kelompok seni. Ruang-ruang yang ditata non-konvensional seperti The Substantion, telah menciptakan banyak ide menarik. Memamerkan kepada publik Singapura berbagai tipe ekspresi, tidak hanya kebudayaan tinggi opera, balet dan orkestra simfoni tapi juga mempromosikan Opera Cina, bangsawan, Joget, Bharatam Natyam dalam komunitas multi budaya. Bantuan-bantuan, pengahargaan-penghargaan dan ruang-ruang telah diberikan kepada para seniman oleh The National Arts Board, termasuk pertunjukan yang diberangkatkan pada sebuah festival internasional, tapi akankah secara nasional penulis naskah terkenal akan mampu memproduksi karya-karya kontroversial, karya-karya tentang rumah masa lampau multi budaya? Baru-baru ini Action Theatre memproduksi pertunjukan tentang HIV positif dengan seorang pemain yang betul-betul menderita HIV positif di atas panggung dan hal itu telah menarik perhatian pers internasional, mengutip bahwa Singapura telah dibesarkan dari citra negara pengasuhnya. Apakah betul? Atau hanya sekedar publisitas yang bertujuan mengalihkan pada pembukaan The Esplanade dan menutupi rumor-rumor bahwa festival seni tahun ini adalah sebuah pukulan dengan sebungkah produksi koreksi politis. Barangkali penonton telah menjadi semakin berpengetahuan, lebih berpengalaman dan lebih menuntut setelah bertahun-tahun memperhatikan program-program festival.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; text-indent: 36.0px; font: 12.0px Times New Roman">Pemerintah Singapura juga telah menyadari kesuksesan pihak-pihak swasta yang membawa konser-konser musik dan pop Barat dan kemampuan mereka menarik perhatian para penonton dari daerah. Membuat Singapura sebagai tujuan wisatawan untuk tujuan kebudayaan karena tinggi sekaligus populer. Kita mungkin akan terheran-heran tentang apa yang akan terjadi pada ruang-ruang pertunjukan saat ini, jika Esplanade selesai.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman; min-height: 15.0px"><br /></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><b>Mempertanyakan Ruang</b></p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><span class="Apple-tab-span" style="white-space:pre"> </span>Kita mungkin berkata bahwa teater kontemporer di Thailand tidak mendapat perhatian sedikitpun dari pemerintah Thai yang merupakan satu-satunya lembaga yang mepromosikan tari dan teater tradisional Thai untuk para wisatawan atau bentuk-bentuk seni pertunjukan modern Barat untuk masyarakat kelas atas. Ini adalah kasus yang berbeda di Malaysia di mana pemerintah memilih untuk mempromosikan tari-tari rakyat dan sandiwara-sandiwara Melayu, membiarkan di sisi seni klasik kewajiban untuk alasan-alasan politik dan keagamaan. Hasilnya bentuk-bentuk seni tradisional klasik akan punah. Barangkali orang akan merasa iri pada Indonesia, di mana pemerintah juga tidak hanya mempromosikan tapi juga menekankan dalam pendidikan. Mungkin kita seharusnya tak mengeluh tentang tidak mendapatkan ruang apapun dari pemerintah. Selalu ada biaya untuk membayar apa yang Anda minta. Kesenian seharusnya berada di tangan-tangan yang tepat, tapi tidak ada ruang-ruang yang benar atau salah. Setiap ruang memiliki puisi artistik, makna, kekuatan dan kenangannya sendiri.</p> <p style="margin: 0.0px 0.0px 0.0px 0.0px; text-align: justify; font: 12.0px Times New Roman"><span class="Apple-tab-span" style="white-space:pre"> </span>Sebenarnya terdapat banyak pertanyaan pada diri kita sendiri, seperti makna seni kontemporer dalam relasinya dengan ruang-ruang, apa peran bentuk-bentuk klasik dan tradisi dan kemanakah kita melangkah sekarang? Sangat sering, di dalam kesenian kita mencoba membangun superioritas untuk bentuk-bentuk seni kita sendiri, yang mana melibatkan kita dalam politik-politik <i>sponsorship</i> dan penciptaan ruang. Misalnya, kita mulai sebagai sebuah kelompok tari: lalu menjadi kelompok tari kerajaan. Kelak kita membangun sebuah ruang teater raksasa – dan ini pada akhirnya membatasi kita dari ruang itu dan penontonnya. Lalu muncul kelompok-kelompok lainnya yang mencoba menyelaraskan diri mereka ke dalam ruang-ruang di antara ruang-ruang resmi. Saya kira kita harus ingat bahwa selagi kita mencoba menemukan jawaban-jawaban, menembus batasan-batasan dan merengkuh komunitas, kita juga mesti secara konstan membangun ruang-ruang budaya yang baru.</p><div style="text-align: justify;"><span class="Apple-style-span" style="font-family:'Times New Roman', fantasy;font-size:100%;"><span class="Apple-style-span" style="font-size: 12px;"><br /></span></span></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-53755895374898607042010-02-19T03:16:00.000-08:002010-02-19T03:21:28.992-08:00Politik Ruang 2010<span class="Apple-style-span" style="font-family: Arial, Verdana, Helvetica, sans-serif; font-size: -webkit-xxx-large; color: rgb(51, 51, 51); "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: large;"><div>Saya baru saja membaca tulisan tentang bantahan mementaskan sebuah karya teater di sebuah organisasi kerajaan di akbar online Malaysiakini.com, di mana di dalam artikel tersebut ada kenyataan berikut yang sedikit sebanyak membuatkan kita berfikir.</div><div><br /></div>Malaysiakini.com:</span></span><table class="standard" id="mhead" cellspacing="0" cellpadding="0" style="width: 900px; background-color: rgb(255, 255, 255); height: 100px; "><tbody><tr><td class="hlogo" style="vertical-align: middle; text-align: left; width: 300px; "><span class="Apple-style-span" style="font-family: Verdana, Arial; font-size: 13px; line-height: 16px; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: large;">Badan-badan tersebut, biar pun apa namanya sama ada Aswara, Dewan Bahasa dan Pustaka (DBP), Istana Budaya atau Balai Seni Lukis Negara (BLSN) sentiasa berusaha menempatkan dirinya sebagai pusat aktiviti dan perkembangan seni. <br /><br />Mereka gembira tokoh-tokoh yang kritis berkhidmat, sekali gus berada bawah naungan mereka dengan mulut berkunci dan tangan bergari. </span></span><br /><br /><br /></span></td></tr></tbody></table></span>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-54499362053701159292010-02-12T19:31:00.000-08:002010-02-12T20:02:39.009-08:00Understanding the Protest<span class="Apple-style-span" style=" line-height: 19px; font-family:sans-serif;font-size:13px;"><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; "><b>Protest art</b> refers to the signs, banners, and any other form of creative expression used by <a href="http://en.wikipedia.org/wiki/Activists" title="Activists" class="mw-redirect" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">activists</a> to convey a particular cause or message. It is a visual action taken by social activists to make a point clear. Protest art is also used to with the intention to promote counter-thinking about the fabric of society itself. Often such art is used as part of demonstrations or acts of <a href="http://en.wikipedia.org/wiki/Civil_disobedience" title="Civil disobedience" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">civil disobedience</a>. Some key icons in protest art have been the dove, the <a href="http://en.wikipedia.org/wiki/Peace_symbol" title="Peace symbol" class="mw-redirect" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">peace symbol</a>, and taunting messages.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">Protest art relies on people's understanding of the symbols used in the art. Without understanding the piece is useless.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">While some protest art is associated with trained and professional artists, an extensive knowledge in art is not required to take part in protest art. The most important part of protest art is element of social activism. Therefore, protest art requires most importantly a cause or an issue. Protest art can take on the form of a simple sign displaying a social message of displeasure or a large banner expressing discontent with something in particular or in general.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">Often protest artists bypass the "artworld institutions and commercial gallery system" in an attempt to reach a wider audience through means that are most accessible to them. Instead of creating social activist art and displaying them only in art galleries where access is restricted to the "economically privileged", protest artists are trying to ensure their message reaches the largest number of people. Furthermore, protest art is not limited to one region or country but is rather a social activism method that is used around the world. For example, artists in South Africa during the 1990s created art using a range of media that explored memories of an integrated community that was once the heart of Cape Town.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">There are many politically charged pieces of <a href="http://en.wikipedia.org/wiki/Fine_art" title="Fine art" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">fine art</a> - such as <a href="http://en.wikipedia.org/wiki/Picasso" title="Picasso" class="mw-redirect" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">Picasso</a>'s <i><a href="http://en.wikipedia.org/wiki/Guernica_(painting)" title="Guernica (painting)" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">Guernica</a></i>, some of <a href="http://en.wikipedia.org/wiki/Norman_Carlberg" title="Norman Carlberg" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">Norman Carlberg</a>'s <a href="http://en.wikipedia.org/wiki/Vietnam_war" title="Vietnam war" class="mw-redirect" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">Vietnam war</a>-era work, or <a href="http://en.wikipedia.org/wiki/Susan_Crile" title="Susan Crile" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">Susan Crile</a>'s images of torture at <a href="http://en.wikipedia.org/wiki/Abu_Ghraib" title="Abu Ghraib" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">Abu Ghraib</a> - which could perhaps be termed "protest art", except that they lack the easy portability and disposability often associated with protest art.</p><h2 style="color: black; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0.5em; padding-bottom: 0.17em; border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(170, 170, 170); background-position: initial initial; font-size:19px;"><span class="editsection" style="float: right; margin-left: 5px; font-size:13px;">It is difficult to establish a history for protest art because many variations of it can be found throughout history. While many cases of protest art can be found during the early 1900s, like Picasso's Guernica in 1937, the last thirty years has experienced a large increase in the number of artists adopting protest art as a style to relay a message to the public.[<a href="http://en.wikipedia.org/w/index.php?title=Protest_art&action=edit&section=1" title="Edit section: History" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">edit</a>]</span><span class="mw-headline" id="History">History</span></h2><div class="thumb tright" style="margin-bottom: 0.8em; border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; width: auto; clear: right; float: right; border-width: initial; border-color: initial; border-width: initial; border-color: initial; margin-top: 0.5em; margin-right: 0px; margin-left: 1.4em; border-width: initial; border-color: initial; border-width: initial; border-color: initial; background-color: white; "><div class="thumbinner" style="min-width: 100px; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(204, 204, 204); border-right-color: rgb(204, 204, 204); border-bottom-color: rgb(204, 204, 204); border-left-color: rgb(204, 204, 204); padding-top: 3px !important; padding-right: 3px !important; padding-bottom: 3px !important; padding-left: 3px !important; background-color: rgb(249, 249, 249); font-size: 12px; text-align: center; overflow-x: hidden; overflow-y: hidden; width: 202px; "><a href="http://en.wikipedia.org/wiki/File:WarProtestSign.jpg" class="image" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; "><img alt="" src="http://upload.wikimedia.org/wikipedia/en/thumb/1/1a/WarProtestSign.jpg/200px-WarProtestSign.jpg" width="200" height="266" class="thumbimage" style="border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-width: initial; border-color: initial; vertical-align: middle; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-top-color: rgb(204, 204, 204); border-right-color: rgb(204, 204, 204); border-bottom-color: rgb(204, 204, 204); border-left-color: rgb(204, 204, 204); background-color: rgb(255, 255, 255); " /></a><div class="thumbcaption" style="border-top-style: none; border-right-style: none; border-bottom-style: none; border-left-style: none; border-width: initial; border-color: initial; text-align: left; line-height: 1.4em; padding-top: 3px !important; padding-right: 3px !important; padding-bottom: 3px !important; padding-left: 3px !important; font-size: 11px; "><div class="magnify" style="float: right; border-top-style: none !important; border-right-style: none !important; border-bottom-style: none !important; border-left-style: none !important; border-width: initial !important; border-color: initial !important; background-image: none !important; background-repeat: initial !important; background-attachment: initial !important; -webkit-background-clip: initial !important; -webkit-background-origin: initial !important; background-color: initial !important; background-position: initial initial !important; "><a href="http://en.wikipedia.org/wiki/File:WarProtestSign.jpg" class="internal" title="Enlarge" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none !important; background-repeat: initial !important; background-attachment: initial !important; -webkit-background-clip: initial !important; -webkit-background-origin: initial !important; background-color: initial !important; display: block; border-top-style: none !important; border-right-style: none !important; border-bottom-style: none !important; border-left-style: none !important; border-width: initial !important; border-color: initial !important; background-position: initial initial !important; "><img src="http://bits.wikimedia.org/skins-1.5/common/images/magnify-clip.png" width="15" height="11" alt="" style="border-top-style: none !important; border-right-style: none !important; border-bottom-style: none !important; border-left-style: none !important; border-width: initial; border-color: initial; vertical-align: middle; display: block; border-width: initial !important; border-color: initial !important; background-image: none !important; background-repeat: initial !important; background-attachment: initial !important; -webkit-background-clip: initial !important; -webkit-background-origin: initial !important; background-color: rgb(255, 255, 255); background-position: initial initial !important; " /></a></div>A piece of protest art featuring a<a href="http://en.wikipedia.org/wiki/Parody" title="Parody" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">parody</a> of the logo of the <a href="http://en.wikipedia.org/wiki/National_Basketball_Association" title="National Basketball Association" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">NBA</a>.</div></div></div><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">As awareness of social justices around the world became more common among the public, an increase in protest art can be seen. Some of the most critically effective artworks of the recent period were staged outside the gallery, away from the museum and in that sense, protest art has found a different relationship to the public.</p><h2 style="color: black; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0.5em; padding-bottom: 0.17em; border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(170, 170, 170); background-position: initial initial; font-size:19px;"><span class="editsection" style="float: right; margin-left: 5px; font-size:13px;">[<a href="http://en.wikipedia.org/w/index.php?title=Protest_art&action=edit&section=2" title="Edit section: Activist art" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">edit</a>]</span><span class="mw-headline" id="Activist_art">Activist art</span></h2><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">Activist art represents and includes aesthetic, sociopolitical, and technological developments that have attempted to challenge and complicate the traditional boundaries and hierarchies of culture as represented by those in power. Like protest art, activist art practice emerged partly out of a call for art to be connected to a wider audience, and to open up spaces where the marginalized and disenfranchised can be seen and heard.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">Activist art incorporates the use of public space to address socio-political issues and to encourage community and public participation as a means of bringing about social change. It aims to effect social change by engaging in active processes of representation that work to foster participation in dialogue, raise consciousness, and empower individuals and communities. The need to ensure the continued impact of a work by sustaining the public participation process it initiated is also a challenge for many activist artists. It often requires the artist to establish relationships within the communities where projects take place.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">If social movements are understood as “repeated public displays” of alternative political and cultural values<sup id="cite_ref-0" class="reference" style="line-height: 1em; font-weight: normal; font-style: normal; "><a href="http://en.wikipedia.org/wiki/Protest_art#cite_note-0" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; white-space: nowrap; background-position: initial initial; "><span>[</span>1<span>]</span></a></sup>, then activist art is significant in articulating such alternative views. Activist art is also important to the dimension of culture and an understanding of its importance alongside political, economical, and social forces in movements and acts of social change. One should be wary of conflating activist art with political art, as doing so obscures critical differences in methodology, strategy, and activist goals.</p><h3 style="color: black; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0.3em; margin-left: 0px; padding-top: 0.5em; padding-bottom: 0.17em; border-bottom-width: initial; border-bottom-style: none; border-bottom- background-position: initial initial; font-size:17px;color:initial;"><span class="editsection" style="float: right; margin-left: 5px; font-weight: normal; font-size:13px;">[<a href="http://en.wikipedia.org/w/index.php?title=Protest_art&action=edit&section=3" title="Edit section: Historical basis in art and politics" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">edit</a>]</span><span class="mw-headline" id="Historical_basis_in_art_and_politics">Historical basis in art and politics</span></h3><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">Activist art cites its origins from a particular artistic and political climate. In the art world, performance art of the late 1960s to the 70s worked to broaden aesthetic boundaries within <a href="http://en.wikipedia.org/wiki/Visual_arts" title="Visual arts" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">visual arts</a> and traditional <a href="http://en.wikipedia.org/wiki/Theatre" title="Theatre" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">theatre</a>, blurring the rigidly construed distinction between the two. The transient, interdisciplinary, and hybrid nature of performance art allowed for audience engagement. The openness and immediacy of the medium invited public participation, and the nature of the artistic medium was a hub for media attention.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">Emerging forms of <a href="http://en.wikipedia.org/wiki/Feminism" title="Feminism" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">feminism</a> and feminist art of the time was particularly influential to activist art. The idea that “the personal is the political”, that is, the notion that personal revelation through art can be a political tool<sup id="cite_ref-1" class="reference" style="line-height: 1em; font-weight: normal; font-style: normal; "><a href="http://en.wikipedia.org/wiki/Protest_art#cite_note-1" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; white-space: nowrap; background-position: initial initial; "><span>[</span>2<span>]</span></a></sup> , guided much activist art in its study of the public dimensions to private experience. The strategies deployed by feminist artists parallel those by artists working in activist art. Such strategies often involved “collaboration, dialogue, a constant questioning of aesthetic and social assumptions, and a new respect for audience” and are used to articulate and negotiate issues of self-representation, empowerment, and community identity.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; "><a href="http://en.wikipedia.org/wiki/Conceptual_Art" title="Conceptual Art" class="mw-redirect" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">Conceptual Art</a> sought to expand aesthetic boundaries in its critique of notions of the art object and the commodity system within which it is circulated as currency. Conceptual artists experimented with unconventional materials and processes of art production. Grounded by strategies rooted in the real world, projects in conceptual art demanded viewer participation and were exhibited outside of the traditional and exclusive space of the art gallery, thus making the work accessible to the public. Similarly, collaborative methods of execution and expertise drawn from outside the art world are often employed in activist art so as to attain its goals for community and public participation. Parallel to the emphasis on ideas that conceptual art endorsed, activist art is process-oriented, seeking to expose embedded power relationships through its process of creation.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">In the political sphere, the militancy and identity politics of the period fostered the conditions out of which activist art arose.</p><h3 style="color: black; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; font-weight: bold; margin-top: 0px; margin-right: 0px; margin-bottom: 0.3em; margin-left: 0px; padding-top: 0.5em; padding-bottom: 0.17em; border-bottom-width: initial; border-bottom-style: none; border-bottom- background-position: initial initial; font-size:17px;color:initial;"><span class="editsection" style="float: right; margin-left: 5px; font-weight: normal; font-size:13px;">[<a href="http://en.wikipedia.org/w/index.php?title=Protest_art&action=edit&section=4" title="Edit section: Strategy and practice" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">edit</a>]</span><span class="mw-headline" id="Strategy_and_practice">Strategy and practice</span></h3><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">In practice, activist art may often take the form of temporal interventions, such as performance, media events, exhibitions, and installations. It is also common to employ mainstream media techniques (through the use of billboards, posters, advertising, newspaper inserts…etc.). By making use of these commercial distributive channels of commerce, this technique is particularly effective in conveying messages that reveal and subvert its usual intentions.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">The use public participation as a strategy of activating individuals and communities to become a “catalyst for change” is important to activist art. In this context, participation becomes an act of self-expression or self-representation by the entire community. Creative expression empowers individuals by creating a space in which their voices can be heard and in which they can engage in a dialogue with one another, and with the issues in which they have a personal stake.</p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">The Artist and Homeless Collaborative is an example of a project that works with strategies of public participation as a means of individual and community empowerment. It is an affiliation of artists, arts professionals and women, children and teenagers living in NYC shelters, the A & HC believe that their work in a collaborative project of art-making offers the residents a “positive experience of self-motivation and helps them regain what the shelter system and circumstances of lives destroy: a sense of individual identity and confidence in human interaction.”<sup id="cite_ref-2" class="reference" style="line-height: 1em; font-weight: normal; font-style: normal; "><a href="http://en.wikipedia.org/wiki/Protest_art#cite_note-2" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; white-space: nowrap; background-position: initial initial; "><span>[</span>3<span>]</span></a></sup> The process of engaging the community in a dialogue with dominant and public discourses about the issue of homelessness is described in a statement by its founder, Hope Sangrow: “The relevancy of art to a community is exhibited in artworks where the homeless speak directly to the public and in discussion that consider the relationship art has to their lives. The practice of creating art stimulates those living in shelters from a state of malaise to active participation in the artistic process”<sup id="cite_ref-3" class="reference" style="line-height: 1em; font-weight: normal; font-style: normal; "><a href="http://en.wikipedia.org/wiki/Protest_art#cite_note-3" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; white-space: nowrap; background-position: initial initial; "><span>[</span>4<span>]</span></a></sup></p><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">The A & HC came into being at a time when a critique of the makers, sellers, and consumers of art that addressed social concerns became increasingly pronounced. Critics argued that the very works of art whose purpose was to provoke political, social and cultural conversation were confined within the exclusive and privileged space of galleries museums, and private collections. By contrast, the A & HC was an attempt to bridge the gap between art production and social action, thus allowing for the work subjects that were previously excluded and silenced to be heard.</p><h2 style="color: black; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0.5em; padding-bottom: 0.17em; border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(170, 170, 170); background-position: initial initial; font-size:19px;"><span class="editsection" style="float: right; margin-left: 5px; font-size:13px;">[<a href="http://en.wikipedia.org/w/index.php?title=Protest_art&action=edit&section=5" title="Edit section: Resistance art" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">edit</a>]</span><span class="mw-headline" id="Resistance_art">Resistance art</span></h2><p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em; ">Resistance art has long been a term used to describe those that use art as a way of showing their opposition to powerholders. The term has been used to define art that opposed such powers as the German Nazi party, and the Bolshevik Revolution. The term most recently has been applied to artists opposed to apartheid in South Africa. <a href="http://en.wikipedia.org/wiki/Willie_Bester" title="Willie Bester" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">Willie Bester</a> is one of South Africa's most well known artists who originally began as a resistance artist. Using materials assembled from garbage, Bester builds up surfaces into relief and then paints the surface with oil paint. His works commented on important black South African figures and aspects important to his community. South African resistance artists do not exclusively deal with race nor do they have to be from the townships. Another artist, Jane Alexander, has dealt with the atrocities of apartheid from a white perspective. Her resistance art deals with the unhealthy society that continues in post-apartheid South Africa.</p><h2 style="color: black; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0.5em; padding-bottom: 0.17em; border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(170, 170, 170); background-position: initial initial; font-size:19px;"><span class="editsection" style="float: right; margin-left: 5px; font-size:13px;">[<a href="http://en.wikipedia.org/w/index.php?title=Protest_art&action=edit&section=7" title="Edit section: References" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">edit</a>]</span><span class="mw-headline" id="References">References</span></h2><div class="references-small" style="font-size: 11px; "><ol class="references" style="line-height: 1.5em; margin-top: 0.3em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 3.2em; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-image: none; "><li id="cite_note-0" style="margin-bottom: 0.1em; "><b><a href="http://en.wikipedia.org/wiki/Protest_art#cite_ref-0" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">^</a></b> Reed, T.V., The art of protest : culture and activism from the civil rights movement to the streets of Seattle. (Minneapolis: University of Minnesota Press, 2005) xiv.</li><li id="cite_note-1" style="margin-bottom: 0.1em; "><b><a href="http://en.wikipedia.org/wiki/Protest_art#cite_ref-1" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">^</a></b> Suzanne Lacy, ed. Mapping the Terrain: New Genre Public Art. (Seattle: Bay Press Inc., 1995) 27</li><li id="cite_note-2" style="margin-bottom: 0.1em; "><b><a href="http://en.wikipedia.org/wiki/Protest_art#cite_ref-2" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">^</a></b> Wolper,Andrea. Making Art, Reclaiming Live: The Artist and Homeless Collaborative. (Seattle: Bay Press Inc., 1995) 252-253</li><li id="cite_note-3" style="margin-bottom: 0.1em; "><b><a href="http://en.wikipedia.org/wiki/Protest_art#cite_ref-3" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">^</a></b> Wolper,Andrea. Making Art, Reclaiming Live: The Artist and Homeless Collaborative. (Seattle: Bay Press Inc., 1995) 253</li></ol></div><h2 style="color: black; background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; font-weight: normal; margin-top: 0px; margin-right: 0px; margin-bottom: 0.6em; margin-left: 0px; padding-top: 0.5em; padding-bottom: 0.17em; border-bottom-width: 1px; border-bottom-style: solid; border-bottom-color: rgb(170, 170, 170); background-position: initial initial; font-size:19px;"><span class="editsection" style="float: right; margin-left: 5px; font-size:13px;">[<a href="http://en.wikipedia.org/w/index.php?title=Protest_art&action=edit&section=8" title="Edit section: Further reading" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">edit</a>]</span><span class="mw-headline" id="Further_reading">Further reading</span></h2><ul style="line-height: 1.5em; list-style-type: square; margin-top: 0.3em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 1.5em; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; list-style-image: url(http://bits.wikimedia.org/skins-1.5/monobook/bullet.gif); "><li style="margin-bottom: 0.1em; ">Felshin, Nina. But Is It Art? The Spirit of Art as Activism. Seattle: Bay Press Inc., 1995.</li><li style="margin-bottom: 0.1em; ">Lacy, Suzanne. Mapping the Terrain: New Genre Public Art. Seattle: Bay Press Inc., 1995.</li><li style="margin-bottom: 0.1em; ">Muller, Mary Lee ; Elvehjem Museum of Art. <a href="http://www.worldcatlibraries.org/oclc/20301271&referer=brief_results" class="external text" rel="nofollow" style="text-decoration: none; color: rgb(51, 102, 187); background-image: url(http://bits.wikimedia.org/skins-1.5/monobook/external.png); background-repeat: no-repeat; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; padding-top: 0px; padding-right: 13px; padding-bottom: 0px; padding-left: 0px; background-position: 100% 50%; "><i>Imagery of dissent : protest art from the 1930s and 1960s : March 4 - April 16, 1989, Elvehjem Museum of Art, University of Wisconsin–Madison</i></a> (Madison, Wis. : The Museum, ©1989) <a href="http://en.wikipedia.org/wiki/Special:BookSources/0932900208" class="internal mw-magiclink-isbn" style="text-decoration: none; color: rgb(0, 43, 184); background-image: none; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: initial; background-position: initial initial; ">ISBN 0-932900-20-8</a> (exhibition devoted to two periods of intensely political protest art: the Spanish Civil War and America's Vietnam War)</li><li style="margin-bottom: 0.1em; ">Perry, Gill, and Paul Wood, eds. Themes in Contemporary Art. New Haven: Yale University Press, 2004.</li><li style="margin-bottom: 0.1em; ">Reed, T.V. The art of protest : culture and activism from the civil rights movement to the streets of Seattle. Minneapolis: University of Minnesota Press, 2005.</li><li style="margin-bottom: 0.1em; ">Robertson, Jean. "Themes of Contemporary Art - Visual Art after 1980". New York: Oxford University Press, Inc. 2005.</li><li style="margin-bottom: 0.1em; ">Wolper, Jean. "Making Art, Reclaiming Lives: The Artist and Homeless Collaborative." But is it Art? The Spirit of Art as Activism. Ed. Nina Felshin. Seattle: Bay Press Inc., 1995.</li></ul></span>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-3412737230875906772010-01-21T17:16:00.000-08:002010-01-21T17:29:40.872-08:00Perginya Seorang Karyawan Filem-TV-Pentas & Akedemik Filem, Anuar Nor Arai, selected writings from the net<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1DyVohDSxU_k2Rjo2vHvhifMlxH9n2r2-3iBv9YNkgEUqglT7pttnfm2sR-J476ZSEstIVwajeDI15BOcYHUze6lLqfcKIKg78V1_wio4nUe4WBxLqdtWvCONe99ENB1ZCxFsAZDa4Bwq/s1600-h/image_gallery.jpeg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 134px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1DyVohDSxU_k2Rjo2vHvhifMlxH9n2r2-3iBv9YNkgEUqglT7pttnfm2sR-J476ZSEstIVwajeDI15BOcYHUze6lLqfcKIKg78V1_wio4nUe4WBxLqdtWvCONe99ENB1ZCxFsAZDa4Bwq/s200/image_gallery.jpeg" border="0" alt="" id="BLOGGER_PHOTO_ID_5429370227962581058" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4NsNbq_Pv87CHLQ8EPQ78YT-oaTQGoJO2g4R29fc3u5jg81F8HeLkS4yEJM4oy8fdHI5KPyCyB3l_nMWrxRfunue-vEKAxLjXUCMnqiljYdFoIAWdS04Kc1jNaxT7qLcv16Y6v3ALYW3l/s1600-h/Anuar+Nor+Arai.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 134px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4NsNbq_Pv87CHLQ8EPQ78YT-oaTQGoJO2g4R29fc3u5jg81F8HeLkS4yEJM4oy8fdHI5KPyCyB3l_nMWrxRfunue-vEKAxLjXUCMnqiljYdFoIAWdS04Kc1jNaxT7qLcv16Y6v3ALYW3l/s200/Anuar+Nor+Arai.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5429367712386846018" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2hRhDqwFJQx9IDGofypDRJ7R_hHDznYn9pHM5KvMIXDz1a9uT062K7KGb3J7mUMTPDENAQJAvJD5YWcb6FoI628Ff3sklbQ_6edT9J6Gu-D618mXje1z_E-jJvvswsBd99u2VDbrU6HxB/s1600-h/filemgambar%5B1%5D.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 150px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2hRhDqwFJQx9IDGofypDRJ7R_hHDznYn9pHM5KvMIXDz1a9uT062K7KGb3J7mUMTPDENAQJAvJD5YWcb6FoI628Ff3sklbQ_6edT9J6Gu-D618mXje1z_E-jJvvswsBd99u2VDbrU6HxB/s200/filemgambar%5B1%5D.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5429367710801860402" /></a><br /><span class="Apple-style-span" style=" color: rgb(51, 51, 51); font-family:'lucida grande', tahoma, verdana, arial, sans-serif;font-size:11px;"><div class="note_header" style="background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: rgb(247, 247, 247); border-bottom-style: solid; border-bottom-width: 1px; border-bottom-color: rgb(216, 223, 234); border-top-style: solid; border-top-width: 1px; border-top-color: rgb(59, 89, 152); padding-top: 4px; padding-right: 6px; padding-bottom: 5px; padding-left: 6px; background-position: initial initial; "><div class="note_title_share clearfix" style="display: block; "><div class="share_and_hide clearfix" style="display: block; float: right; font-size:9px;"><span class="Apple-style-span" style=" ;font-size:11px;">9:01am, 22 Jan.2010</span></div></div></div><div class="note_content text_align_ltr direction_ltr clearfix" style="display: block; direction: ltr; text-align: left; clear: both; margin-left: 6px; padding-top: 10px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; word-wrap: break-word; width: 460px; "><div style="clear: none; line-height: 14px; padding-top: 0px; padding-right: 0px; padding-bottom: 10px; padding-left: 0px; ">Dr Nor Arai seorang karyawan dan juga pendidik yang lantang memperjuangkan karya filem seni, telah menghembuskan nafas terakhir di Pusat Perubatan Selangor, 20 Januari 2010 pada pukul 5.25 petang di sisi isterinya Zahrah Ibrahim. Allahyarham yang dirawat di hospital berkenaan sejak lebih seminggu lalu, meninggal dunia akibat serangan jantung. Arwah selamat disemadikan di Tanah Perkuburan Seksyen 21, Shah Alam selepas Zohor kelmarin 21 Januari 2010, sebuah kehilangan yang cukup besar kepada industri seni tanah air.<br /><br />Kelantangannya memperjuangkan filem berkonsep seni selain mencetuskan semangat kebangkitan filem Malaysia dari sudut akademik sudah pasti akan terus dikenang.<br /><br />Allahyarham pernah mencipta sejarah dalam dunia perfileman tanah air kerana mengarahkan filem dengan durasi terpanjang iaitu selama lima jam berjudul Johnny Bikin Filem. Bagaimanapun filem pertama dan terakhirnya itu yang diterbitkan oleh Universiti Malaya (UM) pada 1995 tidak pernah ditayangkan kepada umum. Filem Johnny Bikin Filem yang berdurasi selama lima jam merupakan filem pertama dan terakhir arahannya. Walaupun karyanya tidak pernah dipertontonkan kepada orang ramai, namun sudah pasti satu kejayaan bermakna buatnya apabila Johnny Bikin Filem mencipta rekod sebagai filem tempatan paling lama disiapkan layak untuk disenaraikan dalam pelbagai kategori di Festival Filem Malaysia ke-21 (FFM21) pada 2008.<br /><br />Johnny Bikin Filem memaparkan kisah Johnny, seorang anak muda dari kampung yang menjadi ketua gangster berpengaruh di Singapura dalam tahun 1950-an. Ketika itu dunia filem Melayu dikuasai kapitalis Cina dari Hong Kong, dan gangsterisme menjadi sebahagian daripada pelengkap sosial zaman itu. Johnny dengan kekayaan dan pengaruhnya berhasrat membeli studio filem di Singapura setelah menjalinkan hubungan cinta dengan salah seorang primadona filem Melayu.Filem berdasarkan skrip, lakon layar dan arahan Anuar itu membariskan pelakon seperti Zack Idris, Erma Fatimah, Wafa Abdul Kadir, Datuk Jalaludin Hassan, Omar Rojik (Allahyarham) dan M Amin (Allahyarham). Kru produksi yang terbabit dalam filem ini ialah Meor Hashim Manap sebagai penyunting, Jamal Maarif (pengarah fotografi) dan Din Osman (penggubah skor muzik).<br /><br />Allahyarham atau nama sebenarnya Anuar Mohd. Nor @ Arai adalah anak Malaysia pertama yang mempunyai Ijazah Doktor Falsafah (PhD) dalam bidang perfileman dari Universiti Southern California, Amerika Syarikat dan bertugas lebih 20 tahun sebagai pensyarah bidang perfileman di UM. Selain itu, beliau pernah bertugas di Universiti Teknologi Mara (UiTM) Shah Alam dan Akademi Seni Budaya dan Warisan Kebangsaan (Aswara) dan mengajar program filem di UNIMAS.<br /><br />Anuar juga pernah mengarah beberapa teater termasuk teater terakhirnya berjudul, Ronggeng Rokiah yang dipentaskan di Istana Budaya. Walaupun Allahyarham lebih terkenal dalam bidang akademik, namun namanya bukanlah asing dalam genre drama pentas.<br />Naskah 'Tok Selampit' karya beliau adalah antara naskah drama yang sering dikaji selain drama Vakum dan Si Pemacak yang sering pula dijadikan drama untuk latihan oleh pelajar-pelajar.<br /><br />Dalam kenyataan mstar.com.my dikatakan yang Allahyarham meninggalkan 76 buah skrip yang belum diterbitkan dan beliau teringin mengarah sebuah drama karya beliau iaitu ‘Matinya Seorang Sutradara’<br /><br />While browsing on the net I found the writing of Muzaffar from<a href="http://sultanmuzaffar.blogspot.com/" target="_blank" rel="nofollow" onmousedown="UntrustedLink.bootstrap($(this), "6e54080777f699893c38f462d4cf284e", event)" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://sultanmuzaffar.blog</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>spot.com</a>, written in 2004 and another from Patrick Lim from his blog in 2006.<br /><br />"Telefilem Ronggeng Rokiah telah dibuat dengan rentak yang sengaja dilambatkan. Penumpuan kepada mise-en-scène filem ini jelas dapat kita perhatikan. Watak-watak yang ada diberikan tekstur melalui tata cahaya juga arahan seni untuk filem ini. Telefilem ini adalah sebuah filem "noir", sebuah genre yang cukup popular di Hollywood pada tahun 40-an dan 50-an dahulu. Saya dapati, Dr. Anuar Nor Arai mempunyai kecenderungan untuk membikin filem-filem genre ini. Pada tahun 1995, beliau telah membikin filem noir pertamanya, Johnny Bikin Filem yang sehingga kini tidak ditayangkan kepada penonton umum.<br /><br />Selain dari menggunakan tata cahaya noir yang agak teliti, mise-en-shot filem ini juga unik. Filem ini juga menggunakan teknik "handheld shot" di mana kamera bergerak mengikut pergerakan pelakon. Pergerakan kamera ini mengingatkan saya kepada teknik yang digunakan dalam filem Perancis arahan Gaspar Noe yang bertajuk Irreversible. Sedikit sebanyak, teknik ini dapat menimbulkan perasaan klaustrophobia dalam diri watak juga penonton. Sering kali juga, watak-watak seperti ditindih ke satu sudut dalam siri bingkai (frame) untuk menampakkan keadaan mereka yang tersisih yang mempunyai semacam "psychological angst" yang tidak terluah.<br /><br />Sememangnya filem ini kaya dengan semiotik. Lambang-lambang yang sebelum ini terwujud dalam Ronggeng Rokiah versi teater dipindahkan ke dalam filem, seperti pili bomba, coretan-coretan di dinding dan juga tari tango di antara Usman Players dan Rokiah Ronggeng di dalam bilik sempitnya itu.<br /><br />Terdapat satu adegan dalam filem ini yang panjangnya 17 minit. Hassan Muthalib telah memberitahu kepada saya bahawa inilah adegan terpanjang tanpa henti dalam sejarah filem Melayu.<br /><br />Telefilem Ronggeng Rokiah melawan arus. Filem ini merupakan wahana unjuran paradigma perfileman Malaysia yang mula kita dapat cium bau perubahannya. Apa yang jelas, telefilem Ronggeng Rokiah ini jika kita dalami, mempunyai persoalan-persoalan besar melalui subteknya. Tetapi, adakah penonton kita mahu mendalami subteks yang dikemukakan kepada mereka nanti?<br /><br />............... Dr. Anuar Noor Arai cuba mendampak dialektik politik bangsa Melayu dekat 50-an? Atau setidak-tidaknya, filem ini sebenarnya merupakan satu sindiran Dr. Anuar Nor Arai tentang kemelut yang wujud dalam dunia perfileman Malaysia? "<br /><br />Read more: <a href="http://sultanmuzaffar.blogspot.com/2004/04/telefilem-ronggeng-rokiah-kekaburan.html" target="_blank" rel="nofollow" onmousedown="UntrustedLink.bootstrap($(this), "6e54080777f699893c38f462d4cf284e", event)" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://sultanmuzaffar.blog</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span><span>spot.com/2004/04/telefilem</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span><span>-ronggeng-rokiah-kekaburan</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>.html</a><br /><br /><a href="http://patrickmovingimages.blogspot.com/" target="_blank" rel="nofollow" onmousedown="UntrustedLink.bootstrap($(this), "6e54080777f699893c38f462d4cf284e", event)" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://patrickmovingimages</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>.blogspot.com</a><br />"One can be quite intimidated with Dr. Anuar, as he is as straight a shooter as one can get. He is wise in his knowledge of films and philosophy and he is rightfully opinionated in a lot of matters concerning films.<br /><br />Three years ago, Dr. Anuar invited me to be involved in his Istana Budaya production, RONGGENG ROKIAH. I was initially reluctant to be involved as this was to be a major national theatre production and I had never worked on a scale this big. Dr. asked me to be the assistant director and also later played the part of Jimmy Lee in the play. Imagine, playing a part which had one of the most memorable line in the play, in front of hundreds and the "what if" crops up. What if I fumble the line? I'll be laughed at by the audience and Dr. would never want to talk to me again. Oh... The play was in Bahasa Malaysia and frankly speaking, my Bahasa was and is still very rusty. I must say that I plowed through it by taking up the challenge in working with Dr. and also my fear of having hundreds of eyes prying into me. His directing method had a vague way to it but through the many rehearsals, the actors and I slowly found our way through the written text. He brought the film noir elements to the stage which he coined Noir On Stage, with shadows, silhouettes, femme fatale and lot of people smoking including yours truly and it became one of the most successful Istana Budaya productions.<br /><br />We talked about everything from SEPET, BIG DURIAN, JOHN CASSAVETES, ZHANG YI MOU to AKIRA KUROSAWA. He talked about the new generation of filmmakers being more daring and psychologically stems from their mixed parentage. I found it to be an interesting reading into the new breed of filmmakers. I will remember that Dr. once said that the Malaysian soil is not rich enough for great films to be produced yet based on the historical context as he compared Malaysia's history to China's, Europe's or Indonesia's.<br /><br />A few days ago I was at Dr.'s house to collect the John Cassavetes' documentary and we had another session of dialogue. He spoke about Li Yang's Blind Shaft being very fresh and had a youthful outlook in its approach".<br /><br />Read More from <a href="http://patrickmovingimages.blogspot.com/2006/04/teh-tarik-with-dr-anuar-nor-arai.html" target="_blank" rel="nofollow" onmousedown="UntrustedLink.bootstrap($(this), "6e54080777f699893c38f462d4cf284e", event)" style="cursor: pointer; color: rgb(59, 89, 152); text-decoration: none; "><span>http://patrickmovingimages</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span><span>.blogspot.com/2006/04/teh-</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span><span>tarik-with-dr-anuar-nor-ar</span><wbr><span class="word_break" style="display: block; float: left; margin-left: -10px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; "></span>ai.html</a><br /><br /><br /><br /></div></div><div id="reader_tags_266620707557" class="tagged" style="clear: both; float: left; padding-top: 4px; padding-right: 6px; padding-bottom: 4px; padding-left: 6px; "></div><div class="note_footer clearfix" style="display: block; border-top-width: 1px; border-top-style: solid; border-top-color: rgb(221, 221, 221); clear: both; margin-top: 10px; padding-top: 5px; padding-right: 2px; padding-bottom: 5px; padding-left: 6px; font-size: 11px; "></div></span>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com3tag:blogger.com,1999:blog-4021561197607212176.post-69075026443628164462010-01-05T15:12:00.000-08:002010-01-05T15:13:53.032-08:00MALAYSIA SINGAPORE CINEMA AT PARIS POMPIDOU<span class="Apple-style-span" style="font-family: Verdana, Arial; font-size: medium; "><h1 style="font-family: DINEngschrift, Arial, sans-serif; font-size: 4em; line-height: 58px; text-transform: uppercase; margin-top: 0px; margin-bottom: 0px; padding-right: 24px; ">SINGAPORE, MALAYSIA: THE CINEMA!</h1><h2 style="font-family: DINEngschrift, Arial, sans-serif; font-size: 2em; line-height: 30px; margin-top: 0px; margin-bottom: 0px; text-transform: uppercase; padding-right: 24px; letter-spacing: -0.01em; "></h2><table cellpadding="0" cellspacing="0" border="0" summary=""><tbody><tr><td style="padding-bottom: 1px; "><p class="category" style="margin-top: 12px; margin-bottom: 12px; font-size: 1.1em; font-family: DINEngschrift, Arial, sans-serif; text-transform: uppercase; font-weight: normal; ">CINEMA</p></td><td nowrap="true" style="padding-bottom: 1px; padding-left: 35px; "><span class="chevron" style="font-size: xx-small; color: rgb(45, 163, 33); "><</span> <a href="http://www.centrepompidou.fr/Pompidou/Manifs.nsf/Prochainement?ReadForm&count=999&sessionM=2.4.1&L=2" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Full list</a></td></tr></tbody></table><table cellpadding="0" cellspacing="0" border="0" width="100%" summary=""><tbody><tr><td width="30%" valign="top" style="padding-bottom: 1px; "><p style="margin-top: 0px; margin-bottom: 12px; font-size: xx-small; "><span class="date" style="font-size: xx-small; color: rgb(0, 0, 0); font-weight: bold; ">December 16 2009 - March 1 2010</span><br /><span class="hour" style="font-size: xx-small; color: rgb(0, 0, 0); font-weight: normal; "></span><br /><br /><br /><table cellpadding="0" cellspacing="0" border="0" summary=""><tbody><tr><td style="padding-bottom: 1px; font-size: xx-small; "><span class="location" style="font-size: xx-small; color: rgb(0, 0, 0); font-weight: normal; font-style: italic; ">Cinema 1<br />Cinema 2</span></td><td style="padding-bottom: 1px; font-size: xx-small; "><a href="http://www.centrepompidou.fr/Pompidou/Communication.nsf/PagesWeb/info.plan.1N1?OpenDocument&L=2" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); "><img src="http://www.centrepompidou.fr/img/picto_plan_acces.gif" border="0" alt="Access" hspace="4" /></a><br /><a href="http://www.centrepompidou.fr/Pompidou/Communication.nsf/PagesWeb/info.plan.1N-1?OpenDocument&L=2" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); "><img src="http://www.centrepompidou.fr/img/picto_plan_acces.gif" border="0" alt="Access" hspace="4" /></a></td><td style="padding-bottom: 1px; font-size: xx-small; "><a href="http://www.centrepompidou.fr/Pompidou/Communication.nsf/PagesWeb/info.plan.1N1?OpenDocument&sessionM=3.1.11&L=2" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Access</a><br /><a href="http://www.centrepompidou.fr/Pompidou/Communication.nsf/PagesWeb/info.plan.1N-1?OpenDocument&sessionM=3.1.11&L=2" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Access</a></td></tr></tbody></table><br /><span class="price" style="font-size: xx-small; color: rgb(153, 153, 153); font-weight: normal; ">6€, 4€</span><br /><br /><span class="catchnews" style="font-size: xx-small; color: rgb(0, 0, 0); font-weight: bold; "><span style="font-size:78%;color:ff0000;"></span></span><br /><strong></strong><br /><br /><table cellpadding="0" cellspacing="0" border="0" summary=""><tbody><tr><td align="right" style="padding-bottom: 1px; font-size: xx-small; "><a href="http://www.centrepompidou.fr/Pompidou/Manifs.nsf/0/AEC1CA1D077810B6C12576690030B47E?OpenDocument&sessionM=2.4.1&L=2&form=#today" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); "><img src="http://www.centrepompidou.fr/img/picto_seances.gif" border="0" alt="" title="" /></a></td><td style="padding-bottom: 1px; font-size: xx-small; "><a href="http://www.centrepompidou.fr/Pompidou/Manifs.nsf/0/AEC1CA1D077810B6C12576690030B47E?OpenDocument&sessionM=2.4.1&L=2&form=#seances" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Sessions (in French)</a></td></tr></tbody></table></p><p style="margin-top: 12px; margin-bottom: 12px; font-size: xx-small; "></p></td><td width="70%" valign="top" align="center" style="padding-bottom: 1px; "><table cellpadding="0" cellspacing="0" border="0" summary=""><tbody><tr><td valign="top" style="padding-bottom: 1px; padding-left: 12px; "><table cellpadding="0" cellspacing="0" border="0" summary=""><tbody><tr><td style="padding-bottom: 1px; "><br /></td><td valign="top" id="bgimageref" style="background-color: rgb(52, 191, 38); padding-bottom: 1px; "><img src="http://www.centrepompidou.fr/img/p.gif" width="24" height="1" border="0" alt="" title="" /></td></tr></tbody></table><table cellpadding="0" cellspacing="2" border="0" summary="" style="margin-left: -4px; margin-bottom: 6px; "><tbody><tr><td valign="top" style="padding-bottom: 1px; "><a href="javascript:%20onClick=ImageXL('/images/illustrations/XL/CIN-MALAISIE.jpg','');" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); "><img src="http://www.centrepompidou.fr/imgpp/loupe_noire.gif" border="0" /></a></td><td valign="top" class="caption" width="200" style="color: rgb(153, 153, 153); font-size: 0.59em; padding-bottom: 1px; ">Singapour, Malaisie<br />© Centre Pompidou</td></tr></tbody></table></td><td valign="top" rowspan="2" style="padding-bottom: 1px; padding-left: 12px; "><table cellpadding="0" cellspacing="2" border="0" summary=""></table></td></tr></tbody></table></td></tr></tbody></table><table cellpadding="0" cellspacing="0" border="0" width="100%" summary=""><tbody><tr><td style="padding-bottom: 1px; padding-right: 24px; "><table cellpadding="0" cellspacing="0" border="0" summary="" align="right" width="40%"><tbody><tr><td style="padding-bottom: 1px; padding-left: 12px; "></td></tr></tbody></table><table cellpadding="0" cellspacing="0" border="0" summary=""><tbody><tr><td style="padding-bottom: 1px; "><p style="margin-top: 12px; margin-bottom: 12px; font-size: xx-small; "><strong>Singapore and Malaysia remain areas which are still too neglected on the major map of Southeast Asia. We got to know the cinematographic secrets of their Korean, Thai and Filipino neighbours; as for Singapore and Kuala Lumpur, we are witnessing an exciting renaissance in cinema. </strong><br /><br />Encouraged by the lightness of the new means of shooting, transformed by the talent of a young generation, as prolific as it is united, underlain by a multi-ethnic social context, a dense history and a complex current policy, this effervescence draws attention to itself by its modernity. It is a matter of urgency that the rhythms and myths of this never-before-seen cinematography are discovered, it is a necessity to delve into its recent past through the heroes and best films of the genre which enriched it and which, for the moment, have never before been seen in Europe.<br /><br />Far more than a journey, Singapore, Malaysia: the cinema! is a (plural) encounter of those who build our view and our understanding of the world towards an elsewhere, called tomorrow.</p><p style="margin-top: 12px; margin-bottom: 12px; font-size: xx-small; "></p></td></tr></tbody></table><a name="seances" style="font-size: xx-small; "></a><h3 style="font-family: DINEngschrift, Arial, sans-serif; font-size: 18px; margin-bottom: 0px; margin-top: 12px; text-transform: uppercase; font-weight: normal; ">ALL SESSIONS</h3><p class="up" style="margin-top: 0px; margin-bottom: 12px; font-size: xx-small; "><br /><br /><b><span style="font-size:85%;"></span></b><table cellpadding="0" cellspacing="0" border="0" summary=""><tbody><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 16 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/A06D788B169B93B2C125766900313773?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Les Voisins du village</a>, Hussain Haniff, 1965 noir et blanc<br />Hussain Haniff signe un film choral sur le conflit entre générations et sur la jeunesse en 1965.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Jeudi 17 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1C0EB94ED9A0EF72C125766A002F6AEC?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Femme épouse et putain</a>, U-Wei Bin Hajisaari, 1993 couleur<br />Premier long métrage d'U-Wei, ce film ayant permis de lancer sa carrière et dont le titre présage la modernité, est un drame poignant.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 18 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/8497C116E00D4D89C12576690031F333?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Médisante Victime</a>, P. Kapur, 1959 noir et blanc<br />Ce film permet aussi de recueillir un témoignage de l'état d'esprit, de la soif d'indépendance et de construction de la jeunesse de cette époque dans un Singapour autonome fraîchement libéré de la domination britannique.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 19 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5446EE92C3C62899C12576690032ACED?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Be With Me</a>, Eric Khoo, 2005 couleur<br />Un mariage de quatre histoires d'amour et de solitude, construites autour des thèmes de l'espoir et du destin.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 19 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/7401F0629B10D64CC12576690033295B?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">881</a>, Royston Tan, 2007 couleur<br />Une comédie musicale déjantée dans laquelle amour et ambition ne vont pas de pair !<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 19 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/964A466C8475FC59C125766900338261?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mee Pok Man</a>, Eric Khoo, 1995 couleur<br />Séance exceptionnelle présentée par Eric Khoo.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 20 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/6C49087C6E84116DC12576690033F4A3?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Flower in the Pocket</a>, Liew Seng Tat, 2007 couleur<br />Sur un rythme indolent, Liew Seng Tat déroule le fil de son film, primé au Festival International de Rotterdam 2008, sur un ton parfois burlesque<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 20 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/DB71D8BEE8C67854C12576690034D6EE?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Amour et affection</a>, Hussain Haniff, 1965 noir et blanc<br />Film réalisé en 1965 par Hussain Haniff, quelques mois avant sa mort tragique à l'âge de 32 ans, il dépeint avec précision le portrait d'une femme jouant avec le feu de la passion.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 21 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/C3C80493E32A0265C1257669003522EE?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Here</a>, Ho Tzu Nyen, 2009 couleur<br />He Zhiyuan, homme d'âge mûr qui se bat pour donner un sens à ce qu'il vit, reste choqué par la mort brutale de son épouse<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 23 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/828D43D90E2FB38FC1257669003570D6?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Rain Dogs</a>, Ho Yuhang, 2006 couleur<br />Tung et Hong sont deux frères qui traînent avec des bandes à Kuala Lumpur. Quand l'un des deux se fait assassiner, l'autre suit sa mère pour recommencer une nouvelle vie à la campagne.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 26 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/9B33E7D33A71D1B7C12576690036A284?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Love Conquers All</a>, Tan Chui Mui, 2006 couleur<br />Le film distille une doucereuse cruauté soutenue par une mise en scène délicate et sensible d'une des seules réalisatrices en Malaisie.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 26 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/B58B915B010973CFC125766900374ECD?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Les Voisins du village</a>, Hussain Haniff, 1965 noir et blanc<br />Hussain Haniff signe un film choral sur le conflit entre générations et sur la jeunesse en 1965.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 26 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/C37046F478EB030DC12576690037D1E5?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mukhsin</a>, Yasmin Ahmad, 2006 couleur<br />Orked, 25 ans, est mariée à Arif, un homme plus âgé qu'elle. Alors que son père doit brutalement être hospitalisé, elle fait la connaissance d'Alan, le frère de son premier amour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 27 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/69863ADF78E19444C125766900386075?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mat le Cinglé</a>, Hussain Hanniff et Mat Sentol, 1964 noir et blanc<br />Mat le Cinglé était à l'origine le pilote d'une série tournée par Hussain Haniff.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 27 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/BBF6214E5F18E360C12576690038BB27?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Hang Jebat</a>, Hussain Haniff, 1961 noir et blanc<br />Avec cette première réalisation, Hussain Haniff offre une adaptation novatrice des aventures du célèbre héros dans cette production qui reste un des plus grands succès du studio Cathay-Keris.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 28 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5E51CBD504B9651EC125766900395B26?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Gone Shopping</a>, Wee Li Lin, 2007 couleur<br />L'occasion d'évoquer, entre humour et sarcasme, une des obsessions de la nation singapourienne tout entière : le shopping !<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 30 Décembre 2009</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5AC9307A1C5A7B41C125766900399A08?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Army Daze</a>, Ong Ken Seng, 1996 couleur<br />Adapté de la pièce à succès éponyme de Michael Chiang, le film, truculente comédie, fut l'un des premiers succès au box-office du renouveau du cinéma de Singapour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 1 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/EE7E04EEF149CED7C1257669003A98C8?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Malédiction de la femme vampire</a>, B.N. Rao, 1958 noir et blanc<br />Une des multiples adaptations cinématographiques mettant en vedette la célèbre figure du vampire féminin, le film est culte pour de nombreux fans du cinéma fantastique asiatique des années 1950<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 1 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/4F8084A3ED4B620DC1257669003AF404?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Lion City</a>, Yi Sui, 1960 noir et blanc<br />Lion City, une des premières productions en chinois réalisées à Singapour, romance proche des productions en mandarin de la branche hong-kongaise de Cathay, offre un unique témoignage sur la vie de la communauté chinoise de Singapour dans les années 1960.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 2 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/00DE2A289F2624D5C1257669003B32C9?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Sell Out !</a>, Yeo Joon Han, 2008 couleur<br />L'idéalisme d'Eric peut-il survivre dans un monde régi par un pragmatisme cruel ? Deuxième long métrage de Yeo Joon Han et excellente comédie, presque musicale<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 2 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/8F9925E48BEE0838C1257669003BA99F?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Sepet</a>, Yasmin Ahmad , 2004 couleur<br /><strong>Sepet est remplacé par Flower in the Pocket de Liew Seng Tat, pour la séance du 2 janvier à 17h30, en raison de problèmes de transport de copie en provenance de la Malaisie. Merci de votre compréhension.</strong><br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 2 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1BA48C7E962EDE78C1257669003C22A9?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Forever Fever</a>, Glenn Goei, 1998 couleur<br />Basée sur une histoire vraie, cette success-story est un hommage exubérant et l'un des plus gros succès au box-office de Singapour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 2 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/28C3CB6DBE35BE77C1257669004900B7?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Maison aux oiseaux</a>, Eng Yow Khoo, 2006 couleur<br />Deux frères s'affrontent pour le gain de leur maison à Malacca. Huat, le jeune frère, veut la convertir en volière pour se lancer dans le commerce de nids.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 3 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/165CE9CE21FEDB7AC125766900498CC7?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Dancing Bells</a>, Deepak Kumaran Menon, 2007 couleur<br />Deepak Kumaran Menon dessine ici la situation d'un pays composé d'ethnies multiples s'ignorant le plus souvent les unes les autres.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 3 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/DB71D8BEE8C67854C12576690034D6EE?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Amour et affection</a>, Hussain Haniff, 1965 noir et blanc<br />Film réalisé en 1965 par Hussain Haniff, quelques mois avant sa mort tragique à l'âge de 32 ans, il dépeint avec précision le portrait d'une femme jouant avec le feu de la passion.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 3 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/3721EAB953215038C12576690049E6ED?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mukhsin</a>, Yasmin Ahmad, 2006 couleur<br />Basé sur la jeunesse de la réalisatrice et l'attitude de ses propres parents, le film, léger, tendre et rempli d'émotion, renvoie une image peu conventionnelle de la Malaisie.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 3 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/9D895C5A2C4A1719C1257669004A608D?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">15</a>, Royston Tan, 2003 couleur<br />Censuré à Singapour, le film est sorti avec un certain nombre de coupes (il est présenté ici dans son intégralité).<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 4 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/3CB6C85A2DC3B120C1257669004AD798?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Seman</a>, Mansor Puteh, 1988 couleur<br />Dans un style très Nouvelle Vague, Seman met en lumière la difficulté d'identification d'une nation tout entière à travers les doutes existentiels d'un individu.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 6 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/880E3B7ED39DC8E6C125766900570704?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mee Pok Man</a>, Eric Khoo, 1995 couleur<br />Eric Khoo vient parler de son premier long métrage, tremplin qui a véritablement lancé la carrière du cinéaste singapourien.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Jeudi 7 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/CB97C38CE9CEEF6EC1257669004B4830?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Flooding in the Time of Drought : Flood</a>, Sherman Ong, 2009 couleur<br />Flooding in the Time of Drought, qui superpose les territoires du documentaire et de la fiction, met en scène la vie de migrants étrangers victimes de deux scénarios catastrophes : l'inondation (flood) et la sécheresse (drought).<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 8 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1B68D570211CE6A0C1257669004BCD0B?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Eating Air</a>, Jasmine Ng et Kelvin Tong, 1999 couleur<br />Fable sur la jeunesse menée à vive allure, Eating Air n'est pas sans rappeler les premiers films de Wong Kar-Wai et Eric Khoo.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 9 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/203F34BC2EFCFCA4C1257669004CA9D1?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">I Not Stupid</a>, Jack Neo, 2002 couleur<br />Devant le succès populaire remporté par le film, le gouvernement a mis en place des modifications dans le système éducatif.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 9 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5F601FAC1824F4AFC1257669004C488D?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Le Petit-Fils du Datuk Merah</a>, M. Amin, 1963 noir et blanc<br />Représentatif du cinéma en costume malais, Le Petit-fils du Datuk Merah propose une plongée dans une intrigue romanesque mêlant amour et vengeance.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 9 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/E5216720600AE57AC1257669004D030D?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Invisible City</a>, Tan Pin Pin, 2007 couleur<br />Qu'est-ce donc que Singapour ? Photographes, journalistes, archéologues, observateurs et chercheurs tentent de lutter contre l'atrophie de la mémoire et dessinent une ville qui aurait pu exister.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 9 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/44A7485818AB27C9C125766A00309EF5?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">My Magic</a>, Eric Khoo couleur<br />Depuis que sa femme l'a quitté, Francis est au bout du rouleau. Il travaille comme serveur dans une boîte de nuit, et noie son chagrin dans l'alcool.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 9 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5446EE92C3C62899C12576690032ACED?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Be With Me</a>, Eric Khoo, 2005 couleur<br />Un mariage de quatre histoires d'amour et de solitude, construites autour des thèmes de l'espoir et du destin.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 10 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/4B4BD783A77E2118C1257669003780D0?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">When the Full Moon Rises</a>, Mamat Khalid, 2008 couleur<br />Ce film aurait pu être fait par Guy Maddin s'il avait été malaisien et avait décidé de mettre en scène des tigre-garous, des agents communistes et des femmes vampires !<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 10 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/7401F0629B10D64CC12576690033295B?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">881</a>, Royston Tan, 2007 couleur<br />Une comédie musicale déjantée dans laquelle amour et ambition ne vont pas de pair !<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 10 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/F680B2EB086144E0C1257669004D9737?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">12 Storeys</a>, Eric Khoo, 1997 couleur<br />Présenté au Festival de Cannes, dans la séléction Un Certain Regard, en 1997. Récompensé par le prix de la FIPRESCI.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 10 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/01D64E0986AD867CC1257669004E7E72?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Karaoke</a>, Chris Chong Chan Fui, 2009 couleur<br />Batik revient dans son village natal en Malaisie. Il se heurte à la résistance de sa mère qui prévoit de vendre le bar qu'elle tient et de quitter à jamais son village pour une vie meilleure.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 11 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/9C9CDA9ED5F74C59C1257669004F4C6D?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">This Longing</a>, Azharr Rudin, 2008 couleur<br />Dans les années 1980, à Johor Baharu, ville du sud de la Malaisie, près de la frontière avec Singapour, un grand HLM a été érigé.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 13 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/2371925CA7180053C1257669004FD8BF?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Lucky 7</a>, film collectif, Chew Tze Chuan, Boo Junfeng, Sun Koh, K. Rajagopal, Brian Gothong Tan, Ho Tzu Nyen et Tania Sng, 2008 couleur<br />Sept cinéastes singapouriens se prêtent au jeu du « cadavre exquis » et dirigent une chaîne de courts métrages qui racontent la société de l'État-nation aujourd'hui.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Jeudi 14 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/440C8C36A674D745C125766900502952?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Les Trois célibataires font du cinéma</a>, P. Ramlee, 1961 noir et blanc<br />Dernier épisode de la célèbre et populaire série des « Bujang Lapok », ce volet tourné dans les véritables studios de production des films malais de Run Run Shaw à Singapour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 15 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/D35126021275EED5C125766900382EDE?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Gubra</a>, Yasmin Ahmad, 2005 couleur<br />Orked, 25 ans, est mariée à Arif, un homme plus âgé qu'elle. Alors que son père doit brutalement être hospitalisé, elle fait la connaissance d'Alan, le frère de son premier amour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 16 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/165CE9CE21FEDB7AC125766900498CC7?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Dancing Bells</a>, Deepak Kumaran Menon, 2007 couleur<br />Deepak Kumaran Menon dessine ici la situation d'un pays composé d'ethnies multiples s'ignorant le plus souvent les unes les autres.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 16 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/7F9F888E12433123C125766900507DE1?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Before We Fall in Love Again</a>, James Lee, 2006 couleur<br />Ling Yue, l'épouse de Chuan, a disparu depuis un mois. Personne ne sait où elle est, ni même si elle est toujours en vie. Elle n'a laissé aucun message, ni aucune indication qui puisse aider à la localiser.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 16 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1C0EB94ED9A0EF72C125766A002F6AEC?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Femme épouse et putain</a>, U-Wei Bin Hajisaari, 1993 couleur<br />Premier long métrage d'U-Wei, ce film ayant permis de lancer sa carrière et dont le titre présage la modernité, est un drame poignant.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 16 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/060DD428A1DE5272C1257669004A8D3B?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">15</a>, Royston Tan, 2003 couleur<br />Ce film est le prolongement du court métrage éponyme, réalisé en 2002, qui fit de Royston Tan l'une des figures de proue de la nouvelle génération de cinéastes singapouriens.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 16 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/10FBE28F17C8DB17C125766900579AA4?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Jefri Zain : rapide comme l'éclair</a>, Jamil Sulong, 1965 noir et blanc<br />Homologue singapourien du très occidental James Bond, les aventures de Jefri Zain proposent une plongée dans les années 1960 et leurs atours les plus complets.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 16 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/732A47949676DEDFC125766900358ECC?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Rain Dogs</a>, Ho Huyang, 2006 couleur<br />Tung et Hong sont deux frères qui traînent avec des bandes à Kuala Lumpur. Quand l'un des deux se fait assassiner, l'autre suit sa mère pour recommencer une nouvelle vie à la campagne.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 17 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/28C3CB6DBE35BE77C1257669004900B7?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Maison aux oiseaux</a>, Eng Yow Khoo, 2006 couleur<br />Deux frères s'affrontent pour le gain de leur maison à Malacca. Huat, le jeune frère, veut la convertir en volière pour se lancer dans le commerce de nids.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 17 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/0177A2DC2ACD5A5DC125766A0032F172?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Perth</a>, Djinn (Ong Lay Jin), 2005 couleur<br />Le film traite d'un sujet d'actualité, l'émigration, à travers le destin d'un homme dans une société qui ne tolère pas l'échec.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 17 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/00DE2A289F2624D5C1257669003B32C9?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Sell Out !</a>, Yeo Joon Han, 2008 couleur<br />L'idéalisme d'Eric peut-il survivre dans un monde régi par un pragmatisme cruel ? Deuxième long métrage de Yeo Joon Han et excellente comédie, presque musicale<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 17 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5D7A89D7185F4EC6C125766A00337D1C?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Ma belle-mère</a>, P. Ramlee, 1962 noir et blanc<br />Peut-être le film le plus célèbre de P. Ramlee, unique par sa rupture de ton dans le récit, qui passe de la pure comédie burlesque au drame le plus larmoyant.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 18 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/EC607FE3DB2429FEC125767F002ED35E?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Flooding in the Time of Drought : Drought</a>, Sherman Ong, 2009 couleur<br />Flooding in the Time of Drought, qui superpose les territoires du documentaire et de la fiction, met en scène la vie de migrants étrangers victimes de deux scénarios catastrophes : l'inondation (flood) et la sécheresse (drought).<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 20 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/DAAED30526497B75C125766A00341F88?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Le Tireur de pousse-pousse</a>, P. Ramlee, 1955 noir et blanc<br />P. Ramlee, dont c'est ici la première réalisation, signe un mélodrame poignant, qui semble inspiré par le néo-réalisme italien.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 22 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">19:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/D652517205F9A44AC125766900341F17?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Flower in the Pocket</a>, Liew Seng Tat, 2007 couleur<br />Dans la tradition communautaire de Da Huang, James Lee, réalisateur qui figure dans cette rétrospective, incarne l'un des personnages principaux du film.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 22 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/A842AC68D8DDBD8DC1257669004EB35F?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Karaoke</a>, Chris Chong Chan Fui, 2009 couleur<br />Séance présentée par Chris Chong Chan Fui<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 23 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/89A3B793F9D938D4C1257669004A15E2?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mukhsin</a>, Yasmin Ahmad, 2006 couleur<br />Basé sur la jeunesse de la réalisatrice et l'attitude de ses propres parents, le film, léger, tendre et rempli d'émotion, renvoie une image peu conventionnelle de la Malaisie.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 23 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5F9DFAEB6AE36921C125766A00346747?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Malaysian Gods</a>, Amir Muhammad, 2009 couleur<br />Amir Muhammad présente son dernier film, un documentaire sur des manifestations populaires en Malaisie en 1998.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 23 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/BBF6214E5F18E360C12576690038BB27?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Hang Jebat</a>, Hussain Haniff, 1961 noir et blanc<br />Avec cette première réalisation, Hussain Haniff offre une adaptation novatrice des aventures du célèbre héros dans cette production qui reste un des plus grands succès du studio Cathay-Keris.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 24 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/8F9925E48BEE0838C1257669003BA99F?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Sepet</a>, Yasmin Ahmad , 2004 couleur<br /><strong>Sepet est remplacé par Flower in the Pocket de Liew Seng Tat, pour la séance du 2 janvier à 17h30, en raison de problèmes de transport de copie en provenance de la Malaisie. Merci de votre compréhension.</strong><br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 24 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/A67AF0387130CD43C125766A0034E8D8?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">The Big Durian</a>, Amir Muhammad, 2003 couleur<br />Amir Muhammad présente une enquête mêlant documentaire et fiction sur la propagation d'une rumeur.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 24 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1A76F722C99686C6C125766A0035CD6A?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Turbulence</a>, P. Ramlee, 1970 noir et blanc<br />Un des derniers films de P. Ramlee, tourné quelques temps avant sa mort tragique en 1973 à l'âge de 44 ans.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 24 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5639085D02681475C1257669004BEA5E?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Eating Air</a>, Jasmine Ng et Kelvin Tong, 1999 couleur<br />Boy rêve d'être un héros de manga et voue une vraie passion à sa moto et ses amis. Girl s'occupe d'une photocopieuse le jour, vend des journaux la nuit et rêve de monter à l'arrière de la moto de Boy.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 27 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/2114281E60F95DFCC125766A00361498?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Malédiction de l'homme huile</a>, P. Ramlee, 1958 noir et blanc<br />Ce sommet du cinéma fantastique malais du studio Shaw permet de croiser un grand nombre de créatures du bestiaire folklorique malais.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Jeudi 28 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/AD1B6C37A81A84E7C1257669004F70B3?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">This Longing</a>, Azharr Rudin, 2008 couleur<br />Dans les années 1980, à Johor Baharu, ville du sud de la Malaisie, près de la frontière avec Singapour, un grand HLM a été érigé.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 29 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">19:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/3CB6C85A2DC3B120C1257669004AD798?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Seman</a>, Mansor Puteh, 1988 couleur<br />Dans un style très Nouvelle Vague, Seman met en lumière la difficulté d'identification d'une nation tout entière à travers les doutes existentiels d'un individu.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 29 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/909613739A754921C125766A0036620B?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Le Talisman</a>, Rolf Bayer, 1958 noir et blanc<br />À la croisée des films noir et fantastique, ce film à l'ambiance très jazzy et à la mise en scène soignée, réalisé par un cinéaste philippin, nous embarque dans une véritable descente aux enfers.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 30 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/4B4BD783A77E2118C1257669003780D0?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">When the Full Moon Rises</a>, Mamat Khalid, 2008 couleur<br />Ce film aurait pu être fait par Guy Maddin s'il avait été malaisien et avait décidé de mettre en scène des tigre-garous, des agents communistes et des femmes vampires !<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 30 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/28C3CB6DBE35BE77C1257669004900B7?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Maison aux oiseaux</a>, Eng Yow Khoo, 2006 couleur<br />Deux frères s'affrontent pour le gain de leur maison à Malacca. Huat, le jeune frère, veut la convertir en volière pour se lancer dans le commerce de nids.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 30 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/0177A2DC2ACD5A5DC125766A0032F172?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Perth</a>, Djinn (Ong Lay Jin), 2005 couleur<br />Le film traite d'un sujet d'actualité, l'émigration, à travers le destin d'un homme dans une société qui ne tolère pas l'échec.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 30 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5639085D02681475C1257669004BEA5E?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Eating Air</a>, Jasmine Ng et Kelvin Tong, 1999 couleur<br />Boy rêve d'être un héros de manga et voue une vraie passion à sa moto et ses amis. Girl s'occupe d'une photocopieuse le jour, vend des journaux la nuit et rêve de monter à l'arrière de la moto de Boy.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 30 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/AF31061C3D5945E1C125766A00373E7D?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Les Voisins du village</a>, Hussain Haniff, 1965 noir et blanc<br />Hussain Haniff signe un film choral sur le conflit entre générations et sur la jeunesse en 1965.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 31 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/165CE9CE21FEDB7AC125766900498CC7?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Dancing Bells</a>, Deepak Kumaran Menon, 2007 couleur<br />Deepak Kumaran Menon dessine ici la situation d'un pays composé d'ethnies multiples s'ignorant le plus souvent les unes les autres.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 31 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/10FBE28F17C8DB17C125766900579AA4?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Jefri Zain : rapide comme l'éclair</a>, Jamil Sulong, 1965 noir et blanc<br />Homologue singapourien du très occidental James Bond, les aventures de Jefri Zain proposent une plongée dans les années 1960 et leurs atours les plus complets.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 31 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1BA48C7E962EDE78C1257669003C22A9?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Forever Fever</a>, Glenn Goei, 1998 couleur<br />Basée sur une histoire vraie, cette success-story est un hommage exubérant et l'un des plus gros succès au box-office de Singapour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 31 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/A892D3802FEEFFD3C12576690050A283?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Before We Fall in Love Again</a>, James Lee, 2006 couleur<br />Ce film fait partie de la « Betrayal Trilogy » (« trilogie de la trahison ») qui a révélé James Lee au grand public.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 31 Janvier 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5E51CBD504B9651EC125766900395B26?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Gone Shopping</a>, Wee Li Lin, 2007 couleur<br />L'occasion d'évoquer, entre humour et sarcasme, une des obsessions de la nation singapourienne tout entière : le shopping !<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 1 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">19:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/7CE037F68667F3E8C12576690039BB09?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Army Daze</a>, Ong Ken Seng, 1996 couleur<br />Army Daze dresse le portrait d'une société multiethnique haute en couleurs, à l'image du singlish, le langage de prédilection dont abuse sa jeunesse, anglais populaire matiné de langues asiatiques comme le malais et le hokkien.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 1 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/F680B2EB086144E0C1257669004D9737?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">12 Storeys</a>, Eric Khoo, 1997 couleur<br />Présenté au Festival de Cannes, dans la séléction Un Certain Regard, en 1997. Récompensé par le prix de la FIPRESCI.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 3 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/6357232BDB065223C125766A00352F94?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">The Big Durian</a>, Amir Muhammad, 2003 couleur<br />La nuit du 18 octobre 1987, un soldat muni d'un M16, perd totalement le contrôle dans le quartier de Chow Kit à Kuala Lumpur. Son accès de folie provoque une panique générale et fait circuler des rumeurs d'émeutes racistes dans toute la ville.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Jeudi 4 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/A6D3036A54D5A630C1257669004D63C6?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Invisible City</a>, Tan Pin Pin, 2007 couleur<br />Qu'est-ce donc que Singapour ? Photographes, journalistes, archéologues, observateurs et chercheurs tentent de lutter contre l'atrophie de la mémoire et dessinent une ville qui aurait pu exister.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 5 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">19:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1C0EB94ED9A0EF72C125766A002F6AEC?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Femme épouse et putain</a>, U-Wei Bin Hajisaari, 1993 couleur<br />Premier long métrage d'U-Wei, ce film ayant permis de lancer sa carrière et dont le titre présage la modernité, est un drame poignant.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 5 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/414A675B9B7284BEC125766A0030DCCA?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">My Magic</a>, Eric Khoo, 2008 couleur<br />Depuis que sa femme l'a quitté, Francis est au bout du rouleau. Il travaille comme serveur dans une boîte de nuit, et noie son chagrin dans l'alcool.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 6 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/D652517205F9A44AC125766900341F17?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Flower in the Pocket</a>, Liew Seng Tat, 2007 couleur<br />Dans la tradition communautaire de Da Huang, James Lee, réalisateur qui figure dans cette rétrospective, incarne l'un des personnages principaux du film.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 6 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/DAAED30526497B75C125766A00341F88?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Le Tireur de pousse-pousse</a>, P. Ramlee, 1955 noir et blanc<br />P. Ramlee, dont c'est ici la première réalisation, signe un mélodrame poignant, qui semble inspiré par le néo-réalisme italien.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 6 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/2486A670325760D5C125766A00379B17?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Call if you Need me</a>, James Lee, 2009 couleur<br />Call If You Need Me a été primé aux Festivals Internationaux du Film de Bangkok et de Hong Kong 2009.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 6 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/8031EE31ED4CC7C8C125766A0037F953?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Woman on Fire Looks for Water</a>, Woo Ming Jin, 2009 couleur<br />Une fiction sur les destinées parallèles d'un père et de son fils, qui met en scène avec grâce le quotidien de modestes pêcheurs.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 7 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/AF7CBF9146017F14C125766900364E63?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Rain Dogs</a>, Ho Yuhang, 2006 couleur<br />Ho Yuhang vient présenter son film le plus connu dans lequel la cinéaste malaisienne Yasmin Ahmad, décédée prématurément cet été, fait une brève apparition.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 7 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/23F73E02AC4FA0BBC125766A0038721B?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">15 Malaysia</a>, Film collectif (Ho Yuhang, Yasmin Ahmad, Amir Muhammad, Linus Chung, Liew Seng Tat, Desmond Ng, Kamal Sabran, Tan Chui Mui, Woo Ming Jin, James Lee, Benji & Bahir, Johan John, Khairil Bahar, Nam Ron, Suleiman Brothers), 2009 couleur<br />Ce film a suscité un véritable phénomène lors de sa diffusion sur le Net.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 8 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/A2A2770CF1D243FBC125766900371561?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Love Conquers All</a>, Tan Chui Mui, 2006 couleur<br />Tan Chui Mui présente son premier long métrage, sélectionné dans de nombreux festivals et primé à Rotterdam 2007.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 10 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/8F9925E48BEE0838C1257669003BA99F?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Sepet</a>, Yasmin Ahmad , 2004 couleur<br /><strong>Sepet est remplacé par Flower in the Pocket de Liew Seng Tat, pour la séance du 2 janvier à 17h30, en raison de problèmes de transport de copie en provenance de la Malaisie. Merci de votre compréhension.</strong><br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Jeudi 11 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5446EE92C3C62899C12576690032ACED?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Be With Me</a>, Eric Khoo, 2005 couleur<br />Un mariage de quatre histoires d'amour et de solitude, construites autour des thèmes de l'espoir et du destin.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 12 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">19:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/203F34BC2EFCFCA4C1257669004CA9D1?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">I Not Stupid</a>, Jack Neo, 2002 couleur<br />Devant le succès populaire remporté par le film, le gouvernement a mis en place des modifications dans le système éducatif.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 12 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5D7A89D7185F4EC6C125766A00337D1C?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Ma belle-mère</a>, P. Ramlee, 1962 noir et blanc<br />Peut-être le film le plus célèbre de P. Ramlee, unique par sa rupture de ton dans le récit, qui passe de la pure comédie burlesque au drame le plus larmoyant.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 13 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/2371925CA7180053C1257669004FD8BF?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Lucky 7</a>, film collectif, Chew Tze Chuan, Boo Junfeng, Sun Koh, K. Rajagopal, Brian Gothong Tan, Ho Tzu Nyen et Tania Sng, 2008 couleur<br />Sept cinéastes singapouriens se prêtent au jeu du « cadavre exquis » et dirigent une chaîne de courts métrages qui racontent la société de l'État-nation aujourd'hui.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 13 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/D35126021275EED5C125766900382EDE?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Gubra</a>, Yasmin Ahmad, 2005 couleur<br />Orked, 25 ans, est mariée à Arif, un homme plus âgé qu'elle. Alors que son père doit brutalement être hospitalisé, elle fait la connaissance d'Alan, le frère de son premier amour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 13 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/AD1B6C37A81A84E7C1257669004F70B3?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">This Longing</a>, Azharr Rudin, 2008 couleur<br />Dans les années 1980, à Johor Baharu, ville du sud de la Malaisie, près de la frontière avec Singapour, un grand HLM a été érigé.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 13 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/C3C80493E32A0265C1257669003522EE?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Here</a>, Ho Tzu Nyen, 2009 couleur<br />He Zhiyuan, homme d'âge mûr qui se bat pour donner un sens à ce qu'il vit, reste choqué par la mort brutale de son épouse<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 13 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/00DE2A289F2624D5C1257669003B32C9?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Sell Out !</a>, Yeo Joon Han, 2008 couleur<br />L'idéalisme d'Eric peut-il survivre dans un monde régi par un pragmatisme cruel ? Deuxième long métrage de Yeo Joon Han et excellente comédie, presque musicale<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 13 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/EE7E04EEF149CED7C1257669003A98C8?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Malédiction de la femme vampire</a>, B.N. Rao, 1958 noir et blanc<br />Une des multiples adaptations cinématographiques mettant en vedette la célèbre figure du vampire féminin, le film est culte pour de nombreux fans du cinéma fantastique asiatique des années 1950<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 14 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1A76F722C99686C6C125766A0035CD6A?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Turbulence</a>, P. Ramlee, 1970 noir et blanc<br />Un des derniers films de P. Ramlee, tourné quelques temps avant sa mort tragique en 1973 à l'âge de 44 ans.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 14 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/A3F5AC4449F67204C12576690036D201?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Love Conquers All</a>, Tan Chui Mui, 2006 couleur<br />Tan Chui Mui vient présenter son premier long métrage, sélectionné dans de nombreux festivals et primé à Rotterdam 2007.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 14 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/7401F0629B10D64CC12576690033295B?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">881</a>, Royston Tan, 2007 couleur<br />Une comédie musicale déjantée dans laquelle amour et ambition ne vont pas de pair !<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 14 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/C8F6B1F1A69C7A4AC125766A0034ACCE?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Malaysian Gods</a>, Amir Muhammad, 2009 couleur<br />Le dernier film d'Amir Muhammad, un des cinéastes les plus satiriques de Malaisie.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 15 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/01D64E0986AD867CC1257669004E7E72?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Karaoke</a>, Chris Chong Chan Fui, 2009 couleur<br />Batik revient dans son village natal en Malaisie. Il se heurte à la résistance de sa mère qui prévoit de vendre le bar qu'elle tient et de quitter à jamais son village pour une vie meilleure.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 15 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/69863ADF78E19444C125766900386075?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mat le Cinglé</a>, Hussain Hanniff et Mat Sentol, 1964 noir et blanc<br />Mat le Cinglé était à l'origine le pilote d'une série tournée par Hussain Haniff.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 17 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/964A466C8475FC59C125766900338261?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mee Pok Man</a>, Eric Khoo, 1995 couleur<br />Séance exceptionnelle présentée par Eric Khoo.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Jeudi 18 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">19:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/9D895C5A2C4A1719C1257669004A608D?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">15</a>, Royston Tan, 2003 couleur<br />Censuré à Singapour, le film est sorti avec un certain nombre de coupes (il est présenté ici dans son intégralité).<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Jeudi 18 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/440C8C36A674D745C125766900502952?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Les Trois célibataires font du cinéma</a>, P. Ramlee, 1961 noir et blanc<br />Dernier épisode de la célèbre et populaire série des « Bujang Lapok », ce volet tourné dans les véritables studios de production des films malais de Run Run Shaw à Singapour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 20 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/CB97C38CE9CEEF6EC1257669004B4830?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Flooding in the Time of Drought : Flood</a>, Sherman Ong, 2009 couleur<br />Flooding in the Time of Drought, qui superpose les territoires du documentaire et de la fiction, met en scène la vie de migrants étrangers victimes de deux scénarios catastrophes : l'inondation (flood) et la sécheresse (drought).<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 20 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/2114281E60F95DFCC125766A00361498?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Malédiction de l'homme huile</a>, P. Ramlee, 1958 noir et blanc<br />Ce sommet du cinéma fantastique malais du studio Shaw permet de croiser un grand nombre de créatures du bestiaire folklorique malais.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 20 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/3E9F614BBC4FB286C125766A0037D04D?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Call if you Need me</a>, James Lee, 2009 couleur<br />Alors qu'ils sombrent tous deux dans un monde nocturne de dettes, de drogues et de trahison, Ah Soon se brouille avec ses patrons et tente de leur échapper.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 21 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/1BA48C7E962EDE78C1257669003C22A9?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Forever Fever</a>, Glenn Goei, 1998 couleur<br />Basée sur une histoire vraie, cette success-story est un hommage exubérant et l'un des plus gros succès au box-office de Singapour.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 21 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/490775D511EA6AA7C125766A003856EA?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Woman on Fire Looks for Water</a>, Woo Ming Jin, 2009 couleur<br />Ah Fei attrape et vend des grenouilles pour survivre. Son modeste revenu est alimenté par son père veuf Ah Kau, qui s'occupe d'un petit bateau de pêche.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 22 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/5F601FAC1824F4AFC1257669004C488D?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Le Petit-Fils du Datuk Merah</a>, M. Amin, 1963 noir et blanc<br />Représentatif du cinéma en costume malais, Le Petit-fils du Datuk Merah propose une plongée dans une intrigue romanesque mêlant amour et vengeance.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Mercredi 24 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/0177A2DC2ACD5A5DC125766A0032F172?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Perth</a>, Djinn (Ong Lay Jin), 2005 couleur<br />Le film traite d'un sujet d'actualité, l'émigration, à travers le destin d'un homme dans une société qui ne tolère pas l'échec.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Vendredi 26 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/8A30D4CECD0ED965C125766900325FD0?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">La Médisante Victime</a>, P. Kapur, 1959 noir et blanc<br />Le film oscille entre mélodrame amoureux et film de procès dont il suit les règles et les codes.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 27 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/414A675B9B7284BEC125766A0030DCCA?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">My Magic</a>, Eric Khoo, 2008 couleur<br />Depuis que sa femme l'a quitté, Francis est au bout du rouleau. Il travaille comme serveur dans une boîte de nuit, et noie son chagrin dans l'alcool.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 27 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/909613739A754921C125766A0036620B?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Le Talisman</a>, Rolf Bayer, 1958 noir et blanc<br />À la croisée des films noir et fantastique, ce film à l'ambiance très jazzy et à la mise en scène soignée, réalisé par un cinéaste philippin, nous embarque dans une véritable descente aux enfers.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Samedi 27 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/4F8084A3ED4B620DC1257669003AF404?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Lion City</a>, Yi Sui, 1960 noir et blanc<br />Lion City, une des premières productions en chinois réalisées à Singapour, romance proche des productions en mandarin de la branche hong-kongaise de Cathay, offre un unique témoignage sur la vie de la communauté chinoise de Singapour dans les années 1960.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 28 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">14:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/EC607FE3DB2429FEC125767F002ED35E?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Flooding in the Time of Drought : Drought</a>, Sherman Ong, 2009 couleur<br />Flooding in the Time of Drought, qui superpose les territoires du documentaire et de la fiction, met en scène la vie de migrants étrangers victimes de deux scénarios catastrophes : l'inondation (flood) et la sécheresse (drought).<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Dimanche 28 Février 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">17:30 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/3721EAB953215038C12576690049E6ED?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">Mukhsin</a>, Yasmin Ahmad, 2006 couleur<br />Basé sur la jeunesse de la réalisatrice et l'attitude de ses propres parents, le film, léger, tendre et rempli d'émotion, renvoie une image peu conventionnelle de la Malaisie.<br /></td></tr><tr><td colspan="2" style="padding-bottom: 1px; font-size: xx-small; "><b>Lundi 1 Mars 2010</b></td></tr><tr><td valign="top" style="padding-bottom: 1px; font-size: xx-small; ">20:00 </td><td valign="top" style="padding-bottom: 1px; font-size: xx-small; "><a href="javascript:document.location.href='/Pompidou/Manifs.nsf/0/B4A2D41C72811F40C1257669004DBF58?OpenDocument'+SessionNavigationSeance+view" style="font-size: xx-small; text-decoration: none; font-weight: bold; border-bottom-width: 1px; border-bottom-style: dashed; border-bottom-color: rgb(255, 255, 255); color: rgb(45, 163, 33); ">12 Storeys</a>, Eric Khoo, 1997 couleur<br />Un dimanche dans un immeuble HDB de Singapour, équivalent des HLM françaises. La vie de quelques habitants du 12e étage du Block 173. </td></tr></tbody></table></p></td></tr></tbody></table></span>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0tag:blogger.com,1999:blog-4021561197607212176.post-78045734994185235392009-12-13T08:39:00.000-08:002009-12-13T08:48:35.421-08:00"Bangkok Found" Launched<span class="Apple-style-span" style=" ;font-family:Times;font-size:medium;"><table width="100%" align="center" border="0"><tbody><tr><td><span class="Apple-style-span" style="font-family: Times; "><img id="Picture1" height="179" width="200" src="http://www.alex-kerr.com/assets/images/Beijing202.jpg" border="0" alt="Beijing202" title="Beijing202" /></span><table border="0" cellspacing="0" cellpadding="2" align="right" width="100%"><tbody><tr><td class="smallText" style="font-family: Verdana, Arial, sans-serif; font-size: 10px; "><a href="javascript:popupWindow('http://www.riverbooksbk.com/books/catalog/popup_image.php?pID=218&osCsid=e7f72f93f7fbfab364e91bd6d15bf190')" style="text-decoration: none; "><span class="Apple-style-span" style="color:#000000;"><img src="http://www.riverbooksbk.com/books/catalog/images/s_cover/Bangkok%20found.jpg" border="0" alt="Bangkok Found Relections on the city" title=" Bangkok Found Relections on the city " /><br /></span></a></td></tr></tbody></table></td></tr><tr><td class="main" style=" line-height: 1.5; color: rgb(255, 255, 255); font-family:Verdana, Arial, sans-serif;font-size:12px;"><p><span style=" font-weight: bold; font-family:Arial;font-size:180%;"><span class="Apple-style-span" style="color:#000000;">BANGKOK FOUND</span></span><span class="Apple-style-span" style="color:#000000;"><br /></span><span style="font-style: italic; font-family:Arial;font-size:130%;"><span class="Apple-style-span" style="color:#000000;">Reflections on the city</span></span><span style="font-size:130%;"><span class="Apple-style-span" style="color:#000000;"><br /></span><span style=" ;font-family:Arial;"><span class="Apple-style-span" style="color:#000000;">Alex Kerr (for more info, get to www.alex-kerr.com)</span></span><span class="Apple-style-span" style="color:#000000;"><br /></span></span><span class="Apple-style-span" style="color:#000000;"><span class="Apple-style-span" style="font-size:large;"><i></i></span></span><span style=" ;font-family:Arial;"><span class="Apple-style-span" style="color:#000000;">Evocative and incisive, Bangkok Found looks deep within traditional culture to discover how Bangkok is like no other contemporary city. It’s the book you read after you’ve seen the temples and enjoyed the nightlife – and then start to wonder where the mysterious appeal of Bangkok really lies. </span></span><span style=" ;font-family:Arial;"><span class="Apple-style-span" style="color:#000000;">With wit and a wealth of anecdotes from Kerr’s thirty years experience in Thailand, Bangkok Found, sequel to his award-winning Lost Japan, takes you on a journey to the essential and the quirky, the factual and the mythical. </span></span><span style=" ;font-family:Arial;"><span class="Apple-style-span" style="color:#000000;">In this series of meditations on the city, old culture meets global fusion in the crossroads that is Bangkok.</span></span></p><p><span class="Apple-style-span" style="font-family:Arial, fantasy;color:#000000;"><span class="Apple-style-span" style=" line-height: normal; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; font-family:Times;"><table border="0" cellspacing="0" cellpadding="0" nof="LY"><tbody><tr valign="TOP" align="LEFT"><td colspan="20" width="458"><p align="CENTER"><span style="font-family:Arial,Helvetica,Geneva,Sans-serif,sans-serif;font-size:+3;color:#990000;"><b>BANGKOK FOUND</b></span><b></b></p></td><td colspan="12"></td></tr><tr valign="TOP" align="LEFT"><td height="1"></td><td colspan="46"></td></tr><tr valign="TOP" align="LEFT"><td></td><td colspan="7"></td><td colspan="32" width="608"><table id="Table8" border="0" cellspacing="1" cellpadding="1" width="100%" height="26"><tbody><tr><td><p align="CENTER"><span style="font-family:Arial,Helvetica,Geneva,Sans-serif,sans-serif;font-size:-1;"></span><span style="font-family:Arial,Helvetica,Geneva,Sans-serif,sans-serif;font-size:+1;">Announcing: New book published, Dec 9, 2009</span></p></td></tr></tbody></table></td><td colspan="7"></td></tr><tr valign="TOP" align="LEFT"><td height="18"></td><td colspan="46"></td></tr><tr valign="TOP" align="LEFT"><td height="208"></td><td colspan="4"></td><td colspan="38" rowspan="2" width="680"><a href="http://www.alex-kerr.com/html/bangkok_found__eng_.html"><img id="Picture18" height="310" width="680" src="http://www.alex-kerr.com/assets/images/Cover_Bangkok_Found_Banner.jpg" border="0" alt="" /></a></td></tr></tbody></table></span></span></p></td></tr></tbody></table></span>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-59896297036110917882009-12-03T00:44:00.000-08:002009-12-03T01:45:01.427-08:00Karaoke Kutuk Filem Melayu Ke?Apabila saya bertanyakan kepada seorang rakan, juri festival filem kecik, jawabnya "semua orang kuat ada dalam filem tu, mestilah best, terpilih kat Cannes lagi! Tapi nanti kita jumpa face-to-face untuk sembang panjang-panjang". Apabila ditanya kepada seorang ahli akademik, jawabnya "saya suka, nanti kita bincang". Tapi yang paling dekat dan terus menerus adalah apabila saya bertanya kepada kawan-kawan yang sama keluar menonton, ada seniman yang bermain dengan kanvas, teater dan shorts dan ada juga seorang pengarah muda yang baik tapi filemnya tak dibawa ke mana-mana(kesian!!!), ada juga beberapa lagi, tiga orang kawan-kawan yang duduk sebelah saya, dua darinya org luar, satu lelaki Perancis yang nampak mengantuk sambil penonton serta isterinya wanita Jepun yang entusiastik tak senang duduk berpusing kiri kanan sambil berbisik-bisik dengan lelaki Cina di sebelah saya, seorang seniman tari dan grafik. Oh total penonton pada hari itu adalah 15 orang. Kabarnya saudara Wahab Hamzah ada menonton sebelum waktu kita, kita tunggu kritikannya pula. Yang ini bukan kritikan, cuma ungkapan(hehehehehe). Sebelum ini saya ada juga diminta untuk mereviu filem ini oleh Co-Produsernya, Nandita Solomon, tapi saya tak nak, bukan hanya tak ada masa, takut juga saya tak suka filem tu, nanti tak ada orang nak tengok filem tu, kesian plak. Tapi saya tahu, kawan saya Sultan Muzaffar menolong mempromosikan filem Karaoke ni. <div><br /></div><div>Oh nak tahu apa komen kawan-kawan yang sama menonton tu? Kata si seniman Melayu tu "babak buat karaoke tu babak nak mengutuk tahap filem-filem Melayu". Dalam hati dan kepalaku bertanya "betulke?". Menarik juga pandangan tu untuk diperbincangkan. Apa agaknya yang dimaksudkan, pakai tangkap muat? siapa ada kat situ boleh masuk main filem. Kalau begitulah gayanya golongan pembuat filem "mainstream" yang mendapat dana yang banyak dan popular akan sentiasa berperang dengan golongan "indie" yang kononnya lebih artistik dan susah nak dapat dana dan penonton serta publisiti dalam surat kabar Melayu. Tapi dalam filem papadom pun ada gurauan yang menyindir pembuat-pembuat filem lain, termasuk yang menggunakan institusi pengajian tinggi sebagai tempat mencari dana dan penajaan, sedangkan filem Papadom sendiri pon begitu, Labu Labu!, biarlah Luncai Terjun Dengan Labu-labunya.</div><div><br /></div><div>Filem ini memang menampilkan barisan pelakon-pelakon muda yang bersemangat seperti Hariry, yang begitu bersemangat sekali berlakon menjadi seorang bapa saudara, adik ipar, pembantu bar dan pekerja filem, begitu juga Mislina yang banyak tampil dalam banyak filem2 pendek termasuk filem2 Yasmin Ahmad, pilihan yang boleh mengaitkan kepada kejayaan filem-filem Yasmin seperti Mukhsin dan Talentime. Saya juga masih ingat lakonannya dalam teater "Otak Tak Centre" karya Haresh Sharma dari Singapura yang dipentaskan oleh Drama Lab beberapa tahun yang lalu, juga dalam filem pendek "Kopi Tiam Kurang Manis" karya pengarah muda Azri Abu Hassan. Asalnya, saya pun nakkan dia berlakon dalam teater saya "Selipar Jepun", tapi katanya dia kat Singapura masa tu. Biasalah orang tengah laku!!! Cakap pasal orang tengah laku, kedua-dua pelakon keluaran ASWARA Zahiril dan Amerul pun ada dalam ni. Mereka mula menempah nama dalam teater "Air-Con" tulisan Shanon Shah arahan Joe Kukatas dari ICT, dan teater tu bukan hanya menjadi favorite di KLPAC, juga memenangi anugerah Cameronian. Dan untuk Karaoke ni, Shanon Shah juga menjadi co-writer, jadi bolehlah menumpang glamor dan bakat dia. Dah tu Shanon juga yang membuat lagu-lagu dalam karaoke tu, yang dibuat seperti membuat lagu-lagu Melayu tangkap cintan tu begitu hambar pada pendengarannya. kalau tak salah si Shanon ni memenangi hadiah kat AIM, tapi dia tak jadi terkenal di tv dan radio, bisalah kat malaysia ni, nak popular kena tegap badannya. Shanon memang mempunyai suara yang baik, pandai bermain piano lagi. Kenapa agaknya dia buat lagu2 yang hambar untuk karaoke dalam filem Karaoke tu? Mungkin dia tak puas hati dengan industri muzik tanahair ni, nak buat macam mana kan? M.Nasir pun tak puas hati jugak dengan kehadiran lagu2 Indonesia, tapi dia tetap berkarya, termasuk berkarya dengan pemuzik hip-hop si Maleq yang berbakat tu. Apapun, lagu2 dan adegan2 membuat shooting karaoke dalam filem Karaoke tu melucukan dan kadang2 membuat saya ketawa, walaupun latar filem besarnya agak memurungkan, dengan warna-warna yang sebam, mungkin kerana nak dapatkan mood filem2 indie, atau memang tak cukup lampu sebab tak cukup bajet. Maka itulah saya nak tanya, boleh tak filem-filem indie dan arty ni dibuat dengan warna-warna yang lebih terang?</div><div><br /></div><div>Saya melihat filem ini mempunyai gaya kamera dan legar yang berbeza; babak awal di dalam bar yang sibuk dan gelap yang menampilkan gelagat-gelagat manusia yang berbeza sambil mencari2 siapa watak yang sebenar, satu konsep yang menarik, kemudian gaya kamera yang berlegar dan terhenti yang lama pada satu2 tempat, dan satu lagi teknik kamera RTM dan Filem Negara. Bila sebut Filem Negara, teringat plak kat Pak Hassan Mutalib yang dulu pernah kerja kat Filem Negara, dialah yang buat filem animasi, "Sang Kancil dan Buaya", ingat lagi menonton masa kecik dalam rtm, masa tu mana ada saluran lain, kalau nak adalah dikir barat, wayang kulit dan mak yong. Skrang Pak Hassan dah jadi Sarjana Kehormat kat UITM(Tahniah untuk dia, skrang tak leh lagi dia komplen pasal orang2 ada degree yang tak sepandai dia!!!). Mungkin gaya kamera yang ketiga itu satu tribute untuk Sarjana Kehormat Hassan Mutalib yang banyak menulis tentang sejarah filem kat buku-buku filem juga yang pernah buat filem animasi Malaysia, Silat Lagenda.</div><div><br /></div><div>Oh Sorry, back to this film, kata orang Perancis, kawan kawan saya tu "If this film is about boredom, it is a successful film, it made me bored". Saya pun tertarik juga dengan komentar dia. Mungkin itulah yang ingin dipaparkan, sebuah kebosanan terhadap vdo2 karaoke Melayu, but come to think of it, mungkin inilah peluang Shanon Shah dan Chris Chong(pengarah filem Karaoke ni) untuk memulakan perniagaan baru, vdo karaoke Malaysia (opps sorry, skrang dah tak pakai vdo, dvd). Tapi sayangnya industri muzik pun dah tak berapa nak idup kat Malaysia ni!</div><div><br /></div><div>Bagi aku sendiri, aku tertanya-tanya sendiri, is it a good film? bagus sangatkah sampai terpilih masuk ke pengarah baru cannes film festival? atau kerana strategi yang licit oleh pembikinnya, mengambil Art Director berasal Sabah, I-Lan, mendapatkan sponsor Sabah Tourism, menjadikan Pierre Labuthe sebagai producer, orang Perancis yang menguruskan soal filem di Culture Centre, French Embassy, Bangkok, yang sebelum ini banyak terlibat dengan pengkarya-pengkarya filem art house Thailand seperti Apichatpung(eh, betul ke ejaannya). Bak kata orang putih, it is all about who you know. Seperti selalunya di dalam program2 tv ada mengatakan "Filem Kita Wajah Kita" (eh, itu slogan Finas yang lama kan? lupalah, banyak sangat slogan). Apapun, tepuk dada tanyalah selera, kalau dapat tonton filem ni tontonlah, tapi dah habis, cuma seminggu penanyangan kat GSC, kalau dah melepas, nasiblah, taklah rugi jugak. </div><div><br /></div><div>Tup2 aku teringatla plak si Chris ni dulu penah cerita nak buat filem pasal pegi karaoke, inilah filemnya akhirnya.</div><div><br /></div><div>Now, terasa nak pegi karaoke la pulak, katanya Red Box bagus, tapi kalau pegi melalak sorang2 boring juga, kalau pegi ramai2 berebut mike la plak!!! </div><div><br /></div>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-45782716860653637982009-11-06T17:56:00.000-08:002009-11-06T18:12:57.801-08:00KL Fringe Malam Ini Di ASWARA Black Box ASWARA, 7 Nov, Jam 8.30 Malam<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIZpIeFtlw5soqFC6aGO_-UqnL5FboblTtk3ULHm1a_qkHSxoLjZYe1ABIpLb51BOVDM5ktL6s8qz0vDyzRs_dpqL3yxOmnmDocDDXQIpaFTVSu5C5qpMFlxp8PKSLe6G2_1XHdMmcKnSP/s1600-h/cetus+copy.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 142px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIZpIeFtlw5soqFC6aGO_-UqnL5FboblTtk3ULHm1a_qkHSxoLjZYe1ABIpLb51BOVDM5ktL6s8qz0vDyzRs_dpqL3yxOmnmDocDDXQIpaFTVSu5C5qpMFlxp8PKSLe6G2_1XHdMmcKnSP/s200/cetus+copy.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5401175315197705842" /></a>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com1tag:blogger.com,1999:blog-4021561197607212176.post-92008714025062058742009-11-01T07:57:00.000-08:002009-11-01T08:01:22.531-08:00Professor Ananya Chatterjea at Dance Talk, Annexe central Market, 3 Nov 2009, 8.30PM<span class="Apple-style-span" style="font-family:Verdana, Arial, sans-serif;color:#333333;"><div class="item_detail_summary" style="text-align: left; float: left; clear: left; width: 970px; padding-top: 15px; padding-right: 0px; padding-bottom: 15px; padding-left: 0px; background-image: url(http://www.flipkart.com/images/title-bg-top-small.gif); background-repeat: repeat-x; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; background-position: 0% 0%; "><div class="item_summary_image" style="width: 200px; float: left; text-align: center; padding-top: 15px; padding-right: 0px; padding-bottom: 25px; padding-left: 0px; height: 190px; "><img alt="Butting Out: Reading Resistive Choreographies Through Works By Jawole Willa Jo Zollar And Chandralekha, Ananya Chatterjea, 0819567337" title="Butting Out: Reading Resistive Choreographies Through Works By Jawole Willa Jo Zollar And Chandralekha, Ananya Chatterjea, 0819567337" src="http://img.flipkart.com/bk_imgs/338/9780819567338.jpg" style="border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-style: initial; border-color: initial; border-style: initial; border-color: initial; border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(204, 204, 204); border-right-color: rgb(204, 204, 204); border-bottom-color: rgb(204, 204, 204); border-left-color: rgb(204, 204, 204); " /><br /><a rel="nofollow" href="http://www.flipkart.com/butting-out-ananya-chatterjea-reading/0819567337-p7w3fohczf#previewbook" onclick="javascript:open_viewport('9780819567338')" id="google_9780819567338" style="color: rgb(0, 51, 170); cursor: pointer; text-decoration: none; "><br /><span class="Apple-style-span" style="font-size:100%;"><span class="Apple-style-span" style="font-size: 11px; text-decoration: underline;"><b><br /></b></span></span></a></div><span class="item_summary_title" style="width: 679px; float: left; color: rgb(0, 0, 0); margin-top: 0px; margin-right: 2px; margin-bottom: 0px; margin-left: 5px; border-bottom-width: 1px; border-bottom-style: dotted; border-bottom-color: rgb(204, 204, 204); font-family: Arial, Verdana, sans-serif; "><span class="item_summary_title_title"><h1 title="Butting Out: Reading Resistive Choreographies Through Works By Jawole Willa Jo Zollar And Chandralekha" style="font-size: 21px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 5px; margin-bottom: 0px; margin-left: 0px; display: inline; text-transform: capitalize; ">Butting Out: Reading Resistive Choreographies Through Works By Jawole Willa Jo Zollar And Chandralekha</h1> </span><span class="item_summary_title_binding" style="font-size: 18px; ">(Paperback - 2004/12/28)</span><br /><span class="item_summary_title_by" style="font-size: 12px; ">by </span><span class="item_summary_title_author"><h2 style="font-size: 13px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; display: inline; "><a href="http://www.flipkart.com/ananya-chatterjea/" style="color: rgb(0, 51, 170); ">Ananya Chatterjea</a></h2> <small style="font-size: 11px; ">(Author)</small></span><a class="item_summary_title_review" rel="nofollow" href="http://www.flipkart.com/butting-out-ananya-chatterjea-reading/0819567337-p7w3fohczf#writereview" style="color: rgb(0, 51, 170); 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float: left; clear: left; width: 970px; margin-top: 0px; "><div></div><div class="item_detail_details_left" style="float: left; clear: left; width: 562px; padding-left: 5px; "><div class="item_left_column" style="float: left; margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 5px; text-align: left; padding-top: 0px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; width: 562px; border-top-width: 1px; border-top-style: dotted; border-top-color: rgb(204, 204, 204); "><span class="item_desc_title" style="display: block; font-family: Arial, Verdana, sans-serif; padding-top: 5px; padding-right: 0px; padding-bottom: 10px; padding-left: 0px; "><b style="font-size: 15px; ">Book: Butting Out: Reading Resistive Choreographies Through Works By Jawole Willa Jo Zollar And Chandralekha</b></span><div class="item_desc_text" style="font-size: 12px; word-spacing: 2px; line-height: 1.4; float: left; ">Jawole Willa Jo Zollar and Chandralekha are major choreographers of the 20th century whose work will leave the dance field with a legacy as important and strong as that of Martha Graham and Doris Humphrey. Zollar is Artistic Director of the world-renowned company, The Urban Bush Women (based in New York City), and Chandralekha is an Indian choreographer (based in Madras) who has performed internationally and is known for her radical mixing of postmodern and traditional dance forms. In this nuanced and in-depth study, dance scholar Ananya Chatterjea shows how each of these choreographers has positioned herself through performance in terms of gender, race, and nationality. Reading each dancer's major works in order to assess their unique contributions to the development of global culture, Butting Out does important theoretical work to identify common threads in the history of cultural production and the aesthetic philosophies of the artists. Chatterjea draws on theory from an array of complementary fields, including women's studies, African-American studies, and postcolonial studies. The book is beautifully enhanced by 42 black and white photographs.</div></div></div></div></span>zubinhttp://www.blogger.com/profile/00585434185374553156noreply@blogger.com0